Other books that might interest you

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  Walden - The Original Manuscript

  Henry David Thoreau

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  "Rather than love, than money, than fame, give me the truth. 
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  "If you have built castles in the air, your work need not be lost; that is where they should be." 
   
  "As if you could kill time without injuring eternity." 
   
  Walden was published in 1854 by American transcendentalist writer Henry David Thoreau. The text is a reflection upon simple living in natural surroundings. The work is part personal declaration of independence, a social experiment, a voyage of spiritual discovery, satire, and—to some degree—a manual for self-reliance. 
   
  Henry David Thoreau was an American naturalist, essayist, poet, and philosopher. A leading transcendentalist, he is best known for his book Walden, a reflection upon simple living in natural surroundings, and his essay "Civil Disobedience", an argument for disobedience to an unjust state. A true audiobook treasure!

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  The Faerie Queene

  Edmund Spenser

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  "Fierce warres and faithful loves shall moralize my song."
  
  Step into the enchanted realm of Faerie Land, a world where every forest path leads to a moral trial and every monster represents a vice of the human soul. Commissioned to celebrate the glory of the Tudor dynasty, Edmund Spenser's masterpiece is one of the longest and most intricate poems in the English language. It follows a series of knights—each representing a particular virtue—as they battle wizards, giants, and their own internal failings.
  
  The Birth of the Spenserian Stanza: Experience the lush, musical beauty of a poetic form invented specifically for this work. Spenser's unique nine-line stanza, with its interlocking rhyme scheme and final "Alexandrine" line, creates a dreamlike pace that mirrors the wandering "errant" journeys of his heroes. This style would go on to influence giants of literature from Byron to Keats.
  
  A Mirror for a Queen: At the heart of the poem is Gloriana, the Faerie Queene, a multifaceted allegory for Elizabeth I. Through characters like the warrior-maid Britomart (representing Chastity) and the Redcrosse Knight (representing Holiness), Spenser provides a manual for "fashioning a gentleman or noble person in virtuous and gentle discipline." It is a work of Arthurian legend, Protestant theology, and political intrigue woven into a breathtaking tapestry.
  
  The ultimate fusion of fantasy and philosophy. Purchase "The Faerie Queene" today and lose yourself in the foundational epic of the English Renaissance.

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  Stumbling and other poems

  Laura Quinney

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  Most poets recollect or describe the present. In her third book of poems, Laura Quinney (whose “superbly spare meditations” Harold Bloom compared to the poetry of Paul Celan and Emily Dickinson) does something more uncanny: recalling what it once was like to anticipate the future, she remembers what she thought the past would look like from the present moment, and in so doing deepens the meaning of memory. This is her third book of poetry.

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  Velvel's Violin

  Jacqueline Saphra

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  Velvel's Violin, a deeply moving and political fifth collection by TS Eliot Prize-shortlisted poet Jacqueline Saphra places us on the shifting ground between past and present. Through its search for missing histories of the Jewish diaspora, the book is a call for empathy and a warning to a world where the legacy of the Holocaust echoes current narratives of prejudice, war, displacement, and migration.
  Saphra's precisely-tuned writing ranges through tones of dark humour, lyrical beauty and moments of transcendent joy to find assonance between the turbulence of now and a family history of fragmented stories, irreparable loss and miraculous escapes. Between each poem - forgotten songs, weeping forests, buried violins - sound and silence combine to speak of love, absence and survival.

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  Unruly Blood

  Olivia Douglass

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  'the song soil sweat of it knowing nothing ofa binary bondage a bountiful mess of myself everything under the sun is changing all thetime all my skin soft lovers flocking to the river'
  Olivia Douglass' new pamphlet takes us into the shape-shifting experiences of young selfhood, family and what it means to be between worlds. Douglass' poetry is like a strong shot of the good stuff, an irresistible introduction to this multi-talented artist.
  'The poems of Unruly Blood are careful, dangerous, sparse; full. Each space held within it sings as much as its words do, its every phrase simmers first before spilling over with untold possibility.'  Victoria Adukwei Bulley
  'An artist of the body, in Unruly Blood, Douglass transmits physical sensation to the page with rapturous fluidity. Expressive of the joy and pain of every kind of love, their work sings with exciting originality.' Erica Wagner
  'Olivia Douglass is a new, clear voice and these are deep, intriguing, dangerous poems.' Brian Eno

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  On the Subject of Blackberries

  Stephanie M. Wytovich

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  Winner of the Bram Stoker Award for Superior Achievement in Poetry 
  Welcome to the garden. Here we poison our fruits, pierce ourselves with thorns, and transform under the light of the full moon. Mad and unhinged, we fall through rabbit holes, walk willingly into fairy rings, and dance in the song of witchcraft, two snakes around our ankles, the juice of berries on our tongues. 
  Inspired by Shirley Jackson’s We Have Always Lived in the Castle, these poems are meditations on female rage, postpartum depression, compulsion, and intrusive thoughts. They pull from periods of sleep deprivation, soul exhaustion, and nightmarish delusions, and each is left untitled, a nod to the stream-of-conscious mind of a new mother. 
  Using found poetry and under the influence of bibliomancy, Wytovich harnesses the occult power of her imagery and words and aligns it with a new, more vulnerable, darkness. These pieces are not only visions of the madwoman in the attic, but ghostly visitations that explore the raw mental torture women sometimes experience after giving birth. 
  This collection heals as much as it scars, and is an honest look at how trauma seeps into the soil of our bodies. Her poems are imagined horrors, fictional fears, and all the unspoken murmurs of a mind lost between reality and dream. What she leaves in her wake is nothing short of horror—the children lost, the garden dead, the women feral, ready to pounce.

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