Altri libri che potrebbero interessarti

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  My Secret Life Vol 7 Chapter 5

  Dominic Crawford Collins

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  My Secret Life is an anonymously penned memoir written during a period from the 1840s to the 1880s by a wealthy and sex obsessed English gentleman who refers to himself simply as ‘Walter’. Part confessional, part investigative erotic journalism, it meticulously documents every detail of the author’s prolific sexual encounters, offering us in the process an eye and thigh opening account of life behind closed doors in the Victorian age.Women, in both mind and body, were the all consuming object of Walter’s interest. From early youth through to old age his quest for erotic discovery and adventure with them was never diminished.Unlike contemporary 19th century erotic texts, such as The Pearl, whose sole object was to titillate, Walter’s interest in his subjects did not end with the extinguishing of the carnal flame. His hunger to understand the circumstances and minds of the women he encountered is never upstaged by the sex. Their potted life histories, their most intimate desires and acts were shared with him and in turn meticulously recorded by him, written down verbatim while still fresh in his mind.The resulting poignant record of a lost era and the intimate moments of the women who inhabited it offer us a remarkable insight into the 19th century that cannot be gained from any other source.The complete unabridged text is currently being released as a fully scored audiofilm my composer Dominic Crawford Collins.

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  The Castleton Massacre -...

  Sharon Anne Cook, Margaret Carson

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  A former United Church minister massacres his family. What led to this act of femicide, and why were his victims forgotten? 
   
   
   
  On May 2, 1963, Robert Killins, a former United Church minister, slaughtered every woman in his family but one. She (and her brother) lived to tell the story of what motivated a talented man who had been widely admired, a scholar and graduate from Queen's University, to stalk and terrorize the women in his family for almost twenty years and then murder them. 
   
   
   
  Through extensive oral histories, Cook and Carson painstakingly trace the causes of a femicide in which four women and two unborn babies were murdered over the course of one bloody evening. While they situate this murderous rampage in the literature on domestic abuse and mass murders, they also explore how the two traumatized child survivors found their way back to health and happiness. Told through vivid first-person accounts, this family memoir explains how a murderer was created.

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  Daughter of the Dragon - Anna...

  Yunte Huang

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  A trenchant reclamation of the Chinese American movie star, whose battles against cinematic exploitation and endemic racism are set against the currents of twentieth-century history. 
   
   
   
  Born into the steam and starch of a Chinese laundry, Anna May Wong (1905–1961) emerged from turn-of-the-century Los Angeles to become Old Hollywood's most famous Chinese American actress, a screen siren who captivated global audiences and signed her publicity photos—with a touch of defiance—"Orientally yours." Now, more than a century after her birth, Yunte Huang narrates Wong's tragic life story, retracing her journey from Chinatown to silent-era Hollywood, and from Weimar Berlin to decadent, prewar Shanghai, and capturing American television in its infancy. As Huang shows, Wong's rendezvous with history features a remarkable parade of characters, including a smitten Walter Benjamin and (an equally smitten) Marlene Dietrich. Challenging the parodically racist perceptions of Wong as a "Dragon Lady," "Madame Butterfly," or "China Doll," Huang's biography becomes a truly resonant work of history that reflects the raging anti-Chinese xenophobia, unabashed sexism, and ageism toward women that defined both Hollywood and America in Wong's all-too-brief fifty-six years on earth.

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  A Woman Among Wolves - My...

  Diane K. Boyd, Douglas H. Chadwick

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  Called the Jane Goodall of wolves, world-renowned wildlife biologist Diane Boyd has spent four decades studying and advocating for wolves in the wilds of Montana near Glacier National Park. When she started in the 1970s, she was the only female biologist in the United States researching and radio-collaring wild wolves. With her two dogs for company, she faced the rigors of the Montana winter in an isolated cabin. 
   
   
   
  Boyd fearlessly forded icy rivers, strapped on skis to navigate thick stands of lodgepole pine, and monitored packs from the air in a tiny bush plane so she could count wolves and see what they were feeding on. She faced down grizzly bears, mountain lions, wolverines—and the occasional trapper—as she stalked her quarry: a handful of wolves that were making their way south from Canada into Montana. She devised her own trapping methods and negotiated with locals as wolf populations grew from the first natural colonizer to more than 3,000 wolves in the West today. 
   
   
   
  Boyd takes the listener on a wild ride from the early days of wolf research to the present-day challenges of wolf management across the globe, highlighting her interactions with an apex predator that captured her heart and her undying admiration. Her writing resonates with her indomitable spirit as she explores the intricate balance of human and wolf coexistence.

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  The US Army Combat Historian and...

  Kathryn Roe Coker, Jason Wetzel

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  "How is history useful for an operational commander or to soldiers in general? What role does history have for doctrine and training to the U.S. Army as an institution? These are questions this book answers as the authors narrate the development combat historian and the evolving role of combat historians as they develop history into a useful tool for informing training, operations, and doctrine development."—New York Journal of Books
  
  In World War I, Major General Pershing proposed the idea of establishing a historical office within the AEF headquarters. The War Department reorganized the General Staff to include a Historical Branch. Evidence shows that soldiers acting as historians went "down range," albeit not into combat. By World War II, the situation had changed—whether S.L.A. Marshall's popping out of a billet in Sibret as a shells exploded on the road; Forrest Pogue's typing "on a little camp desk under an apple tree;" Chester Starr's terrain reconnaissance in the Mediterranean theater, or Ken Hechler's command of a four-man historical team interviewing soldiers at the Remagen Bridge and searching through secret documents—the World War II combat historians were there behind and on the front lines with a notebook in one hand and their carbine in the other hand, ever ready to collect battlefield information.
  
  Eight historical service detachments were deployed to Korea. The youngest commander, 1st Lieutenant Bevin Alexander, noted "We were on the front lines the whole time . . . We would interview the people afterwards and create a battle study…." After the Korean War, the duties of the combat historian further evolved as what became the Center of Military History published doctrine about military history detachments (MHDs). As America’s immersion in Vietnam escalated, there was concern regarding historical coverage. Chief of Military History Brigadier General Hal Pattison established a network of historical teams to collect information on the U.S Army in the war. A major development in the history program and in deploying MHDs came with the establishment of Headquarters, U.S. Army Vietnam (USARV) under General William C. Westmoreland’s command. In 1965, the history office was organized at Headquarters, U.S. Army Vietnam (USARV). MHDs were deployed across Vietnam, conducting combat after action interviews, and collecting documents. This study focuses on U.S. Army historical programs during combat operations from World War I to the Vietnam War with particular attention on the combat historians, those individuals deployed to a theater of war with the mission of documenting the actions of that theater for current and future historical use.

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  On James Baldwin

  Colm Tóibín

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  Acclaimed Irish novelist Colm Tóibín first read James Baldwin just after turning eighteen. He had completed his first year at an Irish university and was struggling to free himself from a religious upbringing. Inspired by the novel Go Tell It on the Mountain, Tóibín found a writer who would be a lifelong companion and exemplar. 
   
   
   
  From On James Baldwin: 
   
   
   
  Baldwin was interested in the hidden and dramatic areas in his own being, and was prepared as a writer to explore difficult truths about his own private life. In his fiction, he had to battle for the right of his protagonists to choose or influence their destinies. He knew about guilt and rage and bitter privacies in a way that few of his White novelist contemporaries did. And this was not simply because he was Black and homosexual; the difference arose from the very nature of his talent, from the texture of his sensibility. "All art," he wrote, "is a kind of confession, more or less oblique. All artists, if they are to survive, are forced, at last, to tell the whole story, to vomit the anguish up." 
   
   
   
  On James Baldwin is a magnificent contemporary author's tribute to one of his most consequential literary progenitors.

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