Other books that might interest you

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  mahogany

  Eric Lewis

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  mahogany takes its name from the dark wood prized for its durability, workability, and elegant look, and from the Diana Ross movie, whose theme song asks if what lies ahead is what you really want. This book is the third in a trilogy, and like the first two books it is steeped in pop music. Each poem here takes its title from a line of a Diana Ross and The Supremes song, as well as songs from Diana Ross' solo career. Short lines flow down the page like postmodern psalms, connecting dailyness to timelessness, merging the historical and the beloved through reverence for family, music, and the life we actually live. mahogany is a lament for the passing of time and unimaginable loss, and at the same time it models the daily search for joy, and the deep shine that can arise from the darkest times.[sample poem]i'm like a woman who once knew splendor*sometimes i feel like the pink pantherall naked and pinklost in the morass ofdo the best you can todayand nigga heal thy selfour end of winterspirits breaklike old tibetan snowi rememberyou was conflictedand i found myself alonehere on my ancient hurtthe disquieting humof living historydear god, pleaseput my head above my heartwe can only be togetherif the stories are toldplain facesame instrumentjust a couple of coke bottlesfull of gasolinelike god and rainis a waste of timemy mother used to clean housesas a childsome days i can barelyget out of bedin my mindshe's like diana rossscrubbing the white lady's stairsin lady sings the bluesexcept prettierand with green eyesi've just been livingoff of cough dropsand water and angerjust sitting in the whole foodsparking lot eating pineapplei am literallythe definition of "hot mess"pain changes everythingsomebody comeand pick upmy limp bodyoff the groundi am dyinga slow ohio deathwe miss you starmanit's our first sunrise of the burn* "dark side of the world"erica lewis

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  Boat

  Lisa Robertson

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  From the author of The Baudelaire Fractal, a poetry classic, with new work
  		 
  In 2004, boldly original poet Lisa Robertson published a chapbook, Rousseau’s Boat, poems culled from years of notebooks that are, nevertheless, by no means autobiographical. In 2010, she expanded the work into a full-length book, R’s Boat. During the pandemic, she was drawn back into decades of journals to shape Boat. These poems bring fresh vehemence to Robertson’s ongoing examination of the changing shape of feminism, the male-dominated philosophical tradition, the daily forms of discourse, and the possibilities of language itself.

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  Black Milk

  Vassily Sigarev

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  A worm's eye view of post-Communist Russia, from the Siberian-born author of Plasticine.
  A remote railway station in the 'Boundless Motherland'. Stranded there are a young spiv, selling overpriced toasters to the local peasantry, and his heavily pregnant wife. They don't like the place, they don't like the people, and they don't much like each other...
  Vassily Sigarev's play Black Milk, in this English translation by Sasha Dugdale, was first performed at the Royal Court Theatre, London, in 2003.

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  Winston and the Duke - Full Cast...

  Rory Fellowes

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  They say you can’t catch a fish with a hook.  
   
  It’s 1925, a world on the cusp of change. Hitler has published Mein Kampf and Mussolini has shut down the free press in Italy. 
   
  Three friends meet on a Scottish estate for a weekend of salmon fishing and convivial conversation over brandy and cigars: Winston Churchill, future world leader, ‘Bendor’, 2nd Duke of Westminster and Coco Chanel, iconic fashion entrepreneur. The narrative develops into a visceral account interspersed with sharp and insightful humour, revealing two men whose deep friendship is divided by their profound political differences, as each of them tries to navigate an uncertain world. 
   
  And then there is Coco Chanel, also an accomplished angler and Bendor’s mistress. She enters wearing furs and exits wearing waders. 
   
  In Winston & The Duke, Rory Fellowes delivers a thought-provoking play that invites the audience to question: 
  Have we learned anything from history?Should we pay attention to past events rather than purge them for comfort’s sake?Can controversial friendships exist openly and provoke change in today’s political arena?  
   
  That is for the listener to decide. 
   
  Winston & The Duke was developed through WIN: Writers Innovative Network and was directed by Maureen Payne-Hahner.

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  Blue Mist

  Mohamed-Zain Dada

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  'Shisha lounges are an essential part of the Muslim experience, bruv, like the Fillet-O-Fish.'
  Chunkyz Shisha Lounge is a home away from home for Jihad, Rashid and Asif, a space where community whispers are heard, jokes are told, and new hustles are born. But its future is under threat, having become a target for local politicians.
  Aspiring journalist Jihad wants to fight back. After winning a competition to produce his own documentary, he sets out to create something that gives a voice to his community and challenges the usual stereotypes that fill the airwaves. Will he be able to create something that makes his boys proud? Or will his dreams of becoming a journalist come at a cost too high to bear?
  Mohamed-Zain Dada's debut play, Blue Mist is a story about South Asian Muslim men navigating a system that isn't built for them. It premiered at the Royal Court Theatre, London, in October 2023, directed by Milli Bhatia, in a co-production with SISTER.
  Blue Mist won Best Stage Production at the 2024 Asian Media Awards.

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  Girl from the North Country (NHB...

  Conor McPherson, Bob Dylan

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  Duluth, Minnesota. 1934. A community living on a knife-edge. Lost and lonely people huddle together in the local guesthouse.
  The owner, Nick, owes more money than he can ever repay, his wife Elizabeth is losing her mind, and their daughter Marianne is carrying a child no one will account for.
  So, when a preacher selling bibles and a boxer looking for a comeback turn up in the middle of the night, things spiral beyond the point of no return…
  In Girl from the North Country, Conor McPherson beautifully weaves the iconic songbook of Bob Dylan into a show full of hope, heartbreak and soul. It premiered at The Old Vic, London, in July 2017, in a production directed by Conor McPherson, and later transferred to the West End, Broadway, Australia, Ireland and toured the UK.

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