Editora: Clink Street Publishing
Michael Rose observes the world with a passionate and playful eye, bringing the everyday to life. Whether drawing on his family history, his personal love story, the Scottish coastline, or the vocabulary of modern food criticism, what underpins his sharp observations is affection. Both social commentary and documentary, his poems address the heart and mind.
Nikolai Vasilievich Gogol was born on 1st April 1809 to a father, descended from Ukrainian Cossacks and a mother with a military background in the Ukrainian town of Sorochyntsi, then part of the Russian Empire and rich in Cossack traditions and folklore. His father wrote poetry and plays which the young Gogol helped stage at his uncle’s home theatre. This helped ignite in him a love of literature and blossomed when he attended, what is now, the Nizhyn Gogol State University at the age of 12. Here he participated in school theatre productions and refined his mastery of his native Ukrainian and also the Russian of his Imperial masters. In 1828 he went to St Petersburg and unsuccessfully tried to begin a career as an actor after finding that with no money and no connections the civil service was barred to him. Embezzling money from his mother he embarked on a trip to Germany. When the money ran out, he returned to St Petersburg but the experiences were used in a series of stories he contributed to periodicals. These tales were steeped in his childhood memories of the Ukrainian landscape and peasantry enlivened with the supernatural of its folklore woven with realistic events of the day. He wrote in Russian in a whimsical, colloquial style with a smattering of Ukrainian words and phrases that provided an authenticity. Eight stories were published as ‘Evenings on a Farm near Dikanka’. Seemingly all at once fame and fortune arrived. Gogol was hailed by his contemporaries, including Pushkin, as a pre-eminent writer of Russian literature. His success continued with his brilliant plays ‘The Inspector General’ and the comedy ‘The Marriage for the Theatre’, both being highly acclaimed. In 1834 he became Professor of Medieval History at the University of St. Petersburg but with little academic or teacher training, failed to adequately fulfil many of his duties and soon resigned this post. With no obligations and using his earnings from his writing, which now included the impressionistic and immortal ‘Dead Souls’, Gogol travelled around Europe, spending the most time in Rome where he studied art, read Italian literature and developed a passion for opera. In the 1840s Gogol became preoccupied with a need to purify his soul and embarked on a pilgrimage to Jerusalem. In tandem he fell under the influence of a strict and austere spiritual ascetic who persuaded him to observe strict fasts that, allied with his depression and deteriorating health, contributed to his death on 21st April 1852 at the age of only 43. In ‘Old Fashioned Land Owners’ Gogol describes a peaceful setting and a peaceful couple who have grown old together. But foreboding makes an entrance and life is now a series of cruel twists that breaks everything.Ver livro
Step Into Eyes of Darkness, where Miles Clifford is in his adolescence. After a fatal accident cost him, his family, Miles's life, is shackled and in ruins. He must break free from these chains and change his destiny. Now, Miles must navigate through fear and respect to get a piece of dignity or a piece of dominance!Ver livro
"Rather than love, than money, than fame, give me the truth. " "If you have built castles in the air, your work need not be lost; that is where they should be." "As if you could kill time without injuring eternity." Walden was published in 1854 by American transcendentalist writer Henry David Thoreau. The text is a reflection upon simple living in natural surroundings. The work is part personal declaration of independence, a social experiment, a voyage of spiritual discovery, satire, and—to some degree—a manual for self-reliance. Henry David Thoreau was an American naturalist, essayist, poet, and philosopher. A leading transcendentalist, he is best known for his book Walden, a reflection upon simple living in natural surroundings, and his essay "Civil Disobedience", an argument for disobedience to an unjust state. A true audiobook treasure!Ver livro
Here is a thought-provoking 51- minute audio presentation for writers, readers, students, teachers, parents...anyone who has ever wondered why a particular poem is their favorite. It includes the poem Stopping by the Woods, by Robert Frost. Delving beneath the surface of Robert Frost's poetry, John Lehman is a nationally published writer and poet with 20 years experience as a professional speaker and 15 years as a creative director and senior copy writer for advertising agencies. He is a graduate of the Great Books program at Notre Dame University and has a master's degree in curriculum development from the University of Michigan. John has presented seminars throughout the country. He is a book reviewer, business columnist, poet, and freelance feature writer for magazines and newspapers. His articles have appeared in The Christian Science Monitor, Popular Science, Omni, and in more than 50 other trade or consumer publications. He is also the founder of Rosebud magazine, managing partner of Zelda Wilde Publishing and the poetry editor of Wisconsin People and Ideas. ©2009 John Lehman; (P)2009 John LehmanVer livro
Abbie Kiefer’s debut collection is a clear-eyed portrait of an aging mill town and a larger reflection on memory, making, and the significance of home. What sources of solace and stability remain amid the ruins of industry, after the death of a parent, while raising children in an uncertain time alongside the ghosts of the past? How do we reconcile ourselves to the inevitability of change and protect what remains? A transcendent exploration of breakdown and renewal, of vulnerability and endurance, of personal and communal responses to loss, this book takes up the question of how to find shelter and make one’s way in an altered world.Ver livro
"you start every new day with an inventory: a moth, a cape, a parachute, a coffin, a gun, the wall you built to mount the gun." On the Subject of Fallen Things is an addictive, Chekhovian metanarrative: phenomenological, absurd, and dripping with black humour. James Kearns' speaker keeps company with Lazarus, an inept psychic, and a deceased superhero, but finds himself increasingly alone—lost in dialogue with mortality, both personal and anthropological. Permanence, culpability, the function and corruption of human storytelling: all come into play in a surge of momentum that grips the reader, even as it breaks apart: a lean explosion, a gunshot in the distance. "On the Subject of Fallen Things weaves whimsy into narrative epiphanies that you never see coming. Each line aggregating weight like the lightness of snowflakes gathering into an avalanche. Hugely enjoyable. Get it now." Roger Robinson, A Portable Paradise, Winner of the 2019 T.S. Eliot Prize "This is a really brilliant sequence of poems. Like Ponge, or Herbert, or Steger, or Simic, it manages to be both serious and fleeting, weighty and funny. It's hopeful, actually." S.J. Fowler, 3:AM MagazineVer livro
