Publisher: Babelcube
At school, a clan seems great. What to say when you choose someone whom seems weaker than others and it goes wrong? A destroyed life, a malaise... a revenge! They say revenge is a dish best served cold! well, that's just an understatement.
Winner of the Singapore Literature Prize (Poetry 2020) What do we expect of an author who is unapologetically female? What do we expect of consuming art in general? Should a work be easy, should a work be safe? Marylyn Tan’s debut volume, GAZE BACK, complicates ideas of femininity, queerness, and the occult. The feminine grotesque subverts the restrictions placed upon the feminine body to be attractive and its subjection to notions of the ideal. The occultic counterpoint to organised religion, then, becomes a way toward techniques of empowering the marginalised. GAZE BACK, ultimately, is an instruction book, a grimoire, a call to insurrection—to wrest power back from the social structures that serve to restrict, control and distribute it amongst those few privileged above the disenfranchised.Show book
This novel is an engaging, witty blend of comic fantasy, Irish mythology, romance and taut modern-day thriller, located mainly in Dublin, Ireland.Following the suicide of her teenage mother, baby Fiona is put into State care. Fiona doesn’t know her absent father was the disgraced God of Love. Growing up, she suffers abuse and bullying and begins to see Otherworld creatures such as trolls and faeries, and worries for her sanity. Fiona discovers she has a physical strength beyond what is normal, and can fight the bullies, but is branded as violent and held in an Institution for the criminally insane. She is released on her eighteenth birthday into a hostel in Dublin City, Ireland.Joey, one of the bullies who made her past miserable, is now a Dublin gang member. They meet but agree to forget the past and romance blossoms. But someone is killing his friends, former bullies, now gang members, and Joey fears he is next. Meanwhile, the Celtic Goddess Danu of Otherworld has discovered Fiona’s existence and wants her dead. The Drimnagh Witches are tasked to find her and Wizard Drowe is released from Otherworld prison tasked to kill her. Fiona survives his initial attempt to murder her and befriends him before entering a strange, mystical Otherworld beyond her current reality. She has to figure out how to survive in both worlds, on the tough streets of Dublin and in Otherworld.Show book
In Self-Portrait With Family, Amaan Hyder traces a personal history of family and queerness. With poems that focus on coming out, the collection depicts the relationship between a son and his parents, and an immigrant family and its community in the diaspora. Featuring snapshots of conversations across dinner tables and phone lines, Hyder's striking and beautifully precise poems bring into relief what is said and not said, the retreat from speech and the longing to hear from another. By turns tender and skilfully observed, this collection also looks from the family home to the individual experience of the brown queer man in public spaces, searching for intimate connection whilst experiencing discrimination. Self-Portrait With Family distinctively frames such narratives of closeness and distance, exploring a range of poetic forms to draw together intergenerational familial and gay relationships, English and Urdu, the world of the family home and the world outside of it.Show book
The Dante Alighieri Classic Collection: The Divine Comedy, New Life offers listeners an exquisite journey through Dante's masterpieces. This volume includes The Divine Comedy, Dante's epic exploration of Hell, Purgatory, and Paradise, and The New Life, a poetic meditation on his love for Beatrice.Contents:Divine Comedy- Hell- Purgatory- ParadiseNew lifeShow book
150 Most Famous Poems: Emily Dickinson, Robert Frost, William Shakespeare, Edgar Allan Poe, Walt Whitman and Many More" is a timeless anthology that brings together some of the most celebrated and influential poems in the English language. This collection features a wide range of poetic styles, from the introspective musings of Emily Dickinson to the narrative brilliance of Edgar Allan Poe, the vivid imagery of Robert Frost, and the powerful, enduring lines of William Shakespeare and Walt Whitman. Perfect for poetry lovers and newcomers alike, this anthology offers an insightful journey through the works of literary giants, providing readers with a rich selection of poems that explore themes of love, nature, life, death, and the human experience.Show book
John Gould Fletcher was born in Little Rock, Arkansas on the 3rd of January 1886 to a socially prominent family. He was educated at Phillips Academy, Andover before advancing to Harvard University, which he attended from 1903 to 1907, before dropping out after his father's death. As a young man Fletcher spent many years in England where he became part of the influential Imagist group of poets together with Amy Lowell and Ezra Pound. His first marriage came from a resumed relationship with the now married Florence Emily ‘Daisy’ Arbuthnot. Her adultery with Fletcher was the grounds for her divorce. They married on 5th July 1916 but later divorced. Fletcher first published in 1912, with ‘The Dominant City’ to much praise and admiration and followed this with other well-regarded volumes such as ‘Irradiations: Sand and Spray’, and ‘Goblins and Pagodas’. In the late 1920s and 1930s Fletcher became increasingly active with a group of Southern writers and poets known as the Southern Agrarians. They published the classic ‘I'll Take My Stand: The South and the Agrarian Tradition’. Although he was highly regarded as a poet, he was not very prolific. However, such was the undoubted quality that in 1939 he received the Pulitzer Prize for his work ‘Selected Poems’. He was the first poet from the south to receive such an accolade. Fletcher’s other passion and pursuit was as an authority on modern painting, a subject on which he also published. A second marriage followed in 1936 to the children’s author, Charlie May Simon. They built ‘Johnswood’, a residence on the bluffs of the Arkansas River and travelled frequently to New York for shots of modern culture and intellectual stimulation as well as to the American West and South for the climate after Fletcher developed chronic arthritis. In 1937 he wrote his autobiography, ‘Life is My Song’. His developing passion for his roots and background resulted in the writing of a history of his State and published in 1947; ‘Arkansas’. By now Fletcher was suffering from bouts of depression and on 10th May 1950, he committed suicide by drowning himself in a pond near his home in Little Rock, Arkansas. He was 64.Show book
