Translator Benjamin F. Glazer
Publisher: e-artnow
When first published and staged in Budapest in 1909, Ferenc Molnar´s "Liliom" became a world hit. Many theatres around the globe took it up. As a result, this play is one of the most famous works in Hungarian literature and belongs and belongs to the most prominent dramas in the world's history.
'After thousands of years, I have a mouth… So if you don't mind, Mum, Dad, I'm going to speak. I'm going to shout. When I become a human I'm going to use some words. Can you still hear me? Is my microphone on?' Young people have inherited a burning world. In Jordan Tannahill's urgent and lyrical play, they reckon with the generations who have come before them, questioning the choices that have been made, and the ones that they will yet be forced to make. In Is My Microphone On? an ensemble of young performers hold the audience to account, and invite them to experience the world together anew. The play was commissioned by the Theater der Welt festival in Germany, premiered in English by Canadian Stage, Toronto, in 2021, and performed by youth theatres across the UK as part of the 2023 National Theatre Connections Festival. It offers opportunities for a large, flexible cast of any size or mix of genders, and can incorporate chorus work, movement and music.Show book
In 2022, James McDermott lost his sixty-year-old father to COVID after three weeks in intensive care. In* Father Myself*, his second collection from Nine Arches Press, McDermott explores his father's complex illness and death; grief; growth and how as a queer boy then a bereaved son, he had to learn to father himself. In clear-sighted and often hard-hitting poems, McDermott takes the reader onto the frontline of the pandemic – documenting the experience and trauma of a COVID-bereaved family with an unflinching eye. Both powerful and compassionate, these extraordinary poems have the capacity to go beyond simply a record of events, reaching sensitively for the human details that matter – the beat of a heart and movement of breath, the touch of a hand, the words we use for goodbye.Show book
'There was a moment... Where it looked at me. The stag. We looked at each other. And I had this feeling like... Like it was gonna show me something.' Meet Oskar, Rio and Hazel: three people getting on with their lives in different corners of the globe. They've never spoken. They've never met. But they're each about to experience a startling wild-animal encounter. One that will transform the way they think about their world. From Norway's glittering fjords to Colorado's stunning peaks via Halewood's majestic Tesco, The Walrus Has a Right to Adventure is a swooping, soaring play about instinct, expectation and identity – and what it means to be truly free. Inspired by real stories from around the world, Billie Collins's powerful and inventive play premiered at the Liverpool Everyman in 2025, directed by Nathan Crossan-Smith.Show book
Elif shears sheep for a rich landowner. Every other waking hour she spends queuing outside the palace, hoping that the King will let her live within the city walls. She comes from a faraway land. She is searching for sanctuary. And this is what we call a 'hostile environment'. Sami Ibrahim's play A Sudden Violent Burst of Rain is a poetic fable about an impenetrable immigration system that mirrors our own. It premiered in Paines Plough's Roundabout in 2022, including a run at the Edinburgh Festival Fringe, as a co-production between Paines Plough and Rose Theatre, Kingston, in association with the Gate Theatre, London.Show book
Mercury-addled and fabulously flighty, Pochsy is back with a new monologue! Sweet, vapid, and venomous, Pochsy is an endearingly charming embodiment of all that’s gone bats in the world. She used to work at Mercury Packers. Where she packed mercury. Now her employer has moved offshore and Pochsy must grapple with God’s broken promise of a five-star future. This is a night sea journey on an unnaturally sparkling river. Harrowing and high speed, Pochsy IV unboxes precarity, consumer obsessions, the future of humankind ... and whatever else might keep you up at night. Combining magical realism, satire, and horror, this monologue follows the acclaimed trilogy The Pochsy Plays, which have travelled internationally and been a finalist for the Governor General’s Literary Award, among other citations. Pochsy IV: because what the world needs right now is a little more Pochsy.Show book
Comprised of four heroic crowns of sonnets, Alicia Mountain’s Four in Hand is both formal and experimental, ranging from lyric romantic and familial narratives to blank verses of reconfigured found text pulled from financial newsletter emails. Language and white space equally captivate with their sparsity and abundance as Mountain pursues the implications of national political identity with intersectional awareness. These poems interrogate our collective complicity in late-stage capitalism, drone warfare, the election of Donald Trump, environmental degradation, mental health crises, and the dawn of Covid-19 through the lens of gay poetic lineage, regionalism, and familial kinships structures. With one enthralling image after the other, Four in Hand builds a world that carves out necessary space for lesbian gaze, speakership, and personhood. From the back corner of a vast, sprawling, yet gorgeous landscape of thought, Mountain's poems beckon us inside.Show book
