Other books that might interest you

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  None of That

  D H Lawrence

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  'None of That' concerns  itself with the nature of desire. The man in the story is no more than an animal with base instincts but is attractive to women. The woman looks for something deeper, with  imagination but in the end is brought down by the more instinctive man. Lawrence again seems to be saying that a woman cannot exist beyond the control of a man, however crude and can only bring unhappiness on herself if she tries to live on her own terms.

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  Frankenstein

  Mary Shelley

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  Frankenstein by Mary Shelley is a thrilling and captivating novel that has mesmerised readers for over 200 years.  
  The story follows the brilliant and ambitious scientist, Victor Frankenstein, as he creates a monstrous being using stolen body parts. But as the creature struggles to find acceptance and meaning in a hostile world, Victor is consumed by guilt and fear, realising too late the horrifying consequences of his actions. As the two engage in a battle of wills and wits, Shelley's vivid and evocative language paints a chilling picture of a world gone awry, where science and technology have unleashed dark and dangerous forces beyond our control. "Frankenstein" is a haunting tale of ambition, revenge, and the consequences of playing God, which continues to shock and captivate readers today. 
  This new audio edition is brought to life for 21st century listeners by narrator Jake Urry.

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  A Cullenden of Virginia - From...

  Thomas Wolf

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  Thomas Clayton Wolfe was born at the family home, 92 Woodfin Street, in Asheville, North Carolina on October 3rd, 1900.  
  Aged 15, Wolfe began his studies at the University of North Carolina at Chapel Hill (UNC) where he enrolled in a playwriting course. Wolfe graduated in 1920 and enrolled at the Graduate School for Arts and Sciences at Harvard. Here he studied playwriting under the tutelage of George Pierce Baker. In 1922 he received his master's degree from Harvard.  
  Wolfe now began the transition from studying to commercial playwright. He went to New York in November, 1923 trying to sell his plays to Broadway.  The Theatre Guild came close to producing Welcome to Our City but in the end declined.  Wolfe now believed his style of writing was more suited to fiction.  Grasping the opportunity this afforded him he sailed to England in October 1924 to write and from there on to France, Italy and Switzerland. 
  In 1926 Wolfe began writing a novel, O Lost. This would eventually become Look Homeward, Angel. It was based on his years in Asheville. The original manuscript of O Lost was over 1100 pages. Maxwell Perkins, one of the great book editors of the age, worked at his publishers, Scribner’s and he began to focus the book, cutting and re-shaping it to center it on the character of Eugene.   
  The novel was published in 1929. It was a success.   
  Wolfe now committed the next 4 years to writing a multi-volume epic entitled The October Fair.  At Scribner’s Perkins once more decided to edit it down to a single volume; Of Time and the River.  It was even more successful than his first. It was hailed as the literary event of 1935 and cemented his reputation as one of America’s foremost novelists.  
  In 1938, after submitting his new opus, which ran to an incredible one million words, to his new editor, Edward Aswell, Wolfe left to tour the West, a part of the country he had never before visited. Whilst travelling Wolfe became ill with pneumonia and spent three weeks in a Seattle hospital. Complications arose. The prognosis was serious.  He was diagnosed with miliary tuberculosis of the brain. 
  On September 6th, he was sent to Baltimore's Johns Hopkins Hospital for treatment. The ensuing operation revealed that the disease had overrun the entire right side of his brain.  
  Thomas Clayton Wolfe never regained consciousness and died shortly before his 38th birthday on September 15th, 1938.

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  The Oval Portrait

  Edgar Allan Poe

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  Title: The Oval Portrait 
  Author: Edgar Allan Poe 
  Narrator: Jonathan Dunne 
  Original Publication: 1842 
  Public Domain: Yes 
  Series Placement: Number 5 in the Timeless Terrors series 
  Description: 
  The Oval Portrait by Edgar Allan Poe is a haunting work of gothic fiction that explores the intersection of art, obsession, and mortality. First published in 1842 in Godey’s Lady’s Book, the story follows a weary traveler who discovers a mysterious, exquisitely detailed portrait of a young woman in a dark, abandoned chateau. 
  As he studies the painting, he learns the tragic story behind it: the artist’s obsessive devotion to capturing his wife’s likeness ultimately leads to her death. Poe’s tale is a chilling meditation on the cost of artistic obsession, the fragility of life, and the tension between beauty and reality. 
  This recording, narrated by Amazon bestselling horror author Jonathan Dunne, brings the story’s eerie atmosphere and subtle psychological horror to life. While the text is in the public domain, this performance is an original work and copyright © 2025 Jonathan Dunne. 
  Listeners should expect a brief but unsettling narrative that exemplifies Poe’s mastery of suspense, gothic imagery, and psychological depth.

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  Prelude

  Katherine Mansfield

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  "Prelude" is a short story by Katherine Mansfield. It was first published by the Hogarth Press in July 1918, after Virginia Woolf encouraged her to finish the story. Mansfield had begun writing "Prelude" in the midst of a love affair she had in Paris in 1915. It was reprinted in Bliss and Other Stories (1920). The story was a compressed and subtler version of a longer work The Aloe, which was later published posthumously in full.
  The story is based on the Beauchamps' move to Karori, a country suburb of Wellington, in 1893. Alpers says that some readers may not pick up the numerous hints that Linda is pregnant.

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  Buddenbrooks - The Decline of a...

  Thomas Mann

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  Buddenbrooks is a 1901 novel by Thomas Mann, chronicling the decline of a wealthy north German merchant family over the course of four generations, incidentally portraying the manner of life and mores of the Hanseatic bourgeoisie in the years from 1835 to 1877. Mann drew deeply from the history of his own family, the Mann family of Lübeck, and their milieu.
  It was Mann's first novel, published when he was twenty-six years old. With the publication of the second edition in 1903, Buddenbrooks became a major literary success. Its English translation by Helen Tracy Lowe-Porter was published in 1924. The work led to a Nobel Prize in Literature for Mann in 1929; although the Nobel award generally recognises an author's body of work, the Swedish Academy's citation for Mann identified "his great novel Buddenbrooks" as the principal reason for his prize.
  Mann began writing the book in October 1897, when he was twenty-two years old. The novel was completed three years later, in July 1900, and published in 1901. His objective was to write a novel on the conflicts between businessman and artist's worlds, presented as a family saga, continuing in the realist tradition of such 19th-century works as Stendhal's Le Rouge et le Noir (1830; The Red and the Black). Buddenbrooks is his most enduringly popular novel, especially in Germany, where it has been cherished for its intimate portrait of 19th-century German bourgeois life.
  Before Buddenbrooks Mann had written only short stories, which had been collected under the title Der kleine Herr Friedemann (1898, Little Herr Friedemann). They portrayed spiritually challenged figures who struggle to find happiness in (or at the margins of) bourgeois society. Similar themes appear in the Buddenbrooks, but in a fully developed style that already reflects the mastery of narrative, subtle irony of tone, and rich character descriptions of Mann's mature fiction.
  The exploration of decadence in the novel reflects the influence of Schopenhauer's The World as Will and Representation (1818, 1844) on the young Mann. The Buddenbrooks of successive generations experience a gradual decline of their finances and family ideals, finding happiness increasingly elusive as values change and old hierarchies are challenged by Germany's rapid industrialisation. The characters who subordinate their personal happiness to the welfare of the family firm encounter reverses, as do those who do not.
  The city where the Buddenbrooks live shares so many street names and other details with Mann's native town of Lübeck that the identification is unmistakable, although the novel makes no mention of the name. The young author was condemned for writing a scandalous, defamatory roman à clef about (supposedly) recognisable personages. Mann defended the right of a writer to use material from his own experience.
  The years covered in the novel were marked by major political and military developments that reshaped Germany, such as the Revolutions of 1848, the Austro-Prussian War, and the establishment of the German Empire. Historic events nevertheless generally remain in the background, having no direct bearing on the lives of the characters.

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