Publisher: Publishdrive
A little drop of melancholy, a dose of happiness, surrounded by social walls, yet knocking down barriers, the poet tells her words about her feelings.
Embark on a whimsical adventure with As if I couldn’t!, a delightful collection of poems, brimming with both tenderness and humour, for small and grown-up children. Each piece brings to life the playful, carefree spirit of childhood. It’s all about having fun, being silly, mischievous or even a little cheeky. It involves girls, boys, and animals. It’s about everything and anything that may spark a child’s imagination or sense of wonder. It’s about finding joy in simple things. Ideal for a bedtime moment or a simple anytime reflection, this collection is not just an audiobook for children. It’s an open door to shared memories, glee, and warmth for small and tall ones of all ages. So, come in and discover the treasures within As if I couldn’t! Let it be the new-classic addition to your bookshelf be it a physical one or one that you'd listen to over and over again. Get on board! We're embarking right now!Show book
The year is 878. Young King Alfred struggles to regain his West Saxon kingdom from the invading pagan Danes led by Gormr (aka Guthrum, aka Godrum). His kingdom overrun, Alfred joins Gormr's court disguised as a Welsh gleeman. Gormr consults Alfred as a counselor and wizard, but resists Alfred's attempts to convert him. Meanwhile Alfred learns that his lady and their children are Gormr's prisoners. Escaping to the western fens, he leads a small army against the Danes. The rest is history. This is an epic poem set in the Old English culture of Christian warriors, i.e., Romanized Germanic former pagans, contending with contemporary Scandinavian Germanic pagans. The great epic poet Frederick Turner (author of The New World, Genesis, and Apocalypse) called Eþandun "The real Game of Thrones." Listen to actor-poet-producer Kyle Derek's heroic rendition of this book-length poem!Show book
Finalist for the Four Quartets Prize, given by Poetry Society of America, 2023An iconoclastic ecopoet who has led the way for many young and emerging artists, Brenda Hillman continues to re-cast innovative poetic forms as instruments for tracking human and non-human experiences. At times the poet deploys short dialogues, meditations or trance techniques as means of rendering inner states; other times she uses narrative, documentary or scientific materials to record daily events during a time of pandemic, planetary crisis, political and racial turmoil. Hillman proposes that poetry offers courage even in times of existential peril; her work represents what is most necessary and fresh in American poetry. During an enchantment in the lifeDo you love a living person absolutely? Tell them now.In a half-unwieldy life you made, underthe hyaline sky, while the dead drank from zigzag pools nearby,if they saved you in your wild incapacities, in timing of the world's harmin a little pettiness in your own heart while others took your madrigals in shreds to a tribunal, when others said you should feel grateful to be minimally adequate for the world'striple exposure or some tired committee... The ones who love us, how do theybreak through our defenses? We're tired today. Come back later.Their baffled voices melting our wax wallswith a candle, the ones who understandwhat being is—the glowing, the broken,the wheels, the brave ones— they have their courage,you have yours,,,; when you meet the one you love,it is so rare. When you meetthe one who loves you, it is extremely rare.Show book
'I seen you looking at me. Like that. You gonna deny it? Go on. I swear down, Mark – deny it.' It's Year 10's first day back at school. Mark is new and too scared to make friends. Darren is out of control and too scary to make friends. The two of them need each other – but neither would ever admit it. Worlds apart, but more similar than they realise, the pair form a complex and manipulative relationship. And before they know it, they're embarking on a dangerous experiment that will alter the course of their lives. Sophie Swithinbank's play Bacon is an unflinching and unexpectedly humorous look at masculinity, sexuality and power, through the dizzying lens of youth. The play was first produced at the Finborough Theatre, London, in 2022, directed by Matthew Iliffe, before touring in 2023 to Riverside Studios, London; Summerhall, as part of the Edinburgh Festival Fringe; and Bristol Old Vic. First developed on the Soho Theatre Writers' Lab, Bacon won the 2018 Tony Craze Award, three Off-West End Awards (Best Director and two Best Performance in a Play awards), and the Peggy Ramsay Foundation and Film 4 Award for 2023.Show book
'You care a lot, that's nice. It shows your age.' Jay's new. He's just started as a temp in NHS Child and Adolescent Mental Health Services. He arrives with little more than a fledgling desk plant and well-meaning plans to change the broken system. Angela's been working here for over thirty years and nothing seems to faze her – except Jay. Exhausted and worn down by archaic protocol, Jay starts bending the rules in a desperate attempt to help their patients. But when professional boundaries are crossed and trust is shattered, he discovers the harsh reality of what's truly at stake. Sophia Chetin-Leuner's play This Might Not Be It is a candid portrayal of human lives at the mercy of our crumbling NHS. The play was longlisted for the Verity Bargate Award and shortlisted for the Women's Prize for Playwriting. It was premiered at the Bush Theatre, London, in 2023, directed by Ed Madden and produced by Broccoli Arts and Jessie Anand Productions.Show book
Marguerite Radclyffe-Hall was born on August 12th, 1880 to wealthy parents who separated while she was still an infant. Her parents thereafter paid little attention to her. Hall was educated privately, and then at King’s College London. Later she travelled to Europe, settling in Dresden, Germany. With the death of her paternal grandfather she inherited a large estate and was then able to live as she pleased. In Germany, Hall met Mabel Batten and fell in love despite the twenty-three year age difference. Batten gave Hall the nickname ‘John’ by which she was henceforward known in every circumstance throughout her life except in her work as an author. In 1915, Hall met and, in 1917 moved in with sculptor Una Troubridge, with whom she would remain for the rest of her life. Hall wrote poetry all throughout her twenties and thirties. She had published Dedicated to Arthur Sullivan as early as 1894, and five further volumes of collected works were released before she stopped writing poetry and published her first novel, The Forge, in 1924. That same year also saw publication of The Unlit Lamp, the first work for which Hall was known as simply Radclyffe Hall. The Well of Loneliness, the most important novel of Hall’s career, was published in 1928 to immediate sensation and controversy. It is Hall’s most direct artistic expression of her own personal sexual orientation. After the controversy of The Well of Loneliness, Hall would publish only two more novels and a collection of short stories. After years spent travelling in Italy and France and a series of long lasting affairs with other women (of which Troubridge was apparently aware), Hall retired with Troubridge to Rye, in East Sussex. Here, suffering from tuberculosis, she also underwent eye surgery and thereafter had difficulty reading and writing. On October 7, 1943, Radclyffe Hall died from colon cancer at the age of sixty-three. She is buried in Highgate Cemetery in London. This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes, and many compilations.Show book
