Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
Geometric Patterns Angles and the Guitar - A 'Chordological' Shifting Perspective - cover

Geometric Patterns Angles and the Guitar - A 'Chordological' Shifting Perspective

Steve Persaud

Publisher: Modern History Press

  • 0
  • 0
  • 0

Summary

A Novel Approach to Learning Guitar Chord Progressions  This treatise seeks to encourage guitarists of all levels to find their voice by experimenting and creating chordal ideas by playing notes on any part of the fingerboard to come up with their own chord shapes and patterns and not necessarily familiar, geometric shapes. These chord progressions can express an emotion or tone, be it sad, happy, humorous, mysterious, and the next step is to use an online chord app (if needed) to determine the names of the chords that were created. Guitarists who compose instrumental pieces will not be limited by conventional chord shapes but can come up with unusual chordal ideas that highlight their creative and compositional abilities against a background of shapes and patterns.  "This is interesting! I am an intermediate-level guitar player, and I am only familiar with moving basic chord shapes vertically, but I do think it would have been very useful if I had been familiar with these chord shapes, and this concept of moving them horizontally, earlier in my learning process." -- Dennis Dezentje, The Netherlands  "I have read this book repeatedly and found it quite interesting. It did not take long to recognize the genius it unleashed. As I explored Persaud's Geometric Patterns, Angles and the Guitar and applied its principles, I most certainly wished I had had access to it much earlier during my exposure to advanced guitar methods." -- Hezekiah Dean, District Superintendent of Education (retired), Bahamas  "This method can revolutionize the way a student is taught to play a musical instrument. Many students have problems processing words. For many of them, learning through visualizing shapes and the pattern of movements will be easier because the concept is more concrete. Geometric Patterns, Angles and the Guitar will have great success with both tactile and visual learners." -- Mary Moncur Grey, B.A., Dip Ed., MBA  "The author provides an interesting geometrical concept, something that the mathematically oriented guitarist will certainly appreciate. Geometric Patterns, Angles and the Guitar will open up a less-trodden path for guitarists, allowing them to explore chord construction, sounds and tonalities. Welcome to music creativity beyond basic music theory." --Rehman Abdul, M.S., P. Eng., Geotechnical Engineer
Available since: 06/01/2023.
Print length: 24 pages.

Other books that might interest you

  • Frank Lloyd Wright on the West Coast - cover

    Frank Lloyd Wright on the West...

    Mark Anthony Wilson

    • 0
    • 0
    • 0
    Frank Lloyd Wright’s buildings on the West Coast have not been thoroughly covered in print until now. Between 1909 and 1959, Wright designed a total of 38 structures up and down the West Coast, from Seattle to Southern California. These include well-known structures such as the Marin County Civic Center and Hollyhock House in Los Angeles, and many lesser-known gems such as the 1909 Stewart House near Santa Barbara.
    Show book
  • The Critical Role Of "Guarded" Chief Justice John Roberts - cover

    The Critical Role Of "Guarded"...

    PBS NewsHour

    • 0
    • 0
    • 0
    With the country feeling deeply polarized and a Supreme Court that has moved to the right under President Trump, the role of Chief Justice John Roberts is attracting increased interest and scrutiny, including in The Chief, a new book by Joan Biskupic. Judy Woodruff talks to Biskupic about the pivotal justice's “guarded” personality, drive to achieve and hallmark judicial decisions.
    Show book
  • The erotic museum of Berlin - cover

    The erotic museum of Berlin

    Hans-Jürgen Döpp

    • 0
    • 2
    • 0
    Berlin, once perceived of as a puritan city, became in the 1920’s the capital of lust and the decadence of morals.
    It is in this capricious town that an exceptional museum entirely dedicated to eroticism opened its doors. Abandoning all aspects of voyeurism, the Erotic Museum in Berlin is a magical place where the imagination of man and the most refined works of art interact.
    This remarkable book is comprised of more than 350 rare illustrations, and accompanied by a major study written by the history professor, Hans-Jürgen Döpp. It  covers different aspects of erotica throughout time and continents.
    Show book
  • Strangers on a Train - Hollywood Stage - cover

    Strangers on a Train - Hollywood...

    Hollywood Stage Productions

    • 0
    • 0
    • 0
    Hollywood is indelibly printed in our minds as the ‘go-to’ place for entertainment and has been for decades.  When there really did seem to be more stars in Hollywood than in Heaven Hollywood Stage had them performing films as radio plays – on the sponsors dime of course.  Classic films now become audiobooks with many featuring the original stars from way back when. Here's Strangers on a Train starring Ray Milland & Ruth Roman.
    Show book
  • Cassatt and artworks - cover

    Cassatt and artworks

    Nathalia Brodskaïa

    • 0
    • 0
    • 0
    Mary was born in Pittsburgh. Her father was a banker of liberal educational ideas and the entire family appears to have been sympathetic to French culture. Mary was no more than five or six years old when she first saw Paris, and she was still in her teens when she decided to become a painter. She went to Italy, on to Antwerp, then to Rome, andfinally returned to Paris where in 1874, she permanently settled. 
    In 1872, Cassatt sent her first work to the Salon, others followed in the succeeding years until 1875, when a portrait of her sister was rejected. She divined that the jury had not been satisfied with the background, so she re-painted it several times until, in the next Salon, the same portrait was accepted. At this moment Degas asked her to exhibit with him and his friends, the Impressionist Group, then rising into view, and she accepted with joy. She admired Manet, Courbet and Degas, and hated conventional art. 
    Cassatt’s biographer stressed the intellectuality and sentiment apparent in her work, as well as the emotion and distinction with which she has painted her favourite models: babies and their mothers. He then speaks of her predominant interest in draughtsmanship and her gift for linear pattern, a gift greatly strengthened by her study of Japanese art and her emulation of its style in the colour prints she made. While her style may partake of the style of others, her draughtsmanship, her composition, her light, and her colour are, indeed, her own. There are qualities of tenderness in her work which could have been put there, perhaps, only by a woman. The qualities which make her work of lasting value are those put there by an outstanding painter.
    Show book
  • New Jerusalem - The Interrogation of Baruch de Spinoza at Talmud Torah Congregation: Amsterdam July 27 1656 - cover

    New Jerusalem - The...

    David Ives

    • 0
    • 0
    • 0
    As a young Jewish man in 17th century Amsterdam, Baruch de Spinoza excelled as a theological student; but as he encountered free-thinking Protestants, atheists, and radicals in this relatively tolerant city, he began to question his religion and the nature of God. As a result, he was branded a heretic and faced excommunication.
    
    Includes an interview with Steven Nadler, Professor of Philosophy at the University of Wisconsin-Madison, and author of A Book Forged in Hell: Spinoza’s Scandalous Treatise and the Birth of the Secular Age.
    
    Recorded before a live audience at the Skirball Cultural Center, Los Angeles, in July 2011.
    
    Director: Rosalind Ayres
    Producing Director: Susan Albert Loewenberg
    An L.A. Theatre Works Full-Cast Performance Featuring:
    Edward Asner as Abraham van Valkenburgh
    Richard Easton as Saul Levi Mortera
    Andrea Gabriel as Clara
    Arye Gross as Ben Israel
    Amy Pietz as Rebekah
    James Wagner as Simon de Vries
    Matthew Wolf as Baruch de Spinoza
    Associate Producer: Christina Montaño
    Recording Engineer/Sound Designer/Editor: Mark Holden for The Invisible Studios, West Hollywood
    Sound Effects Artist: Tony Palermo
    Show book