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  Rhyme A Dozen A - 12 Poets 12...

  Jalaluddin Rumi, Kabir,...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
   
  1 - A Rhyme A Dozen - 12 Poems, 12 Poets, 1 Topic - The Mystic East 
  2 - Only Breath by Jalaluddin Rumi 
  3 - The Guest Is Inside You and Also Inside Me by Kabir 
  4 - An Ocean Without Shore by Muhyiddin Ibn Arabi 
  5 - Neither Hindu Nor Muslim by Bulleh Shah 
  6 - Acceptance by Janabai 
  7 - Go To That Impenetrable Realm by Mirabai 
  8 - Dhanasri Measure by Guru Nanak 
  9 - Dream Fable by Rabia al Basri 
  10 - The Lute Will Beg by Hafiz 
  11 - The Song of Chess by Abraham Ibn Ezra 
  12 - The Value of Friendship by Confucius 
  13 - All Things Pass by Lao Tzu

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  In the Bear's House

  N. Scott Momaday

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  "Let me say at the outset that this book is not about Bear (he would be spoken of in the singular and masculine, capitalized and without an article), or it is only incidentally about him. I am less interested in defining the being of Bear than in trying to understand something about the spirit of wilderness, of which Bear is a very particular expression . . . Bear is a template of the wilderness."—from the Introduction 
   
   
   
  Since receiving the Pulitzer Prize in 1969 for his novel House Made of Dawn, N. Scott Momaday has had one of the most remarkable careers in twentieth-century American letters. Here, in In the Bear's House, Momaday passionately explores themes of loneliness, sacredness, and aggression through his depiction of Bear, the one animal that has both inspired and haunted him throughout his lifetime. 
   
   
   
  With transcendent dignity and gentleness, In the Bear's House celebrates Momaday's extraordinary creative vision and his evolution as one of our most gifted artists.

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  SWANSEA AUTOMATIC (Second Edition)

  Rhys Trimble

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  "This book has shaped this piece of text [ITSELF] already—by neighbouring it (& in my mind) co-opted it, made it something other than an essay—part of SWANSEA culture—We obey these local rules slavishly—and fail to exploit them—[NOT SURE WHAT I'M ON ABOUT HERE]"Authorial violence: Swansea Automatic was published 10 years ago, around the last year of the snake to 0 acclaim except for by those who read it of course. I even did a little residency, which was more like squatting ina little shop on the High Street, Swansea but as time has passed, I came to consider this one of my few, if not only book that can boast the synthesis of my extreme late modernist tendencies and some attempt to fit into the aesthetic of popular fiction. nonetheless it doesn't pull too many punches, it's comedy, it's poetry, it's deconstructed pros,e even philosophy, textual analysis, cynghanedd, and more.Spinning Around the dirty first person narrative is the self-referential Vonegut and recycled psychogeographic of the Fiery Elephant of Johnson, Brooke-Rose, and Sinclair. An attempt to exercise the Demon of Swansea from my formative years. But actually set in North Wales just as much. Swansea is a dream city that could just as easily be London, Glasgow, Belfast, Lublin or Cairo...A second bite the cherry: a second edition is occurring, along with the audiobook and kindle edition and the album (movie!), hopefully generatinga hammer blow on the collective unconscious of our post-media universe. Swansea Automatic justifies itself to me because 2015 was also the very last gasp of the fin de siècle of the apocalyptic contemporary, where the post beats, post flaneur metanarratives where still just about alive. It's rare for me to look back, but I had an idea this one could be a cult book somehow. Help it become so and consume as such, cultishly. 
    
  RT

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  Viva Bartali!

  Damian Walford Davies

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  Inspired by the lyrical, mythic mode of Italian sports journalism from the 1930s to the 1950s, Viva Bartali! is a biography-in-verse of the iconic Italian cyclist Gino Bartali (1914—2000), two-time winner of the Tour de France (1938, 1948), known both as 'Gino the Pious' because of his fervent Catholic faith, and as Ginettaccio ('Gino the Terrible'), owing to the short shrift he so often gave the Press.
  Conjuring Bartali at crux moments in his personal and professional career, through joy and tragedy, defeat and victory, the collection places us alongside the young rider proving his mettle and adding to his palmarès in the edgy atmosphere of Mussolini's Fascist Italy, whose political ideology he loathed. From amateur races to the professional one-day classics and on to Tour de France glory, Bartali is seen alongside his fellow riders as both vulnerable body and élite athlete; both cycling's hard man and fond and bereaved father; both kneeling believer and climbing god.
  The collection gives us an insight into the complex relationship that underpinned his great rivalry with the campionissimo ('champion of champions') Fausto Coppi – the 'man of glass' against Bartali's 'man of iron'. It was a rivalry that a divided a nation and defined a sport. We are with Bartali at the 1948 Tour de France when he takes a phone call from the Italian prime minister, who asks him to do his part in diffusing a political crisis that could have tipped over into violence. And we witness his remarkable secret missions in the saddle as a courier throughout Tuscany during World War 2, carrying forged identity documents that helped save the lives of hundreds of Italian Jews. It was a deed he never spoke about – one for which he was named 'Righteous Among the Nations' by Yad Vashem in 2013.
  "A fascinating, original take on the epic life and career of an Italian hero." John Foot, author of 'Pedalare! Pedalare!'
  "Stylish and sophisticated, this poetic record of an extraordinary life confirms Damian Walford Davies' status as one of the finest poets writing in Wales today." Jem Poster

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  Skunk in the Wilderness

  LOUIS GIGNAC

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  I believe in God when I see 
  a dandelion pressing through the rupture in the pavement. 
  A tiny golden sun forcing its way through the darkness, 
  hell-bent on growing. 
    
  Recognizing the sacred in the everyday, protecting an ailing earth, opening to wonder—these reflections, along with contemplations on the importance of poop, skunks, monarch butterflies, and even bacteria became the urgent subjects of poems written in the space of a few weeks in the winter of 2020-2021. Skunk in the Wilderness reflects the global concerns of that moment in history, in the midst of the pandemic, as well as the personal concerns of the poet’s relationship to his ageing parents and his own life path. Louis Gignac writes passionately and provocatively of the need to protect the earth and connect to nature, with a multitude of subthemes, ranging from relationships to pollution, and from screen addiction to water fasting. Skunk in the Wilderness is above all about becoming conscious. 
    
  . . . Inspiration: 
    
  I know I need it. 
  Can't live without it. 
  I'm always searching for it. 
    
  Can I offer it to you? 
    
  About the Author:  
  Louis Gignac is a visual artist who lives in New Brunswick, in an oceanside village “located halfway between the oyster shells and the sun.” Illustrated throughout with the author’s black and white drawings, this is his first poetry collection. 
  For more information, please visit www.louisgignac.com

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  Sweet Words of Life (Christian...

  Fimalia McNoll

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  I traveled the dirt road with no water in sight. 
  My lips parched and dry from the burning sun. 
  My feet cracked and rough, cut with sharp stones. 
  I had traveled this road many times. 
  I knew the trail, yet somehow this time 
  it seemed unfamiliar; 
  All around was desolation, bareness, and emptiness. 
  I was tired of the heat; I cried out to God 
  "Father please come rescue me." 
  He said, "I am right here." 
  He was just waiting for me to ask for help. 
  He gave me water for my thirst, 
  Food for my hungry soul, and he walked on with me. 
  I trust him more now, 
  I know I will never pass this way again.

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