Altri libri che potrebbero interessarti

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  The Top 10 Poets – English...

  John Keats, William Wordsworth,...

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  The language of Poetry is an art that most of us attempt at some point in our lives.  Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. 
  But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. 
  In this volume we listen to the world through the eyes and words of the English Romantics.  This very special poetical period is filled with the loving and tender verse of poets who still beguile us all with their beauty.

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  Please make me pretty I don't...

  Tawanda Mulalu

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  The debut collection of an exciting new voice in poetry 
   
   
   
  Please make me pretty, I don't want to die explores tactility, sound, sensuality, and intimacy. Set across the four seasons of a year, these fresh and original poems by Tawanda Mulalu combine an inviting confessional voice and offbeat imagery, and offer an appealing mixture of seriousness and humor. 
   
   
   
  The speaker of these poems probes romantic and interracial intimacy, the strangeness and difficulty of his experiences as a diasporic Black African in White America, his time working as a teacher's assistant in a third-grade classroom, and his ambivalent admiration for canonical poets who have influenced him, especially Sylvia Plath. Juxtaposing traditional forms such as sonnets and elegies with less orthodox interjections, such as prose-poem "prayers" and other meditations, the collection presents a poetic world both familiar and jarring—one in which history, the body, and poetry can collide in a single surprising turn of image: "The stars also suffer. Immense and dead, their gasses burn / distant like castanets of antebellum teeth. My open window / a synecdoche of country."

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  The Hurting Kind

  Ada Limón

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  An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.“I have always been too sensitive, a weeper / from a long line of weepers,” writes Limón. “I am the hurting kind.” What does it mean to be the hurting kind? To be sensitive not only to the world’s pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings—and to know that those beings are resolutely their own, that they “do not / care to be seen as symbols”?With Limón’s remarkable ability to trace thought, The Hurting Kind explores those questions—incorporating others’ stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. “Slippery and waddle thieving my tomatoes still / green in the morning’s shade,” writes Limón of a groundhog in her garden, “she is doing what she can to survive.”

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  Live is Overrated

  Gorko

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  "Life is Overrated" is a thought-provoking collection that delves into various aspects of life, love, and social topics, among others. 
  Gorko has a unique way of expressing himself through a brutally honest yet eloquent approach. 
  Every poem is a captivating story that is worth reading for poetry lovers and those who are seeking a fresh new stream in their reading material.

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  Boy Gets Girl - A Play

  Rebecca Gilman

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  What is a stalker? And what kind of life can a woman lead when she knows she is being followed, obsessively and perhaps dangerously, by one?This is the dilemma facing Theresa Bedell, a reporter in New York, in Rebecca Gilman's tensely fascinating new play. When Theresa goes on an awkward blind date with a friend of a friend, she sees no reason to continue the relationship--but the man, an attractive fellow named Tony, thinks otherwise. While Theresa is at first annoyed yet flattered by his continuing attention, her attitude gradually changes to one of fear and fury when he starts violently to menace her and those around her.In brilliantly delineating the kind of terror a woman in full control of her life feels when everything around her suddenly seems to be a threat, Gilman probes the dark side of relationships in the 1990s with the rich insight and compelling characterizations that have distinguished her earlier plays and made her one of the most exciting young playwrights working today.

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  Southern Fried Shakespeare - A...

  Robert James

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  Welcome y'all! This project was created for those who think they don't like Shakespeare. It is a completely unsanctioned and unconventional interpretation of some of the works of William Shakespeare. If you are a purist be forewarned! I have always been fascinated with the written works of Shakespeare since I was a child trying to decipher the giant volume of his works I discovered in my father's library. I knew it was important historically but the language had me often running to a dictionary in those pre-Google days. Understanding a live performance was an equally challenging task as the British accents combined with the lambic pentameter rhythm left me struggling to understand the meaning. But once you figure what he's saying you realized these timeless stories of dysfunctional families and political intrigue are just as relevant today as 400 years ago. Every actor in training experiences the works of William Shakespeare to some degree. While memorizing lines I would try various characters and accents. For Richard III's famous opening monologue I settled on a genteel aristocrat from the Southern United States. I shared with my instructor and after some initial eye rolls he had to admit it was easier to understand. Eventually I created a one man show around the idea and wrote original songs that I believe express the emotion and underlying intentions of the pieces. And of course what's a variety show without an MC or two. In this case two squabbling siblings Auntie Bella and her twin brother Beauregard to bring a small respite to the drama. During the COVID pandemic I decided to record an audio version of the show. I hope you enjoy my family of misfits as much as I did creating them. But hey, to thine own taste be true. Cousin Willy must have had a sense of humor to write some of this stuff!

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