Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
Accessioning - cover

Accessioning

Charlotte Wetton

Publisher: The Emma Press

  • 0
  • 0
  • 0

Summary

Through poems about fossilised fruit seeds and the sofa where Emily Brontë died, Wetton questions how we curate the lives of those living and dead in a pamphlet about looking, processing, and memorialising. Whether considering preserved wedding-cakes, a non-existent art exhibition or a human scream, these poems speak to the impossibility of containment and question our ability to map and categorise.
This is a pamphlet of poems about the stories that we tell ourselves, the memories that we construct, and the ways that we value and devalue people, animals and objects alike.
Available since: 06/15/2023.
Print length: 36 pages.

Other books that might interest you

  • Statues - cover

    Statues

    Azan Ahmed

    • 0
    • 0
    • 0
    'He grew up to be a man whose sighs and slumps replaced sentences. Is that gonna be me?'
    Days after his father's passing, Yusuf discovers a dusty mixtape that changes everything he knew about a man who barely spoke. Turns out, his dad spent the '90s rapping about pretty girls and Kilburn life, plotting dreams of superstardom with his best friend Omar. How did this passionate wordsmith become a silent statue?
    Yusuf's mourning becomes a journey into the past, soundtracked by Omar's thumping beats and his father's bars, as he begins to uncover secrets that turn his world upside-down.
    Witty, honest and deeply moving, Azan Ahmed's play Statues is a lyrical love letter to the original code-switchers, exploring the impact of loss, and what you can gain from it. It premiered at the Bush Theatre, London, in 2024, with a cast featuring the playwright himself.
    Show book
  • Glory Too - Poems - cover

    Glory Too - Poems

    Nikki Grimes

    • 0
    • 0
    • 0
    Winner of the Coretta Scott King Award, and New York Times bestselling author Nikki Grimes introduces Glory, Too, a soul-stirring collection of poetry that delves into the depths of faith, hope, and the human experience by one of America's preeminent black poets.
    
    In a marriage of poetry, faith, and worship, Ms. Grimes' poems illuminate the Scriptures that grace every Sunday of the year. Her inimitable voice and imagination offer glimpses of glory we might not otherwise see, throughout the seasons of the year.
    With lyrical precision and spiritual insight, she invites readers on a journey of reflection, weaving together themes of grace, redemption, and the enduring power of God's love throughout the year.
    As the companion volume to her previous book Glory in the Margins: Sunday Poems, Glory, Too resonates with authenticity and depth, giving testimony to the transformative power of poetry and the enduring hope found in the embrace of God's eternal grace.
    
    High Style
    Louboutin stilettos
    are recognizable at a distance.
    Those shiny red soles
    tell you everything.
    When Gucci handbags
    are in a room,
    they virtually shout.
    Now, I'm not much for labels,
    but I've noticed how
    God's garments stand out.
    Take the suit, a second skin
    made of holiness—a rare fabric,
    that usually itches, at first
    until the wearer
    gets used to it;
    Beyond that,
    God's personal style
    is all about the layered look:
    the silk of compassion,
    golden threads of kindness
    woven through the vest,
    humility cinching in the waist,
    
    meekness and patience
    falling to the ankles,
    and love thickly draped
    across the shoulders.
    The clothing God designs
    is never mistaken
    for anyone's but his.
    And when we're wise enough
    to don his attire,
    we look like more
    than a million.
    Show book
  • The Unconditional Standard - cover

    The Unconditional Standard

    June Cox

    • 0
    • 0
    • 0
    I had been wearing my blue jeans at home and when we were around family, but hadn’t really gone out in public yet, until that day… 
    As I put my jeans on that morning, I kept telling myself, “Wearing jeans is not a sin and I should be able to wear them anywhere I want.” I knew though that if anyone from “the church” saw me, to them it would only confirm that I had backslid and was on my way to hell. Some of them thought that already, simply because we had left the church we had been attending since 2001 and were now going to an Assembly of God. But I had to take this first step for myself.
    Show book
  • The Matter of Little Losses - Finding Grace to Grieve the Big (and Small) Things - cover

    The Matter of Little Losses -...

    Rachel Marie Kang, K.J. Ramsey

    • 0
    • 0
    • 0
    Life is full of love, but it is also full of loss. Like paper cuts to the heart, every big and seemingly insignificant loss—the loss of friendships, faith, dreams, health, community, and everything in between—grieves us more than we think it will, and often more than we let on. Why? Because they matter. 
     
     
     
    In this compassionate and deeply personal book, Rachel Marie Kang invites you to see and be seen in the midst of your sorrow, your suffering—your story. Through prose and poetry that gives voice to all the things we lose along the way, this gracious book will help you 
     
     
     
    ● ponder your loss without judgment 
     
     
     
    ● remember what was and make meaning of your memories 
     
     
     
    ● reflect on what is yet to be as you heal with hope 
     
     
     
    You don't have to bury your pain, and you don't have to pretend you're over it just because the world thinks you should be. Let Rachel walk hand in hand with you, giving space for sorrow and welcoming you as you find your way along the path to healing.
    Show book
  • Deed - cover

    Deed

    torrin a. greathouse

    • 0
    • 0
    • 0
    DEED, the follow-up to torrin a. greathouse's 2022 Kate Tufts Discovery Award winning debut, Wound from the Mouth of a Wound, is a formally and lyrically innovative exploration of queer sex and desire, and what it can cost. Sprawling across art, eros, survival, myth, etymology, and musical touchstones from Bruce Springsteen to Against Me!, this new book both subverts and pays homage to the poetic canon, examining an artistic lineage that doesn't always love trans or disabled people back. Written in a broad range of received and invented forms—from caudate sonnets and the sestina, to acrostics and the burning haibun—DEED indicts violent systems of carceral, medical, and legal power which disrupt queer and disabled love and solidarity, as well as the potentially vicarious manner in which audiences consume art. This collection is a poetic triptych centered on the question of how, in spite of all these complications, to write an honest poem about desire. At its core, DEED is a reminder of how tenderness can be made a shield, a weapon, or a kind of faith, depending on the mouth that holds it.[sample text]from EtymythologyI'm clocked by etymology,by the way even stilettos take their namefrom a knife. The way a knife, well-honed,can strip anything to the bone. Bear with me, sometimes even the myths growblurry in the distance. The root of Artemis, goddess of the hunt, is still unknown, but likely comes from artamos—butcher. Let's call this a kind of etymythology,post hoc history; let's call Artemis the root. For her wild heart. Her failedfemininity. Goddess of gender-fuckedgirls. Crooked prayer. The word worship is shaped from two shards—meaning worth & its giving. A mouth gives faith shape like clay. I mean that to pray is to god a God. To be butch & butcher the myth of a son, was to makea goddess of myself.
    Show book
  • Saint Thomas and the Forbidden Birds - cover

    Saint Thomas and the Forbidden...

    James Matthew Wilson

    • 0
    • 0
    • 0
    In James Matthew Wilson’s fourth full-length collection of poems, the writer joins the great saint and theologian Thomas Aquinas to pause before “the thought of earthly sorrows” and to pray for “such a world that had so much to say.”  These poems stand in wonder before the tumult and beauty of created things and the capacity of the soul to rise above it. We move from encounters with the world as revelation, mystery, and promise, to great scenes of sin and fracture such as the bombing of Dresden, the execution of the Roman philosopher Cicero, and scandals in the Church. The volume begins with the prospects for an unborn child soon to enter our stormy world and concludes with a “Farewell” to the place, home, and setting of many of these poems. Saint Thomas and the Forbidden Birds is a story and pilgrimage through the troubles of our age and beyond them to the reason for our hope, “for all things turn about the love of God.”
    Show book