Weitere Bücher, die Sie mögen werden

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  Spirit

  Helle Gade

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  A new collection of poems by this award-winning author will take your breath away with the emotions portraying love and loss, sadness and joy. Connect with her words and celebrate life and acknowledge the loss as the author takes you on a journey through her emotions in a most beautiful way – with her carefully chosen words. Her undeniable talent, her beautiful words, the loss she reflects on, will all make you feel her emotions deeply, as they resonate with yours.

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  Julia or The Convent of St...

  Amelia Opie

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  Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. 
  After the death of her mother on New Year’s Eve 1784 she became her father's housekeeper and hostess. 
  The young Amelia was energetic, attractive, and an admirer of fashion.  She spent much of her youth writing poetry and plays and putting on local amateur theatricals.  At 18 she had published anonymously ‘The Dangers of Coquetry’. 
  Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. 
  Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times.  From this point on published works were far more regular.  The following year her volume ‘Poems’ appeared and was again very popular.  Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works.  She was also keenly involved in a love of society and its attendant frills. 
  Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery.  
  Her husband died in 1807 and she paused from writing for a few years before resuming with further novels and poems.  Of particular interest was her short poem ‘The Black Man's Lament’ in 1826.  Her life now was in the main spent travelling and working for charities and against slavery.  She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. 
  After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom.  
  Amelia Opie died on the 2nd December 1853 in Norwich.  She was 84.

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  Scenes from a Repatriation

  Joel Tan

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  'All of human history? It's basically people taking things from each other.'
  A thousand-year-old statue of the Bodhisattva Guanyin lives in the British Museum. When it emerges that the statue was stolen from its original home, the museum attempts to deflect both the public response and controversial repatriation claims from the Chinese government.
  As statesmen scheme and grease their palms, beneath the statue, witches dance, a cleaner prays, and spirits weep.
  Joel Tan's daring, shape-shifting play unfolds the statue's journey from China to Britain and back again, stirring up age-old ghosts and asking who can claim cultural artefacts – and why?
  Scenes from a Repatriation was first performed at the Royal Court Theatre, London, in 2025, directed by experimental theatre-makers emma + pj.

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  Happy Place

  Joey Polisena

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  IMPLIED SECRETS: Poetry slides an incisor behind our addiction to living, rips essence from its bones and grinds us chunk to paste, half sustenance, the rest, waste. Verses are beds for the senseless masturbated to perfect sense. Sentiments and sympathies in micro-doses of self-psychoanalytics affixed to symptoms, ticks, and epiphanies. Come inside, we have odes to sing. *** These verses twist trauma and grief into self-loving peace, a therapy cushion of words and doodle artwork. Come feel the dark so we can see the light again.

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  Drive

  Elaine Sexton

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  Poems exploring our most fragile points of connection to lovers and family, to the living and the dead, and to oneself, one's own life's work--with the care and wisdom of one who knows these roads.'Silently / pulling for itself, / the will wants the body to // give it what it wants,' Sexton writes in 'Between the Car and the Sea,' at once a description of a carís body propelling her onward, and of the poet herself, the one behind the wheel of this masterful fourth collection. In an extraordinary act of volition, the author does not stop at the trope of ambition, but powers instead toward the urgent concerns of the will, and intention.

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  Raging: Three Plays Seven Years...

  Deirdre Kinahan

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  A trilogy of landmark plays commemorating seven years of warfare in Ireland, from the 1916 Easter Rising to the Civil War which began in 1922.
  Wild Sky is a story of interlocking lives: of the politicised Josie Dunne, and of Tom Farrell, who is driven only by his love for her. As the Rising plays out, there are unforeseen consequences for everyone involved...
  Embargo focuses on a pivotal moment during the Irish War of Independence in 1920, when dockers and railmen refused to transport armed troops or handle any weapons arriving from Britain.
  Outrage follows two sisters, Alice and Nell, who play key roles in organising civic resistance and the propaganda war. Like everyone else in Ireland, they become deeply conflicted as the country spins toward a devastating Civil War.
  Each of the three plays was first performed a century after the event which it depicts, and they were commissioned and performed by companies including Fishamble: The New Play Company, Meath County Council Arts Office, Dublin Port Company and Iarnród Éireann.
  Together, they challenge the historical narrative, mixing true-life testimonies with powerful drama to create a theatrical hurricane of empathy, action and truth.

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