Otros libros que te pueden interesar

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  Hell I Love Everybody: The...

  James Tate

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  An essential collection of James Tate’s extraordinary poems that will captivate today’s readers, with a foreword by Terrance Hayes 
  Celebrating James Tate’s work as it transcends convention, time, and everything that tells us, “No, you can’t do that,” Hell, I Love Everybody gives us the poet at his best, his most intimate, hopeful, inventive, and brilliant. John Ashbery called Tate the “poet of possibilities,” and this collection records forays into possibilities for American poetry’s future. With a foreword by Terrance Hayes, it is sure to give readers new and old a lasting collection of favorites.

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  The Hills of California

  Jez Butterworth

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  'This house. It's called "Sea View". It's just I've looked out of every window, and you can't. You can't see the sea.'
  Blackpool, 1976. The driest summer in two hundred years. The beaches are packed. The hotels are heaving. In the sweltering backstreets, far from the choc ices and donkey rides, the Webb Sisters are returning to their mother's run-down guest house, as she lies dying upstairs.
  Jez Butterworth's play The Hills of California was first performed at the Harold Pinter Theatre in London's West End in 2024, directed by Sam Mendes, and produced by Sonia Friedman Productions and Neal Street.

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  Scattered Love

  Maylis Besserie

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  'She entered the house like a shadow … She was like a divine elixir: one drop for each of my thoughts. … I could feel the breath of the warrior, the Queen of Ireland, and it intoxicated me with the wind of hope, like noble wine.'
  She is Maud Gonne, the muse of writer William Butler Yeats. Yeats here returns as a ghost, having been buried in southern France in January 1939 at Roquebrune-Cap-Martin. Ten years later his remains are repatriated to Ireland. He emerges from his grave to recount his thwarted love for Maud, a story blending with the movement for Irish independence in which they each played an integral part.
  Yeats' ghost has suddenly appeared as diplomatic documents have come to light, casting doubt on the contents of the coffin brought back to Sligo for a state funeral. Where did the poet's body go? Does he still hover 'somewhere among the clouds above'? What remains of our loves and our deaths, if not their poetry?
  Maylis Besserie's exciting new work follows on from Yell, Sam, If You Still Can (Le tiers temps). In her second novel, she turns her attention from Samuel Beckett to another Irish writer, W.B. Yeats. The connection between Ireland and France is forged once again in the smithy of art, culture and the days at the end of life.
  A Guardian Most Anticipated Book of 2023
  An Irish Times Most Anticipated Book of 2023
  An Irish Independent Most Anticipated Book of 2023

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  Cellophane - Dramatic story

  Amr Mounir

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  How can a man live if he loves a woman who does not reciprocate his feelings and marries him for his money? And how will he face the blame he feels when she goes through a health crisis that makes him think he is responsible?

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  Desree

  Desree

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  Poetry Book Society Recommendation Spring 2025
  The debut poetry collection from award-winning writer and spoken word artist, Desree, Altar explores multifaceted dimensions of sacrifice, challenging its heroism and examining its ties to servility. The poems in Altar urge their protagonists to play neither lion nor lamb, but to live and flourish on their own terms. Each page glimmers with vivid, often devastating vignettes: we witness the resilience of youth, the strength of the Black female body, the complexity of chosen and unchosen family, the sweeping effects of gentrification. Through reflections on Black British identity, queer joy, place and belonging, faith and consent, Desree invites the reader on a journey of reclamation, while her wry wit and disarming tenderness hold us through the necessary storms that mark the way.
  "Gorgeous in its redefining of self" Yomi Sode
  "A collection of wonder and witness. These poems — both powerful and tender — grapple with the parallels of life and death, the body and spirit, loss and love, and demand a response." Rachel Long
  "This is thrilling writing. Unexpected, alive, and curious. Desree enters the page, stage left." Joelle Taylor
  "For those of us who wonder if we've been 'turned off at the wall', Desree's poems act as a hallway: we drop off selves we didn't realise we were carrying, and return, new and re-accepted into our own arms." Kareem Parkins-Brown

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  The Lunch Punch Power Hour in...

  Caitríona Daly

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  'First and foremost, this is a meeting. Of which you now have the deciding vote. Which proposal will it be?'
  In the Irish offices of a corporate firm, three employees have their lunch hour to determine how best to spend their company's annual Corporate Social Responsibility budget.
  Behind a locked door and out of sight of management, the task escalates into an increasingly outlandish and hilarious debate, revealing secret passions and uncomfortable truths.
  Caitríona Daly's The Lunch Punch Power Hour in Conference Room 4 is a madcap, hilarious and insightful play about power structures, escapism and resistance. It premiered at the Abbey Theatre, Dublin, in 2025, directed by Raymond Keane.

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