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  Tropic Death

  Eric Walrond

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  Stories by “one of the Harlem Renaissance’s most original writers . . . Gothic surrealism that fascinates and repels with the intensity of a sunstroke” (David Levering Lewis, Pulitzer Prize–winning author).   The only published work by Caribbean-born author Eric Walrond, Tropic Death was acclaimed by Langston Hughes for its “hard poetic beauty.” After having lived in Panama at one point during his early years, Walrond considered himself a spiritual native of the country, and in many of these stories, he portrays the diverse mix of workers who labored to build the Panama Canal. He also captures the beauty and danger of nature, especially the sun, in such tropical climates as Guiana and Barbados.   In “Drought,” a man grieves his dead daughter, while in “Panama Gold,” a tragic fire deprives a lonely woman of a chance at love. Two boys risk shark-infested waters to dive for coins thrown by tourists in “The Wharf Rats.” Seven more stories are included in the collection, which ends with the autobiographical “Tropic Death.”   “In prose . . . tough as the hanging vines from which monkeys leap and chatter, and as unsentimental as the blazing sun, ten intimate and body-touching pictures of the West Indies unroll themselves. There is nothing soft about this book. . . . The throbbing life and sun-bright hardness of these pages fascinate me. . . . And the ease and accuracy of Mr. Walrond’s West Indian dialects support one in the belief that he knows very well the people of who he writes.” —Langston Hughes, New York Herald Tribune Book Review   “A book which excites and disturbs, oppresses and enchants the reader.” —The New York Times Book Review

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  Still So Strange

  Amanda Downum

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  The World Fantasy Award Finalist: “It’s Clive Barker crossed with Tanith Lee set to a Siouxsie and the Banshees beat, and I loved every second of it.” —Gemma Files, Shirley Jackson Award–winning author of Experimental Film Welcome to a world of monsters, ghosts, and witches, both seductive and terrifying. In the first collection of short fiction from the author of the Necromancer Chronicles, reality shifts and shimmers with potent magic. More than twenty works, including two poems, feature characters who will steal your heart just as easily as your soul. In “Wrack,” a fisherman becomes so enchanted by a mermaid that the call of the waves becomes impossible to resist. When a killer comes to “Dogtown,” he learns that his bark isn’t worse than the bites of the locals. A dying artist returns to Ireland, where the faerie she has always loved tempts her with eternal life, as long as she leaves her humanity on the shore like so much “Flotsam.” And in “Smoke & Mirrors,” the circus comes to a town strangely bereft of ghosts, thanks to a demonic being conducting a train to the netherworld. With prose that is “gently pulling, promising beautifully cold oblivion in smothering darkness,” Amanda Downum transports you to sweltering southern swamps and the labyrinthine streets of Old World cities, proving without a doubt that “she’s one of the very best dark fantastical writers working today” (Bracken MacLeod, author of Closing Costs). “Ethereal, atmospheric, and mysterious.” —Elizabeth Bear, Hugo Award–winning author of Machine “These stories range from the melancholic to the downright chilling, and deftly evoke both the truly strange and the very human.” —Liz Bourke, author and reviewer for Tor.com and Locus

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  The Curious Case of Benjamin Button

  F. Scott Fitzgerald

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  The classic story of a man who ages backwards—and inspiration for the film starring Brad Pitt and Cate Blanchett—by the author of The Great Gatsby.   Penned by one of the greatest literary talents of the twentieth century, The Curious Case of Benjamin Button follows the adventures of a man born at the age of seventy, living his life in reverse. After achieving success in the military and in business, and becoming a husband and father, Benjamin goes on to attend college, prep school, and then—as his mind begins to deteriorate—kindergarten.   At once humorous and haunting, “Fitzgerald’s wonderfully simple story is a kind of conjuring trick, an exercise in forcing the impossible into the mundane. You end it both amused and slightly saddened. For the most curious thing about Benjamin Button’s life is how ordinary it seems. All the usual triumphs and miseries are there: it’s just that the start and end aren’t the same” (The Guardian).

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  Pony Girl Slave - Kidnapped by...

  Verity Black

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  Lester loved the danger of exposing himself to strange women. Until that is he meets a woman and her equestrian daughter that are going to whip him into shape, quite literally. Both riding women set about breaking this poor male’s spirit like a twig until his brain is mush and he is a compliant ponyslave of the riding girl. A Double Femdom Mother & Daughter Riding Mistress Short Story approximately 6000 words. This is Book Number One in the Equestrian BDSM Femdom Series.
   
  For lovers of young superior riding women and the weak male submissives that serve them.

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