Other books that might interest you

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  Prasanna: Purusha At Peace With...

  Ranjan Kamath

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  Born in 1951 at Anavatti, Karnataka, Shri R.P. Prasanna Kumar graduated in theatre from the National School of Drama, Delhi, in 1975. He also trained himself as a designer in wood, textiles, and other crafts.

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  The Real Manhunter Casebook

  Colin Sutton

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  The Real Manhunter Casebook is the captivating accompaniment to hit Sky Crime TV series The Real Manhunter, chronicling 12 of the most complex cases that former Metropolitan Police detective Colin Sutton worked on throughout his career. Colin Sutton is widely acknowledged as the most eminent Metropolitan Police detective of the last thirty years. His career was diverse, from a uniformed inspector to murder squad detective and eventually Detective Chief Inspector and it was the latter role that brought him to the public attention when he led the teams that caught serial killer Levi Bellfield and ‘Night Stalker’ Delroy Grant, cases which inspired the hit ITV dramas Manhunt, starring Martin Clunes. In this book, Sutton gives readers a glimpse into the life of a top tier police detective and revisits some of the other cases he led throughout his career, all against a backdrop of his own life. He goes into great detail about the investigations, starting from the moment the call came in right through to bringing the cases to trial, and all whilst having to deal with the pressures of being at the top. This is his story, these are his cases.

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  Thank You (Falettinme Be Mice...

  Sly Stone, Ben Greenman, Questlove

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  Winner of the 2023 Los Angeles Times Book Prize for Achievement in Audiobook Production."Throughout, narrator Dion Graham sustains an authentic cool. His voice subtly slows down, pauses, and cracks as Stone expounds upon his older years. It’s a kind of music unto itself." —AudioFileCombining three never-before-heard songs, jingles from when Sly was a DJ on KSOL, and a legendary story, Thank You (Falettinme Be Mice Elf Agin) is an all-encompassing audio experience.One of the few indisputable geniuses of pop music, Sly Stone is a trailblazer and a legend. He created a new kind of music, mixing Black and white, male and female, funk and rock. As a songwriter, he penned some of the most iconic anthems of the 1960s and ’70s, from “Everyday People” to “Family Affair.” As a performer, he electrified audiences with a persona and stage presence that set a lasting standard for pop-culture performance.Yet his life has also been a cautionary tale, known as much for how he dropped out of the spotlight as for what put him there in the first place. People know the music, but the man remains a mystery. In Thank You (Falettinme Be Mice Elf Agin), his much-anticipated memoir, he’s finally ready to share his story—a story that many thought he’d never have the chance to tell.Written with Ben Greenman, who has written memoirs with George Clinton and Brian Wilson, among others, and created in collaboration with Sly Stone’s manager, Arlene Hirschkowitz, Thank You (Falettinme Be Mice Elf Agin) includes a foreword by Questlove.A Macmillan Audio production from AUWA Books.

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  General Jan Smuts and his First...

  David Brock Katz

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  A new assessment of Jan Smuts’s military leadership through examination of his World War I campaigning, demonstrating that he was a gifted general, conversant with the craft of maneuver warfare, and a command style steeped in the experiences of his time as a Boer general.World War I ushered in a renewed scramble for Africa. At its helm, Jan Smuts grabbed the opportunity to realize his ambition of a Greater South Africa. He set his sights upon the vast German colonies of South-West Africa and East Africa – the demise of which would end the Kaiser’s grandiose schemes for Mittelafrika. As part of his strategy to shift South Africa’s borders inexorably northward, Smuts even cast an eye toward Portuguese and Belgian African possessions.  Smuts, his abilities as a general much denigrated by both his contemporary and then later modern historians, was no armchair soldier. This cabinet minister and statesman donned a uniform and led his men into battle. He learned his soldiery craft under General Koos De la Rey's tutelage, and another soldier-statesman, General Louis Botha during the South African War 1899–1902. He emerged from that war, immersed in the Boer maneuver doctrine he devastatingly waged in the guerrilla phase of that conflict. His daring and epic invasion of the Cape at the head of his commando remains legendary. The first phase of the German South West African campaign and the Afrikaner Rebellion in 1914 placed his abilities as a sound strategic thinker and a bold operational planner on display. Champing at the bit, he finally had the opportunity to command the Southern Forces in the second phase of the German South West African campaign.  Placed in command of the Allied forces in East Africa in 1916, he led a mixed bag of South Africans and Imperial troops against the legendary Paul von Lettow-Vorbeck and his Shutztruppe. Using his penchant for Boer maneuver warfare together with mounted infantry led and manned by Boer Republican veterans, he proceeded to free the vast German territory from Lettow-Vorbeck’s grip. Often leading from the front, his operational concepts were an enigma to the British under his command, remaining so to modern-day historians. Although unable to bring the elusive and wily Lettow-Vorbeck to a final decisive battle, Smuts conquered most of the territory by the end of his tenure in February 1917.  General Jan Smuts and His First World War in Africa makes use of multiple archival sources and the official accounts of all the participants to provide a long-overdue reassessment of Smuts’s generalship and his role in furthering the strategic aims of South Africa and the British Empire in Africa during World War I.

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  Forgotten Authors The - Volume 9...

  Rina Ramsay, William Pett Ridge,...

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  Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. 
  In literature the ambition is much narrower.  In order to be known, to be popular, you had to be published.  And for that people had to know you existed and your ideas worth reading.  Obviously for most of humanity’s time people couldn’t read and texts couldn’t be published in any great number. 
  In the 15th Century Gutenberg’s printing press began the revolution to address the second and by the 19th century had gathered pace with startling speed and mass distribution.  Education for the many was brought in to help people understand more of their world and, with new skills, how to have a better place within it.  Now, if the powers that owned the presses and means of distribution agreed an audience would now be able to avail themselves of your ideas, your printed words.  
  Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves.   
  But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. 
  Sadly, in the thirst for the new, the recent and the past fell from sight, relegated to dark corners and dusty shelves.    
  But the printed word is rarely without someone, somewhere busying themselves through piles of papers and books rediscovering what a good story is, whatever its age. 
  In this volume we offer up a small selection of those talents whose time has now come again.

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  The Most Influential Rock Stars...

  Editors Charles River

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  In 1964, girls all across the United States filled venues, almost literally screamed their heads off, and fainted en masse. Almost from the second they played the first note, The Beatles would be hit with the resounding screams, which made it impossible for them to even hear themselves sing. When they made their American debut on The Ed Sullivan Show in early 1964, they were greeted by young fans who whipped themselves up into such a frenzy that some of them fainted. Beatlemania had struck North America, creating a musical and pop culture phenomenon unlike anything the world had ever seen. At the center of it all was John Lennon and Paul McCartney, the principal songwriting duo who were instrumental in creating the soundtrack of the 1960s, while producing some of the world’s most timeless classics. Together with George Harrison and Ringo Starr, Lennon and McCartney propelled The Beatles to unprecedented heights, sparking Beatlemania on two sides of the Atlantic and experimenting with their sound in ways that revolutionized rock and inspired bands across various musical genres. 
  In the space of just a few years, Bob Dylan, born Robert Allen Zimmerman, rose from the obscurity of a small Minnesota town to a position of royalty atop the folk music landscape of the 1960s, with a universal esteem and status on a par with Elvis Presley and The Beatles. In the 1960s, “Blowin’ in the Wind” and “The Times They Are A’ Changing” “became anthems of the anti-war and civil rights movements,” but long after the transition from the ‘50s to the late ‘60s and ‘70s was accomplished, the initially baffling young folk singer who appeared out of nowhere was awarded a special Pulitzer Prize for “his profound impact on popular music, and American culture, marked by lyrical compositions of extraordinary poetic power.”

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