Publisher: BookRix
Jean Harvey has again produced a lyric masterpiece.With "ORKAINS" she is once again putting English texts on paper in her usual way after a long time.Clear, honest and authentic.
This second collection of poems confirms why Tanya Shirley is so much in demand for readings. The stories she tells have their finger on the pulse of contemporary Jamaica in all its exuberance and brokenness. She tells these stories with a winning mixture of acute observation, outrage, outrageousness, tenderness and understanding. They present a poetic persona of a woman who is "sometimes dangling from high wires/ but always out in the open". So that whilst there is no one who so wittily skewers the misogynistic, she is also honest about the complicity of women in their own acts of submission, of how "I danced flat-footed in your dense air". There is joy in the energy and delights of the body but also a keen awareness of ageing and the body's derelictions. If there is one overarching vision it is that love is "larger than the space we live in", a love represented by the "merchant of feathers - now a woman/ selling softness in these hard times", or the mother who tends the battered face of her son, the victim of a homophobic beating. There is scarcely a line without some memorable phrase - the madman who chants his "lullaby of badwords", the father who "became the water within him" - but these are much more than an assembly of sharp images; closer reading shows just how shapely and elegant these poems are.Show book
The new winner of the Paz Prize for Poetry, granted by the National Poetry Series, is the author’s impressionistic homage to his hometown of Colima, Mexico.“In this remarkable bilingual debut . . . Pérez-Cortés cracks open the name of his hometown, Colima, to generate a vast mythology . . . The side-by-side presentation of the original Spanish and its English translation adds another layer to this engrossing volume.” —BooklistA Poets & Writers Page One SelectionIma and Coli Are the Tree That Was Never a Seed is Alejandro Pérez-Cortés’s personal genesis of Colima, Mexico, published here in both English and Spanish. The tree is an element/character in the book that appears and disappears throughout. Some poems are set in an ancient pre-Hispanic Colima; others reflect the reality of a modern-day Colima, sadly stigmatized and eroded by violence perpetrated by the narcos.In his introduction, preeminent Cuban poet José Kozer praises Pérez-Cortés: “Ima and Coli Are the Tree That Was Never a Seed comprises a voice that I consider poetic and that should be cared for and listened to with true interest. A voice that encompasses all, one that seeks to integrate, remake, and modify normative language when necessary, and to distort language that allows a better perception of the present and of everything that is historically behind a contemporary poet.”The Paz Prize for Poetry is presented by the National Poetry Series and Miami Book Fair at Miami Dade College and is awarded biennially. Named in the spirit of the late Nobel Prize–winning poet Octavio Paz, it honors a previously unpublished book of poetry written originally in Spanish by an American resident.Show book
'There was a moment... Where it looked at me. The stag. We looked at each other. And I had this feeling like... Like it was gonna show me something.' Meet Oskar, Rio and Hazel: three people getting on with their lives in different corners of the globe. They've never spoken. They've never met. But they're each about to experience a startling wild-animal encounter. One that will transform the way they think about their world. From Norway's glittering fjords to Colorado's stunning peaks via Halewood's majestic Tesco, The Walrus Has a Right to Adventure is a swooping, soaring play about instinct, expectation and identity – and what it means to be truly free. Inspired by real stories from around the world, Billie Collins's powerful and inventive play premiered at the Liverpool Everyman in 2025, directed by Nathan Crossan-Smith.Show book
The author of the award-winning national bestseller I Done Clicked My Heels Three Times returns with a poetry collection that transforms the Black female speaker from object, artistic muse, and victim to subject, critic, and master of her story Resting Bitch Face is a book for women, for Black women, for lovers of art and film criticism, and for writers interested in work that finds a middle ground between poetry and prose. Taylor Byas uses some of our most common ways of "watching" throughout history (painting, films, sculpture, and photographs) to explore how these mediums shape Black female subjectivity. From the examination of artwork by Picasso, Gauguin, Sally Mann, and Nan Goldin, Byas displays her mastery of the poetic form by engaging in intimate and inventive writing. Fluctuating between watcher and watched, the speaker of these poems uses mirrors and reflections to flip the script and talk back to histories of art, text, photography, relationships, and men. From Polaroids to gesso primer to sculpture, Byas creates a world in which the artist calls out and the muse responds. For not only does she enter the world of the long-revered classic artist, but she also infuses her poems with such iconic pop culture works as The Joker, WandaVision, and Last Tango in Paris.Show book
For so long I was a ship tossed around on turbulent waters. Then one day I discovered the beauty and wonder of nature I had been missing and embraced the Light I’d been hiding from all this time. And so, I offer a look into "An Ocean of Emotion", my debut collection of poetry divided into three sections: Darkened Skies, The Wonders of Nature, and Dawning of a New Day.Show book
Nya, a dedicated teacher at an inner-city school, is desperate to give her only son opportunities that her own public high school students will never have. When a controversial incident at his private school threatens to get Omari expelled, Nya must confront her own deepest fears to give her son a future. Copyright © 2017 Dominique Morisseau All rights reserved. Used by permission. Originally Produced by Lincoln Center Theater in 2017, New York City. Pipeline was commissioned by Steppenwolf Theatre Company, Chicago; Martha Lavey, Artistic Director, David Hawkanson, Executive Director. Recorded at The Invisible Studios, West Hollywood in February 2022. Directed by Larry Powell Producing Director: Susan Albert Loewenberg An L.A. Theatre Works Full-Cast Performance Featuring: Sophina Brown as Nya Eugene Byrd as Dun Demetrius Grosse as Xavier Sharon Lawrence as Laurie X Mayo as Jasmine Uyoata Udi as Omari Karen Malina White as P.A. Announcer Student Voices (Olathe East High School, Olathe, Kansas): Rabiatu Amadu, Calista Wanjiku, Damarion Green-Burk, William Kalihamwe, and Coach Jason Peete Senior Producer: Anna Lyse Erikson Prepared for Audio by Mark Holden for The Invisible Studios, West Hollywood Recording Engineer, Sound Designer, Editor and Mixer: Charles Carroll Senior Radio Producer: Ronn Lipkin Foley Artist: Jeff Gardner Music by Jimmy Keys, AKA "J. Keys"Show book
