Other books that might interest you

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  Once Upon a Time There Were Two...

  Allysa Agnes

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  'Once Upon a Time There Were Two Poetry Books...' is the debut poetry book by Allysa Agnes, also known as mgr Agnieszka Snarska, a Polish poet, writer, and blogger. This book is for you if you like romantic poetry or experimental poetry. You can also find here something for you if you like poetry to be thought-provoking or funny.
   
  This book is made of three volumes:I. Love, Pain and Other Addictions (2011-2017),II. Student's Notes (Opening Eyes) (2017-2021),III. A Book Made of Aphorisms Only (2020-2022).
   
  The writer was at the age of 13-23 while writing these poetry pieces, so it's both for young and a little bit older people, indeed.
   
  
   
  You can learn more about these poems, listening to the podcast 'Romantic Wednesdays With Poetry'.

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  Pelléas and Mélisande

  Maurice Maeterlinck

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  Pelléas and Mélisande by Maurice Maeterlinck is a haunting and poetic masterpiece of Symbolist drama that explores love, fate, and the mysterious forces that shape human lives. First published in 1892, the play stands as one of the most influential works of European theatre, known for its dreamlike atmosphere, emotional subtlety, and profound exploration of hidden desires and destiny. 🌙📖
  
  The story begins when Prince Golaud discovers a mysterious young woman named Mélisande wandering alone in a forest. Enchanted by her beauty and quiet sadness, he marries her and brings her to the gloomy castle of Allemonde. Yet Mélisande's past remains unknown, and an aura of secrecy surrounds her presence. Within the castle walls, she forms a deep and tender bond with Pelléas, Golaud's younger half-brother.
  
  As their connection grows, an unspoken love emerges between Pelléas and Mélisande—one filled with innocence, longing, and emotional intensity. However, the oppressive atmosphere of the castle and Golaud's rising jealousy cast a shadow over their relationship. Suspicion, silence, and misunderstanding gradually lead the characters toward a tragic and inevitable fate.
  
  Maeterlinck's play is celebrated for its symbolic storytelling and lyrical dialogue. Rather than focusing on action, the drama emphasizes mood, suggestion, and the hidden emotions beneath everyday words. The mysterious setting, dimly lit castles, dark forests, and quiet fountains all contribute to a powerful sense of melancholy and destiny.
  
  Through its delicate and atmospheric narrative, Pelléas and Mélisande explores themes of forbidden love, innocence, jealousy, and the fragile nature of human happiness. The characters seem guided by forces beyond their control, reflecting the Symbolist belief that unseen powers and subconscious emotions shape human experience.
  
  The play's influence extended far beyond literature, inspiring artists, composers, and playwrights across Europe. Most notably, it served as the basis for Claude Debussy's famous opera of the same name, further cementing its place in cultural history.
  
  Today, Pelléas and Mélisande remains a timeless work of poetic drama, admired for its emotional depth, haunting beauty, and philosophical reflection on love and fate. 🌫️ Through its quiet intensity and symbolic richness, Maeterlinck's masterpiece continues to captivate readers and audiences around the world.

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  Poets & Their Trades – Diplomats...

  Sir Thomas Wyatt, James Russell...

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  The life and career of a Poet is often thought of as musing at a desk, or lying in a meadow, or on long journeys to find inspiration for their next masterwork.  But more often than not a poet was a part-time profession in subservient submission to their actual, salary-paying job.   
  In this volume we bring together those professionals whose skills are based on using words to achieve the ambitions, policies, desires and sleights of hand of their Governments and institutions.  This calculated logic and scheming enhances both diplomacy and their poetry.

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  Modern Poetry - Poems

  Diane Seuss

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  Diane Seuss's signature voice—audacious in its honesty, virtuosic in its artistry, outsider in its attitude—has become one of the most original in contemporary poetry. Her latest collection takes its title, Modern Poetry, from the first textbook Seuss encountered as a child and the first poetry course she took in college, as an enrapt but ill-equipped student, one who felt poetry was beyond her reach. Many of the poems make use of the forms and terms of musical and poetic craft—ballad, fugue, aria, refrain, coda—and contend with the works of writers overrepresented in textbooks and anthologies and those too often underrepresented. Seuss provides a moving account of her picaresque years and their uncertainties, and in the process, she enters the realm between Modernism and Romanticism, between romance and objectivity, with Keats as ghost, lover, and interlocutor. 
   
   
   
  In poems of rangy curiosity, sharp humor, and illuminating self-scrutiny, Modern Poetry investigates our time's deep isolation and divisiveness and asks: What can poetry be now? Do poems still have the capacity to mean? "It seems wrong / to curl now within the confines / of a poem," Seuss writes. "You can't hide / from what you made / inside what you made." What she finds there, finally, is a surprising but unmistakable love.

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  More Translations From The...

  Arthur Waley

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  There have been many translators of Chinese literature and poetry over time, but Arthur Waley stands out as one of the best known and most loved. This is perhaps because he had an attribute that most others lacked, which is his poetic abilities. Waley was as much a poet himself as a translator, and while his scholarly erudition was matched by a few others at his time, none ever managed to bring out the true character of Chinese poetry quite so well.

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  Room Swept Home

  Remica Bingham-Risher

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  Room Swept Home serves as a gloriously rendered magnifying glass into all that is held in the line between the private and public, the investigative and generative, the self and those who came before us. In a strange twist of kismet, two of Bingham-Risher's ancestors intersect in Petersburg, Virginia, forty years before she herself is born: her paternal great-great-great grandmother, Minnie Lee Fowlkes, is interviewed for the Works Progress Administration Slave Narratives in Petersburg in 1937, and her maternal grandmother, Mary Knight, is sent to Petersburg in 1941, diagnosed with "water on the brain"—postpartum depression being an ongoing mystery—nine days after birthing her first child. Marrying meticulous archival research with Womanist scholarship and her hallmark lyrical precision, Bingham-Risher's latest collection treads the murky waters of race, lineage, faith, mental health, women's rights, and the violent reckoning that inhabits the discrepancy between lived versus textbook history, asking: What do we inherit when trauma is at the core of our fractured living?[sample poem]XI. the more ground covered, the more liberated you becameI am scared my mind will turn on me. I am scared I will be naked in a burning house. I am scared my children won't outpace me.I am scared my children (who aren't made by me) believe I am a sad imitation of the others.I am scared I will gather in a roomwhere everyone will ask me to rememberand when I don't lie they'll say I'd hate to be you. I've lived long enough to be scared my kidneys will give out on me. I've lived long enough to know just when they should. I have never shared my fears with anyone; I am scared they will map the land and take liberties. Will the women be ashamed? I'm scared to ask. What will live again? What will die with me?

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