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  Happy Okay? - Poems about...

  M.J. Fievre

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  A poetry collection crafted to inspire healing in those tackling mental health issues or to help those closest to them. 
   
  Paloma is faking it. On the outside, she’s A-Okay. She’s electrified at work, there is a cadence in her step as she walks her dog, she posts memes on Facebook, and she keeps up with most relationships. Looks can be deceiving, however. Inside, Paloma is just going through the motions, and she feels like things are spiraling out of control. But when things are at their darkest, dawn arrives with clarity and focus, and with it, healing. Paloma learns to value small glimmering moments of joy rather than searching for constant happiness, thus building hope for her future. 
   
  An electric roadmap to healing and a manifesto for wholeness, Happy, Okay?: Poems about Anxiety, Depression, Hope, and Survival, is written in a contemporary style reminiscent of Rupi Kaur and Pierre Alex Jeanty. But this poetry book is not simply a narrative spun in verse. It is an invitation to readers to shake off the stigma and silence of mental health and find strength in the only voice that matters: your own. Whether exploring self-care, social anxiety, or anxiety in relationship, in this inspiring and heartwarming book, you will: 
   
   Understand how to make happiness a decision, even when you don’t feel it in your bones 
   
   Find out how to exercise patience and self-acceptance 
   
   Attract hope and purpose back into your life 
   
  If you enjoy poetry books or books like Her, Black Girl Magic, Pillow Thoughts, Milk and Honey, or The Sun and Her Flowers, then you will definitely love this book.

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  Multilingual Poetry Collection 005

  Various Various

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  In LibriVox's Multilingual Poetry Collection, LibriVox volunteers read their favourite public-domain poems in languages other than English. (Summary by David Barnes).

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  Café Boogie

  Jeni Nixon

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  Jenny Nixon uses bold phrasing and syntax to record a life lived in and around Sydney s bohemian culture and lesbian and gay communities from the 1970s to the present. Her poetry is atmospheric, immediate and celebrates awareness gained, while honorouring the losses and counting the costs, including deaths of family friends and muses taken by age, AIDS or addictions. Although mainly narrative in style, Nixon s work doesn t shy away from political protest. It cuts close to the bone, and uses the language of the everyday in what is an accessible and moving collection. This collection will appeal to readers who like contemporary, no-nonsense poetry that isn t afraid of tackling the big issues.

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  Julius Caesar (Argo Classics)

  William Shakespeare

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  William Collins Books and Decca Records are proud to present ARGO Classics, a historic catalogue of classic prose and verse read by some of the world’s most renowned voices. Originally released as vinyl records, these expertly remastered stories are now available to download for the first time. 
  ‘The fault, dear Brutus, is not in our stars, but in ourselves.’ 
  Shakespeare's political thriller tells the story of the conspiracy against Caesar, his assassination and the defeat of his conspirators. 
  Jealous conspirators convince Caesar's friend Brutus to join their assassination plot against Caesar. To stop Caesar from gaining too much power, Brutus and the conspirators kill him on the Ides of March. Mark Antony drives the conspirators out of Rome and fights them in a battle. Brutus and his friend Cassius lose and kill themselves, leaving Antony to rule in Rome. 
  All of the Shakespeare plays within the ARGO Classics catalogue are performed by the Marlowe Dramatic Society and Professional Players. The Marlowe was founded in 1907 with a mission to focus on effective delivery of verse, respect the integrity of texts, and rescue neglected plays by Shakespeare’s contemporaries and the less performed plays of Shakespeare himself. The Marlowe has performed annually at Cambridge Arts Theatre since its opening in 1936 and continues to produce some of the finest actors of their generations. 
  Thurston Dart, Professor of Music at London University and a Fellow of Jesus College Cambridge, directed the music for this production. 
  The full cast includes: John Wilders; George Rylands; Anthony White; Clive Swift; John Dover Wilson; Donald Beves; John Barton; Anthony Jacobs; Tony Church; Roger Prior; Denys Robertson; Michael Jaffe; Gary Watson; Roderick Cook;John Arnott; David Buck; John Arnott; Noel Annan; David Buck; Gary Watsom; Julian Pettifer; John Bird; John Arnott; Chris Renard; Chris Renard; Mark Griffiths; Clive Swift; Wendy Gifford; Dorothy Mulcahy. 
  The theatre production, short in duration but rich in content, showcases the best of European dramatic arts. The performing skills of the actors are truly commendable. 
  For fans of Richard Parsons (GCSE English Shakespeare Text Guide), and Arthur Miller (Incident at Vichy).

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  Living on Provisions of the Holy...

  ROYCE RUCKER

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  Who knew West Virginia would be the promised land for Two to Three Hundred-Thousand African-Americans escaping the hardships of the South after the Emancipation Proclamation? Like the Black Codes and Jim Crow. Freedom comes in many forms. West Virginia became a refuge for individuals looking for a better life, but it sometimes came with a deadly price. This book captures the spirit of one family’s devotion for one another, and the drive to never give up on the “American Dream” at a time in the United States of America when the desires of Black business owners were plentiful, but the reality of Black business ownership was just a dream...

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  The Living Room - A Play

  Graham Greene

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  The illicit affair of a devout woman in London ignites a shattering family crisis in the author’s “ruthlessly honest” first play (The Guardian).   In a dour Holland Park house with rooms and secrets long shuttered live three unyielding forces for morality: rigidly religious sisters Helen and Teresa, and their brother, a Roman Catholic priest. Into the lives of this insular trio comes their young grandniece, Rose Pemberton, following the death of her mother. To the mortification of her aunts, Rose has also brought her lover, Michael Dennis, who is twenty-five years Rose’s senior, married, and a psychology lecturer dictated by reason, not faith. In a home that reeks of sanctimony, Rose and Michael are as welcome as sin. But it’s the arrival of Michael’s distraught wife—armed with righteous emotional blackmail and worse—that ignites an unexpected fury and makes real the family’s greatest fears.   Premiering in London in 1953 and moving to Broadway one year later, Graham Greene’s debut as a dramatist was hailed by Kenneth Tynan as “the best first play of its generation.”  

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