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  White Nights - Audiobook

  Fyodor Dostoevsky, Classic...

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  Fyodor Dostoevsky's White Nights is a deeply emotional and poetic novella that explores themes of loneliness, dreams, and fleeting connections. The story follows a solitary dreamer who wanders the streets of St. Petersburg at night, lost in his own thoughts and imagination. One evening, he meets a mysterious young woman, Nastenka, who, like him, is longing for something beyond her reach. Over the course of several nights, they open up to each other, sharing their fears, hopes, and desires, forming an unusual bond.Through delicate and lyrical prose, Dostoevsky captures the fragile nature of human emotions and the contrast between dreams and reality. White Nights is a meditation on love, solitude, and the way our most cherished moments can slip away like a dream. The novella remains one of Dostoevsky's most touching works, leaving readers with a bittersweet sense of longing and reflection on the nature of human connection.

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  Out of the Sea

  A.C. Benson

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  Title: Out of the Sea 
  Author: A. C. Benson 
  Narrator: Jonathan Dunne 
  Original Publication: 1907 
  Public Domain: Yes 
  Series Placement: Timeless Terrors No. 87 
  Description: 
  Out of the Sea is one of A. C. Benson’s most haunting tales of psychological and supernatural horror, evoking dread through atmosphere, memory, and the uncanny. Set against the lonely, windswept coast, the story follows a man drawn repeatedly to the sea, haunted by grief and remembrance, until something emerges from the waves to answer a long-standing longing. 
  Rather than relying on overt terror, Benson constructs unease through suggestion, subtle observation, and the slow accumulation of an inexplicable presence. The narrative’s tension arises from what is glimpsed, suspected, and remembered, leaving the reader uncertain where reality ends and the supernatural begins. 
  Central to Out of the Sea is Benson’s exploration of obsession, mourning, and the eerie persistence of the past. The story shows how grief can summon visions, how memory can become tangible, and how the sea itself can conceal forces that refuse to remain hidden. The horror is quiet, inevitable, and deeply atmospheric. 
  Narrated by Amazon-bestselling horror author Jonathan Dunne, this performance captures Benson’s restrained dread, his subtle psychological tension, and the story’s chilling sense of inevitability. Out of the Sea endures as a masterful example of Edwardian supernatural fiction—where the uncanny lies in what is suggested, not what is shown.

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  The Yellow Wallpaper - From...

  Charlotte Perkins Gilman

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  Charlotte Perkins Gilman was born on 3rd July 1860 in Hartford, Connecticut, to an unaffectionate mother and a father who abandoned her and her older brother to a life of poverty. 
  Inevitably her schooling was limited and by 15 she had attended seven different schools but received only four years education.  However Charlotte was resourceful and did spend time with her father’s aunts – the suffragist Isabella Beecher Hooker and the ‘Uncle Tom Cabin’s’ author, Harriet Beecher Stowe as well as many hours at the public library studying ancient civilisations. 
  In 1878, she enrolled in classes at the Rhode Island School of Design where she met Martha Luther and they developed a close relationship until Luther married in 1881. Charlotte was devastated and detested romance and love until she met and married the artist Charles Walter Stetson.  
  Their only child, Katharine Beecher Stetson, was born in 1885 but left Charlotte with post-natal depression, then often dismissed as a case of hysteria or nerves.  Unsuited to domestic life she ruptured her life and moved to California with Katherine.  She divorced in 1894 and then sent Katharine east to live with her father and his second wife confirming that his paternal rights be acknowledged and that Katherine establish a relationship with her father. 
  After her mother died in 1893, Charlotte moved back east and became involved with her first cousin, Wall Street attorney, Houghton Gilman who she married in 1900. After his death she moved back to California, where Katherine now lived.   
  Her most popular story is ‘The Yellow Wallpaper’ which touched on her own post-partum depression and underlined the need for women to be responsible for their mental and physical well-being, as the narrator is ordered by her husband/doctor to take compete rest in her room where she is isolated and becomes obsessed with the revolting yellow wallpaper.   
  She wrote other notable short stories the best of which we also include.   
  Charlotte lectured widely for social reform, wrote important non-fiction works that questioned our patriarchal system and left a legacy as a leading and positive spokesperson for feminism.  
  She was diagnosed with incurable breast cancer in 1932 and, as she wrote in her suicide note and autobiography, she ‘chose chloroform over cancer’    
  Charlotte Perkins Gilman took her own life on 17th August 1935, aged 75, in Pasadena, California.

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  White Nights

  Fyodor Dostoevsky

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  White Nights, a tale of lonelyness by Fyodor Dostoevsky. 
  Like many of Dostoevsky's stories, "White Nights" is told in the first person by a nameless narrator, a young man living in Saint Petersburg who suffers from loneliness. He gets to know and falls in love with a young woman, but the love remains unrequited as the woman misses her lover. How will it end? 
  Narrated by Michael Ward.

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  The Soul of Nicholas Snyders -...

  Jerome K.

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  The Soul of Nicholas Snyders by Jerome K. Jerome follows the miserly merchant Nicholas Snyders of Zandam, whose life of greed is disrupted when a mysterious pedlar offers him a supernatural exchange of souls with a young sailor, Jan. Transformed, Snyders becomes kind and generous, while Jan inherits his old cruelty and avarice. As their fates unravel, the story explores identity, morality, and whether true change lies within the soul or circumstance.

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  The Urge

  Maryland Allen

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  Maryland Allen, was a Portland, OR, author who died in 1927. The Urge, an O. Henry memorial award prize winning story for 1921, tells the tale of the grimly ironic reasons for the success of the heroine who is the most famous comedienne of her day.

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