Otros libros que te pueden interesar

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  Cognitive accesibility...

  Berta Brusilovsky

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  This text deals fundamentally with design and architecture: the route of spatial recognition, which is the least known —or worked on— within the approaches of the autism spectrum given its difficulty in being synthesized in a paradigm or normative set. The objective is to create a framework to approach the design of environments and buildings, in order to facilitate spatial development in everyday life and, especially, in learning situations.
  The spatial route, which is the project, creates:
  - A set of spatial coordinates that liberates the user from the anguish of not recognizing, of not understanding the space in which he is developing. And that offer him the possibility of finding the way, directing him to where he needs or wants to go.
  - Structure of the exterior and interior, with their corresponding activities placed in a comprenssible way through concepts of organization: functional and sensorial sequence of events. And creation of spaces for group and individual tasks, paying special attention to places of transition and recovery between opposite or different activities, both physical and emotional.
  - The aspects that are developed in terms of recommendations are synthesized in a construct that brings together the aspects of general, functional, formal and sensory organization of plans, elevations and details. Achieving with these “person-space” adjustments a  higher quality of personal life and of its affective and learning  environment.
  - Design components that in the case of autism should be considered in order to seek with the project greater facility of understanding, use and space-emotional development of people from childhood to adult life.

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  LAMDA Verse and Prose Anthology:...

  Exams LAMDA

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  This anthology presents the set selection of verse and prose pieces for Learners entering LAMDA Graded Examinations in Communication: Speaking Verse and Prose from Entry Level to Grade 8, and LAMDA Introductory Graded Examinations from Stage 1 to Stage 3 (Solo and Group).
  The collection includes 155 pieces in total: a range of celebrated poems alongside prose extracts from bestselling classic and contemporary novels. It also features original material written specifically for this anthology, including the winner and runners-up of LAMDA Learners' Poetry Prize 2023. Also included is a foreword by Joseph Coelho, Waterstones Children's Laureate 2022–24.
  For Learners taking LAMDA Examinations, this anthology offers a wide choice of themes, topics and worlds to explore. With many performance possibilities, it is a perfect resource to help Learners practise and develop their communication skills. For the general reader, it is the ideal starting point for discovering contemporary poets and novelists, such as Maya Angelou, Malorie Blackman, Sally Rooney and Michael Rosen, as well as reconnecting with celebrated writers of the past, including Jane Austen, T. S. Eliot and William Wordsworth.

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  A Rare Recording of Film Icon...

  Vivien Leigh, Samuel Goldwyn

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  The following recording is a discussion between movie star Vivien Leigh, film producer Samuel Goldwyn and British Theatre critic Kenneth Tynan. Vivien Leigh, born Vivian Mary Hartley (November 5, 1913 - July 8, 1967) was a British actress who won the Academy Award for Best Actress twice, for her performances as Scarlett O'Hara in Gone with the Wind (1939) and Blanche DuBois in the film version of A Streetcar Named Desire (1951), a role she had also played on stage in London's West End in 1949. She also won a Tony Award for her work in the Broadway musical version of Tovarich (1963). Samuel Goldwyn (August 27, 1882 (claimed, but most likely July 1879) - January 31, 1974), was a Polish-born American film producer. He was best known for being the founding contributor and executive of several motion picture studios in Hollywood. He was awarded the 1973 Golden Globe Cecil B. DeMille Award, the Irving G. Thalberg Memorial Award (1947) and the Jean Hersholt Humanitarian Award (1958). Kenneth Peacock Tynan (April 2, 1927- July 26, 1980) was an English theatre critic and writer.

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  Stone Mad

  Seamus Murphy

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  50th Anniversary Edition. Paperback.
  'In the sharply formal conversations of the stonemen, the bittersweet flavour of provincial Ireland is presented with neither sentiment nor adornment.' —William Trevor, The Guardian
  'The men who have gone before us have left us a heritage to be proud of; and we feel our own contribution has been for the good.' —Seamus Murphy, from the preface to Stone Mad.
  In 'Stone Mad' Seamus Murphy tells the story of his seven years spent as an apprentice to the stone carving trade, the growing knowledge of the challenges and joys of stone – and of the men who worked it. His artistic feeling for the quality responded to his workmates' reverence for 'the well made thing'. The result is a book of surpassing beauty, full of warmth, humour and profound perception.

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  The 14 Unshakable Laws of...

  Dan Spencer

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  In The 14 Unshakable Laws of Learning Music you will discoverWhy talent, age, and experience don’t matter when it comes to getting good at any instrument and singing so you can start living your music dream now.Why spending more on books and courses doesn’t always mean learning more.Focus on the things in music that make you happy so you can use your time and energy effectively.How and when to use apps, books, courses, YouTube, and music teachers so you can make progress…fast.…and so much more. 
  “The amount of wisdom, empathy and knowledge present 
  in this book brings me to tears. There’s so much healing 
  and instruction about music AND LIFE present here that 
  I’d refer anyone to it without reservation.” 
  BOB HALLIGAN JR. 
  Platinum and Gold Record Songwriter 
  KISS, KIX, Cher, Judas Priest, Kathy Mattea, Ceili Rain 
  “The 14 Unshakable Laws of Learning Music is invaluable 
  for anyone who ever had the desire to become a better 
  musician, both hobbyists and professionals.” 
  JOE DENINZON 
  Violinist/Singer/Guitarist, Kansas, Stratospheerius 
  “...anyone who applies the information and approaches 
  presented in this book can turbo-charge their progress 
  as a musician, reach their goals sooner and enjoy playing 
  music more than ever before.” 
  JAMES SHIPWAY 
  Author of the “No Bull” book series 
  Creator of the “Total Guitar Lab” online guitar academy

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  Stars of the Silent Film Era

  Editors Charles River

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  Only a select few actors become international stars in their time, but none had as unique a career as Charlie Chaplin. Chaplin was the first true film star, and he managed to do so even when films were still silent. He has been honored with too many awards to count, and the fact that his name remains instantly recognizable nearly a century after his first film is a testament to his influence.  
  In the 1920s, the burgeoning movie industry was starting to come into its own, and alongside actor and director Charlie Chaplin, Buster Keaton was at the peak of Hollywood. It’s no surprise that Keaton was so effective in silent films, because he had been practicing comedy in his family’s vaudeville acts as “The Little Boy Who Can’t Be Damaged”, becoming a popular performer by the age of 5. Indeed, his physical form of comedy, which initially involved having his father throwing him around the stage, translated well onto the screen, and some of his slapstick and other comic gags remain legendary even today. 
  Everything about Rudolph Valentino, from his body to the characters he played, was exotic. His career may have been abbreviated by his premature death at the age of 31, but Valentino popularized the (somewhat racist) stereotype of the “Latin lover” in Hollywood, and even his name was markedly more out of the ordinary than those of other actors.  
  Of all the great movie stars, there may be none more enigmatic than Greta Garbo, who remains internationally famous despite the fact her life and career raise more questions than answers. How did a Swedish actress with very little film acting experience in her native land arrive in the United States and achieve instant stardom? Most actresses had to wait years before they were offered starring roles in major films, yet Garbo was ushered to the front of the line and perched atop the MGM pantheon at a time in which it was the studio par excellence. 

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