Other books that might interest you

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  The Monster Trilogy

  RM Vaughan

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  Demons, ogres, werewolves – men have all the fun. Not here. Celebrated playwright RM Vaughan's The Monster Trilogy turns the tables and offers up three monstrously evil women in three explosive monologues.
     
  In The Susan Smith Tapes, the infamous young mother who drowned her three sons tries to recapture the public's attention by auditioning for talk shows from her prison cell. In A Visitation by Saint Teresa of Avila upon Constable Margaret Chance, we meet a middle-aged police officer whose world view is warped by her obsession with race, bloodlines and genetic determinism. And Dead Teenagers introduces us to the Reverend, a frustrated cleric unhealthily addicted to the spectacle of large funerals for murdered children.
     
  These monologues – all performed at Rhubarb! festivals and all critically acclaimed – create a vivid triptych that considers the notion of monstrosity from three very distinct perspectives.
     
  'RM Vaughan writes like a sailor with a PhD and a broken heart.' – Daniel MacIvor

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  mahogany

  Eric Lewis

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  mahogany takes its name from the dark wood prized for its durability, workability, and elegant look, and from the Diana Ross movie, whose theme song asks if what lies ahead is what you really want. This book is the third in a trilogy, and like the first two books it is steeped in pop music. Each poem here takes its title from a line of a Diana Ross and The Supremes song, as well as songs from Diana Ross' solo career. Short lines flow down the page like postmodern psalms, connecting dailyness to timelessness, merging the historical and the beloved through reverence for family, music, and the life we actually live. mahogany is a lament for the passing of time and unimaginable loss, and at the same time it models the daily search for joy, and the deep shine that can arise from the darkest times.[sample poem]i'm like a woman who once knew splendor*sometimes i feel like the pink pantherall naked and pinklost in the morass ofdo the best you can todayand nigga heal thy selfour end of winterspirits breaklike old tibetan snowi rememberyou was conflictedand i found myself alonehere on my ancient hurtthe disquieting humof living historydear god, pleaseput my head above my heartwe can only be togetherif the stories are toldplain facesame instrumentjust a couple of coke bottlesfull of gasolinelike god and rainis a waste of timemy mother used to clean housesas a childsome days i can barelyget out of bedin my mindshe's like diana rossscrubbing the white lady's stairsin lady sings the bluesexcept prettierand with green eyesi've just been livingoff of cough dropsand water and angerjust sitting in the whole foodsparking lot eating pineapplei am literallythe definition of "hot mess"pain changes everythingsomebody comeand pick upmy limp bodyoff the groundi am dyinga slow ohio deathwe miss you starmanit's our first sunrise of the burn* "dark side of the world"erica lewis

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  Revolving Door

  William Sharp

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  Quietly reflective, the beautifully written poems in this slim volume offer a welcome respite from the noisy insistence of modern life. The language, now simple and direct, now rich in associations, double-meanings, and imagery, has its own natural rhythm and appeal regardless of subject and rhyme. Intriguing, absorbing, thought-provoking, the poems are innovative and fresh and the intensity of the verses in places will undoubtedly strike a chord with readers of all kinds - both established readers of poetry, those who read poetry now and again, and those 
  turning to poetry for the first time. Largely relating one person's take on how it is to be in the world, the poems address such aspects of life as time, being, loss, culture, and contingency. The collection is divided into three sections - non-rhyming poems, rhyming poems, and a 
  concluding section of lighter, more humorous verses, with each of two additional poems serving as foreword and afterword.

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  So This is Love

  Oliver Forward

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  Remember, true love cannot be measured, when it has been emptied from the heart. These romantic poems composed by Oliver Forward, remind the reader about positive thoughts in their past with the hope those feelings recur in the future.

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  Fishamble Tiny Plays

  Jim Culleton

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  Over a decade, Fishamble commissioned and called for submissions of tiny plays that reflected major changes in Irish society from 2011-2021. Inviting playwrights to submit plays of less than 600 words, the company produced 50 tiny plays in Tiny Plays for Ireland, 10 tiny plays in Tiny Plays 24/7, and 10 tiny plays in partnership with ESB in Tiny Plays for a Brighter Future.
  These productions of tiny plays created a patchwork quilt of theatre to reflect the times through which we were living.  They were performed in Project Arts Centre Dublin, Irish Arts Center New York, and Kennedy Center Washington DC, as well as shared online.  This anthology publishes all 70 tiny plays, providing an invaluable resource of four-minute plays for actors, directors, students, and teachers.

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  Edgar Allan Poe's: The Tell-Tale...

  Edgar Allan Poe, Jason Markiewitz

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  Markiewitz Audioworks Presents Edgar Allan Poe's "The Tell-Tale Heart."  This production is a full audio dramatization (with incredible original music and magnificent sound effects) of one of the most popular horror stories of the past 200 years.  In this story, a man (Edward) is afforded a place to stay in exchange for doing chores around the house.  However, his landlord (Mr. Graves), a friendly and gracious old man, has one characteristic which drives Edward to the brink of madness; a pale blue eye.  Eventually, Edward decides that he can't take the eye any longer, and despite his generally cordial relationship with Mr. Graves, is determined to kill him, thus ridding himself of the eye forever.  Come with us as we descend into madness with this original adaptation of Edgar Allan Poe's: The Tell-Tale Heart.Cast:Jason Markiewitz as Edward Valentine, Officer Kent, Officer WallaceBrennan Villados as Mr. Graves, Sgt O'TooleLia Rose as Homeless Woman in the BarnMusic by: Hayden FolkerCover Art by: Jon MarkiewitzScript by: Jason MarkiewitzDirected by: Jason Markiewitz

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