Other books that might interest you

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  The Tempest

  William Shakespeare

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  We rely on your support to help us keep producing beautiful, free, and unrestricted editions of literature for the digital age. Will you support our efforts with a donation ? The Tempest , thought to be one of the last plays that Shakespeare wrote alone, begins with a storm which shipwrecks the king of Naples and his crew. We quickly learn that the tempest was not a natural occurrence; it was created by Prospero, the usurped duke of Milan who is stranded on a nearby island, with the help of Ariel, a spirit in his service. The rest of the play explores the relationships between the shipwrecked crew, Prospero, his daughter Miranda, and a native of the island: a half human, half monster called Caliban. Though this play is traditionally classified as a comedy, more modern scholarship, out of a desire to highlight the dramatic elements of some of Shakespeare's comedies, created a genre subgroup called the "late romances." The Tempest is included in that subgroup.

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  Memorandum

  Quah Sy Ren, Hee Wai Siam

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  Featuring new translations of previously untranslated Chinese short stories, Memorandum maps out seven decades of Sinophone Singaporean Literature. From bargirls to student activists, from trishaw men to tea merchants, this collection provides a glimpse into a world that has been previously invisible to Anglophone readers. Paired with critical essays, these stories showcase the richness and diversity of Singapore’s Chinese community, but also its inherent interconnectedness with other cultures within Singapore. 
   
  “Memorandum is a pathbreaking anthology that refracts over half a century of Singapore’s history through its lens. The translated stories do much more than simply bridge Sinophone and Anglophone worlds: they actively cross geographical, cultural, linguistic and class boundaries, causing us to think more deeply about the nature of social power, and the transformative interventions literary texts can make.” 
  -Philip Holden, scholar of Singapore &Southeast Asian literatures

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  The Poetry Jar

  Shamma AlDhaheri 

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  The Poetry Jar is a revolutionary poetry collection that beautifully captures the stages of resentment, sorrow, healing, and self-love.Through heartfelt reflections and gentle affirmations, Shamma AlDhaheri invites readers into intimate moments where vulnerability transforms into strength, and everyday emotions bloom into poetic revelations.

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  When Robert Burns came to Tea...

  Bridget Nolan

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  In this second collection of poetry, Bridget Nolan explores the human experience in some unexpected ways. Her ability to stir emotions provokes thought, triggers laughter and occasions tears.From the comical title poem ‘When Robert Burns came to Tea’ to the heartbreaking ‘Why would I Imagine?’ Bridget presents a collection of stories in poetic form. In her varied style, she conveys a myriad thoughts and feelings: the joy of love; the pain of a continuing sense of loss; the embarrassment of a hospital visit and the comfort of the natural world are all woven into the narrative of this diverse collection. This anthology celebrates the human condition in all its shades of dark and light.

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  The Hurting Kind

  Ada Limón

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  An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner, National Book Award finalist and U.S. Poet Laureate Ada Limón.“I have always been too sensitive, a weeper / from a long line of weepers,” writes Limón. “I am the hurting kind.” What does it mean to be the hurting kind? To be sensitive not only to the world’s pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings—and to know that those beings are resolutely their own, that they “do not / care to be seen as symbols”?With Limón’s remarkable ability to trace thought, The Hurting Kind explores those questions—incorporating others’ stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families.Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. “Slippery and waddle thieving my tomatoes still / green in the morning’s shade,” writes Limón of a groundhog in her garden, “she is doing what she can to survive.”

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  The Cherry Orchard

  Anton Chekhov, Julius West

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  The highly acclaimed Russian classic of twentieth-century theatre about a wealthy family unable to let go of the past or face the future. At the turn of the century, Russia is undergoing massive changes. Feudalism has ended, the middle class is growing, and the aristocracy are uncertain of their future . . .  The cherry orchard on the Ranevskaya grounds is known throughout the country for its beauty, but it now sits on the brink of ruin. The entire estate is headed for auction if the family cannot pay off their debts. The land’s fate lies in the hands of the family’s matriarch, Madame Ranevskaya, recently returned from five years in Paris where she wasted away much of her fortunes.  Neither Ranevskaya nor anyone else in her household can fathom the gravity of the situation. But a merchant, the son of a former serf on the land, has an idea . . .  Written in 1903, The Cherry Orchard premiered in Moscow in 1904. It was Chekhov’s last play before his death that same year. Since then, the work has been translated and adapted into numerous languages and performed around the world.

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