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  The Frozen Earth & Other Poems -...

  Winifred Holtby

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  Winifred Holtby was born on 23rd June 1898 to a prosperous farming family in the village of Rudston in Yorkshire.  
   
  A governess provided her early education before she went to Queen Margaret's School in Scarborough.  After passing the entrance exam for Somerville College, Oxford in 1917, she decided to join the Women's Army Auxiliary Corps in early 1918.  However, soon after her arrival in France, the War ended. 
   
  She returned to study at Oxford and met fellow student Vera Brittain.  After graduating from Oxford, in 1921, Winifred and Vera moved to London, hoping to establish themselves as authors. 
   
  Her early novels met with only moderate success but as a journalist she was both prolific and increasingly well-known.  Her articles graced more than 20 newspapers and magazines, including the Manchester Guardian newspaper.   
   
  Winifred was a committed feminist, socialist and pacifist.  She gave many lectures for the League of Nations Union.  She was also active in the Independent Labour Party and was a campaigner for the unionisation of black workers in South Africa. 
   
  In 1931 the symptoms of high blood pressure, recurrent headaches and bouts of lassitude brought forth a diagnosis of Bright's disease.  She was given two years to live and now put all her efforts into what was to become her crowning achievement: South Riding.  Released posthumously it received lavish praise and enormous sales.  Her canon of works tackle difficult subjects head on, many in unusual ways, brimming with verve and usually strong female protagonists. 
   
  Winifred Holtby died on 29th September 1935 in London.  She was 37. 
  01 - The Frozen Earth & Other Poems by Winifred Holtby - An Introduction 
  02 - The Frozen Earth by Winifred Holtby ''Edwards's Funeral March'' 
  03 - Two Early Poems (No Mourning by Request & The Debt) by Winifred Holtby 
  04 - The Foolish Clocks by Winifred Holtby 
  05 - Prayer by Winifred Holtby 
  06 - Hills in the Transvaal by Winifred Holtby 
  07 - The Grudging Ghost by Winifred Holtby 
  08 - Trains in France by Winifred Holtby 
  09 - The Frozen Earth Symphony by Winifred Holtby - The Dead Musician 
  10 - For the Ghost of Elinor Wylie by Winifred Holtby 
  11 - House on Fire by Winifred Holtby 
  12 - Happy Ending by Winifred Holtby

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  On the Subject of Fallen Things

  James Kearns

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  "you start every new day with an inventory: a moth, a cape, a parachute, a coffin, a gun, the wall you built to mount the gun."
  On the Subject of Fallen Things is an addictive, Chekhovian metanarrative: phenomenological, absurd, and dripping with black humour. James Kearns' speaker keeps company with Lazarus, an inept psychic, and a deceased superhero, but finds himself increasingly alone—lost in dialogue with mortality, both personal and anthropological. Permanence, culpability, the function and corruption of human storytelling: all come into play in a surge of momentum that grips the reader, even as it breaks apart: a lean explosion, a gunshot in the distance.
  "On the Subject of Fallen Things weaves whimsy into narrative epiphanies that you never see coming. Each line aggregating weight like the lightness of snowflakes gathering into an avalanche. Hugely enjoyable. Get it now." Roger Robinson, A Portable Paradise, Winner of the 2019 T.S. Eliot Prize
  "This is a really brilliant sequence of poems. Like Ponge, or Herbert, or Steger, or Simic, it manages to be both serious and fleeting, weighty and funny. It's hopeful, actually." S.J. Fowler, 3:AM Magazine

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  Impure thoughts

  Golnoosh Nour

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  Riotous and fizzing with language, the poetry of Golnoosh Nour boldly explores what it is to be utterly alive and ecstatically, yet complicatedly, in desire. –Richard Scott
  Impure Thoughts is a dizzying dance through impurity's several selves. Half bal masqué, half Grand Guignol, Nour confronts the limits of desire with an almost uncanny intensity of focus. Even at their most tender and elegiac these poems tremble with the white-hot heat of libidinal energy and gleam with oracular fury. –Fran Lock

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  Rhyme A Dozen A - Love - 12...

  William Shakespeare, William...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
   
  1 - A Rhyme a Dozen - 12 Poets, 12 Poems, 1 Topic.  Love - An Introduction 
  2 - Sonnet 116 by William Shakespeare 
  3 - He Wishes For The Cloths of Heaven by William Butler Yeats 
  4 - If Thou Must Love Me Let It Be For Nought by Elizabeth Barrett Browning 
  5 - Bright Star by John Keats 
  6 - Oh Lovers by Jalaluddin Rumi 
  7 - Love's Philosophy by Percy Bysshe Shelley 
  8 - Go Lovely Rose by Edmund Waller 
  9 - A Red Red Rose by Robert Burns 
  10 - She Walks In Beauty by Lord Byron 
  11 - The Good Morrow by John Donne 
  12 - The Passionate Shepherd To His Love by Christopher Marlowe 
  13 - The Owl and the Pussycat by Edward Lear

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  Accessioning

  Charlotte Wetton

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  Through poems about fossilised fruit seeds and the sofa where Emily Brontë died, Wetton questions how we curate the lives of those living and dead in a pamphlet about looking, processing, and memorialising. Whether considering preserved wedding-cakes, a non-existent art exhibition or a human scream, these poems speak to the impossibility of containment and question our ability to map and categorise.
  This is a pamphlet of poems about the stories that we tell ourselves, the memories that we construct, and the ways that we value and devalue people, animals and objects alike.

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  Punks - New & Selected Poems

  John keen

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  A landmark collection of poetry by acclaimed fiction writer, translator, and MacArthur Fellow John Keene, Punks: New & Selected Poems is a generous treasury in seven sections that spans decades and includes previously unpublished and brand new work. With depth and breadth, Punks  
  weaves together historic narratives of loss, lust, and love. The many voices that emerge in these poems—from historic Black personalities, both familial and famous, to the poet's friends and lovers in gay bars and bedrooms—form a cast of characters capable of addressing desire, oppression,  
  AIDS, and grief through sorrowful songs that "we sing as hard as we live." At home in countless poetic forms, Punks reconfirms John Keene as one of the most important voices in contemporary poetry.

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