Other books that might interest you

• 

  slope (NHB Modern Plays)

  pamela carter

  • 0
  • 0
  • 0

  An intimate and hedonistic examination of a nineteenth-century love triangle, slope explores the affair between the poets Paul Verlaine and Arthur Rimbaud, and its impact on Verlaine's young wife, Mathilde.
  Their verbal sparring is scabrous and hilarious, and their rollercoaster relationships as passionate and claustrophobic as they are cruel and ridiculous.
  Originally produced in 2006 by Untitled Projects, slope returned in a new production by the company at the Glasgow Citizens and the Traverse Theatre, Edinburgh.
  'A cruel battle for status, order duelling with chaos, decorum with sensual pleasure' - Guardian
  'Exceptional' superb' breathtakingly successful' - Scotsman

  Show book

• 

  Welcome and Farewell

  George Pope Morris

  • 0
  • 0
  • 0

  George Pope Morris was an American editor, poet, and songwriter.In addition to his publishing and editorial work, Morris was popular as a poet and songwriter; especially well-known was his poem-turned-song "Woodman, Spare that Tree!"[10] His songs in particular were popular enough that Graham's Magazine in Philadelphia promised Morris $50, sight unseen, for any work he wanted to publish in the periodical. - Summary by Wikipedia

  Show book

• 

  Slepa pegica časa Blind Spot of...

  Milan Dekleva

  • 1
  • 1
  • 0

  "The poem is controlled silence", wrote Milan Dekleva in his 1990s collection "Preseženi človek" (Out-lived man). This poetic paradox, that has existed from the very beginning of Dekleva's writings and persisted through the three and a half decades of his experimentation in various genres and linguistic situations (including not only fourteen books of poetry but also prose fiction, plays and essays) and indeed remains today, did not emerge from nothing.
  Dekleva's story is also the story of poetic modernity as it lurks within the metamorphosis of world and Slovenian literature. Dekleva's dialogue with modernity remains a creative conflict with his ancestors, the battle of the poet for self-recognition, for the word that will articulate the uniqueness of his world. What is central to Dekleva's texts – and this can only be said with the benefit of hindsight – also corresponds with the spatial-temporal coordinates of their emergence: with the conceptual-aesthetic, and perhaps even with the ideological-political, conditions of the decades following the Second World War, which is to say through the filter of the poet's individual reason, gaze, and desire. The transition from the 1960s to the 1970s was not only a period that marked the beginning of Dekleva's poetic formation, but also a period of turbulent social happenings, dramatic debates and actions. Dekleva is the poet of the "disenchanted world" and is thus linked to "the twilight of the idols" in which not even the Word of the poet, understood in the old metaphysical way, has been spared.

  Show book

• 

  Visiting Edna and Good for Otto...

  David Rabe

  • 0
  • 0
  • 0

  Two plays exploring the struggle of mental illness by the Tony Award–winning “giant of American theater” and author of Hurlyburly (Chicago Tribune).  Good for Otto, which premiered in October 2015 at the Gift Theatre in Chicago, is a “sprawling drama of mental illness” in which “Mr. Rabe digs into his subject with a depth that almost feels bottomless.” Drawing on material from Undoing Depression by psychotherapist Richard O’Connor, it explores the lives of a therapist and his many patients, all trying to navigate personal trauma (Charles Isherwood, The New York Times).  Visiting Edna, which premiered in September 2016 at the Steppenwolf Theatre in Chicago, is a drama of “deeply searing power” about the bond between mother and son. As Edna faces a short future plagued by her many illnesses—and a cancer that looms so large it becomes another character—she and her adult son struggle to communicate about their shared past as they contemplate the future (Variety).   Taken together, the plays offer a satisfying glimpse into “Rabe’s theatrical universe . . . at once vivid and mysterious, a pageant and a puzzle” of contemporary American life (John Lahr, The New Yorker).   “Many would list [Rabe] among the very greatest of living playwrights.” —Chris Jones, Chicago Tribune

  Show book

• 

  Meeting the Universe - The...

  Niko Riki

  • 0
  • 0
  • 0

  Vincent's first vivid childhood memories had flown with the wings of the wind, and they began to speak to him in a loud voice. He began to sink into them like quicksand. The glass of brandy slipped out of his hands, just as he had decided to pour himself a bit more of the alcohol, and shattered into many tiny shards with a loud bang. - Maybe it's a warning that I must change my life? - He saw nothing but a prism with white light. He was flying towards the light beam at a very high speed, just like the most powerful space rocket. The bright rays of light, like a white inclusive tunnel, began to narrow, and a mountain in the color of halva appeared in from of his eyes. He was flying directly towards it, just like the fastest eagle, and it seemed like he was about to crash into it. He felt scared of the unknown and that his body was moving by itself and that he couldn't control it anymore but, at the same time, he felt free because he could fly at such a tremendous speed, realizing that one part of his life was over. He was still alive but, only in a different form. Vincent was no longer Vincent because he no longer had his old name, and he didn't have his ancient past. Instead, he was greeted by a whole new life. His little heart was beating, and when he took a deep breath, he felt that he was alive again and felt his mother's warmth. The baby opened his little mouth and smiled. It was very dark but comfortable enough to turn slightly from side to side.

  Show book

• 

  Finding Mother God - Poems to...

  Carol Lynn Pearson

  • 0
  • 1
  • 0

  Call Her Goddess―call her God the Mother―call her the Feminine Principle―Her children need Her, and our world deeply suffers the pains of Her absence. Through the warmth and the wit of poetry, this book is an invitation for all―women, men, of any religion or of no religion―to welcome Her home and set a permanent place for Her at the family table. 

  Show book