Altri libri che potrebbero interessarti

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  L'autora

  Ella Hickson

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  Una jove escriptora vol fer la revolució. Trobar una manera nova d'explicar una història. Trencar els esquemes d'un imaginari dominat pels homes en la construcció de les ficcions. Començar de zero. La pregunta és: com? I a quin preu? Ella Hickson explora els mecanismes del patriarcat a la societat contemporània i al món de la creació amb una peça mordaç i incòmoda sobre l'autoria, el desig, el poder i les violències —visibles i invisibles— que travessen l'escena i la vida.

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  La reina del cor: Comedia lirica...

  Ignasi Iglesias

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  "La reina del cor : Comedia lírica en un acte by Ignasi Iglesias" is a one-act lyric comedy (stage play with songs) written in the early 20th century. Set in a rural Catalan inn on Saint Anthony Abbot's day, it blends music, festivity, and romantic intrigue; the likely topic is a simple love story unfolding amid a carters' celebration. The play follows Reina, a virtuous young maid, and Tralla, a frank, big-hearted widowed carter who adores her and dreams of giving her a home and a daughter to love. Paula, the bustling innkeeper, nudges Reina to accept him, and Reina finally admits she has loved Tralla all along. As the village revels in the Tres Toms—drinking, joking, and preparing for the evening dance—Ramonet, Paula's son and a local favorite, realizes too late that he also loves Reina. Tralla publicly declares his intentions, warns Ramonet to show respect, and sets off to fetch the marriage papers. The comic bustle of Milhomes and the other carters, the musicians' lively tunes, and the promise of the ball frame the happy resolution: Reina joyfully waves her kerchief to Tralla as he departs, sealing a straightforward, affectionate union in the midst of communal merriment. This Catalan-language digital edition is prepared with active navigation, clean typography, a custom cover and a reading file stripped of source-site notices, donation text and unnecessary external links.

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  El dormitori

  Attilio Bertolucci, Joan-Elies...

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  «Novel·la familiar (a la manera antiga)». Així és com Attilio Bertolucci es refereix a El dormitori, un dels llibres importants de la literatura italiana del segle XX. Un meravellós poema narratiu publicat inicialment en dos volums separats, els anys 1984 i 1988, que ara presentem en la primera traducció europea completa.
  És una autobiografia «dibuixada en somni», un poema riu que flueix per l'arbre genealògic dels Bertolucci i els fets principals de la història italiana: Casarola i els Apenins, la casa dels avantpassats entre castanyers, el pare terratinent i la mare inquieta, la infantesa i la joventut entre Parma i el camp, l'amor per Ninetta, els fills Bernardo i Giuseppe —futurs cineastes—, la vaga camperola de 1908, la violència feixista i la dolorosa batuda nazi de 1944.
  Enmig d'una sofisticada i minuciosa construcció de la memòria familiar, hi destaca el dormitori, que «té com a finalitat principal / el pecat dels cònjuges, però aviat / es fa còmplice d'un amor que mai / no podrà / trobar assossec damunt la terra».

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  La mare eterna: Drama en tres actes

  Ignasi Iglesias

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  La mare eterna by Ignasi Iglesias is a play written in the early 20th century. Set in a prosperous farmhouse in the Vallès, it explores the pull between religious duty and earthly love as the seminarian Gabriel wavers between a promise to his late mother and his growing feelings for his cousin Marió. The poet Florenci, a frail guest from the city enamored of rural life, champions vitality, art, and freedom, unsettling the devout farmer Andreu and inspiring the hired hands. The drama promises a collision of piety, passion, and nature's call within a vividly rendered agrarian world. At the start of the play, Marió and her uncle Andreu prepare supper and worry about Florenci's sway over Gabriel; after Gabriel and Florenci return from the fields, the farmhands join, and while Andreu leads prayers, Florenci quietly recites his stirring "Cant de Juny," enchanting the workers and so moving Gabriel that he drops his breviary. The next morning Florenci coaxes Marió's feelings into view, and Gabriel—now in secular clothes—confides to Florenci that he lacks vocation and loves Marió; urged to choose life, he decides to tell his father. When the hands bustle off to cook a rustic snack (and beg Florenci for more verses), Gabriel declares his love to Marió; she resists out of duty and fear of censure but is clearly touched, leaving him a kissed flower as she withdraws in tears. The opening closes with Gabriel torn yet newly resolute, alone as the others depart. This Catalan-language digital edition is prepared with active navigation, clean typography, a custom cover and a reading file stripped of source-site notices, donation text and unnecessary external links.

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  Llibre d'horas

  Apeles Mestres

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  "Llibre d''horas by Apeles Mestres" is a lyrical poetry collection written in the late 19th century. Shaped like a traditional book of hours, it traces a single day from dawn to night, blending vivid nature imagery with gentle philosophical reflections on time, presence, love, and a discreet sense of the divine. The morning poems awaken with the lark and first light, urging us to seize the only sure moment—now—while counseling calm, constancy, and trust in a higher purpose. Midday celebrates sunlit fields alive with birds, blossoms, and buzzing life. Afternoon turns meditative: clouds transform and pass, losses are met with nature's renewals, melancholy lengthens yet yields to hope, and twilight hushes the landscape as mountains sleep and two vigilant cats face off in a garden. Night widens the gaze to the cosmos—the moon's silent path, the world stilled under silver light, the Angel of Sleep, the clock grinding moments into eternity, questions whispered to the stars—and closes with a luminous vision of God moving through sky, sea, and fields, affirming the quiet rhythms of life and a serene, steadfast faith. This Catalan-language digital edition is prepared with active navigation, clean typography, a custom cover and a reading file stripped of source-site notices, donation text and unnecessary external links.

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  Nausica: Tragedia en tres actes...

  Joan Maragall

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  "Nausica: Tragedia en tres actes treta de l'Odissea d'Homer" by Joan Maragall is a tragedy written between 1908 and 1911. This posthumous work reimagines the encounter between adolescent Princess Nausica and the mature hero Ulysses as he journeys home to Ithaca. Inspired by Goethe's version, Maragall explores the impossible attraction between the youthful princess and the seasoned wanderer, each bound by their inescapable destinies. The tragedy concludes with a tearful farewell rather than despair, as both characters accept their separate fates. This Catalan-language digital edition is prepared with active navigation, clean typography, a custom cover and a reading file stripped of source-site notices, donation text and unnecessary external links.

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