Other books that might interest you

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  Hope has a Happy Meal

  Tom Fowler

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  'Hope? Hope, is that you?'
  Years and years ago, Hope disappeared. Now, she's back. To find something she left behind.
  But in the People's Republic of Koka Kola – a world of dwindling resources, corruption and corporate giants – what happens to Hope?
  A surreal and frenetic quest through a hyper-capitalist country, Tom Fowler's play Hope has a Happy Meal premiered at the Royal Court Theatre, London, in June 2023, directed by Lucy Morrison, in a co-production with SISTER.

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  A Rhyme A Dozen ― Autumn - 12...

  Emily Dickenson, Kahlil Gibran,...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
  1 - A Rhyme A Dozen - 12 Poems, 12 Poets, 1 Topic - Autumn - An Introduction 
  2 - The Name of it is Autumn by Emily Dickinson 
  3 - Autumn by Khalil Gibran 
  4 - In Autumn Moonlight by Robert Seymour Bridges 
  5 - The Autumn by Elizabeth Barrett Browning 
  6 - Autumn in the Garden by Fredegond Shove 
  7 - An Autumn Rain Scene by Thomas Hardy 
  8 - Love in Autumn by Sara Teasdale 
  9 - Autumn in Cornwall by Algernon Charles Swinburne 
  10 - To Autumn by William Blake 
  11 - Autumn Dawn by Charles Sorley 
  12 - Autumn Elegy by Leslie Norris 
  13 - Autumn - A Dirge by Percy Bysshe Shelley

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  Poems From The Chinese - A...

  Arthur Waley

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  These are called ''' Poems from the Chinese"" and we have Mr. Waley's assurance that there are in existence Oriental originals. But if it be so (and, of course it is) then we have here a literary miracle. It is a platitude that translation of poetry is either bad verse or bad translation. But Mr. Waley, translating not merely from one language into another, but almost from one planet into another, has produced a body of living poetry, in which there is every reason to believe he re-creates, without distorting, the Chinese poets. This is an unparalleled feat. But as we are, with about six exceptions in the whole of Great Britain, incapable of comparing the English and the Chinese, we must address ourselves to these poems as though they had been written by an Englishman of the twentieth century, and judge them on that basis. It is a severe test to apply to translations, but Mr. Waley emerges from it serenely victorious. Indeed, serenity is the keynote of all this work—the serenity of assured mastery in a difficult medium but still more of outlook. The beauty with which these poems are. inlaid is fundamentally a wise beauty and the wisdom is as much in the shape of Mr. Waley's mind as in that of China. There is no need to hurry here. Wisdom goes at an even pace, and has time between her penetrations of the stars to observe the smallest things of life. Her leisurely glance sweeps over them with patient gold, and they settle, almost without a sigh, into decoration and into pattern. We have lost {and the Chinese have lost) the secret of their enamels of the great periods. But Mr. Waley has private access to them, and his poems, varnished with just that cool and even certainty of paint and texture, achieve one filial translation— the translation of colour into speech. -- Humbert Wolfe.

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  The Red and the Black

  Stendhal

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  "In a world of cold calculation, can a heart of fire survive?"
  
  Born the son of a provincial carpenter, Julien Sorel is possessed by a brilliant mind and a dangerous obsession with Napoleon Bonaparte. Realizing that the "Red" path of military glory is closed to him in the stagnant era of the Bourbon Restoration, he chooses the "Black" path of the clergy as a means to power. Julien's journey takes him from the bedchambers of provincial nobility to the glittering salons of Paris, as he maneuvers through a society where hypocrisy is the only language spoken fluently. Caught between his genuine passion for the gentle Madame de Rênal and his intellectual fascination with the haughty Mathilde de la Mole, Julien finds that the climb to the top is paved with secrets that could lead to his ultimate downfall.
  
  The "Red" vs. the "Black": The title serves as a perfect metaphor for Julien's internal conflict. The "Red" represents the lost glory of the battlefield and the meritocracy of the Empire, while the "Black" represents the mourning clothes of the Church and the subtle, often corrupt, influence of the priesthood. Julien is a hero who plays a part he despises to achieve a status he craves.
  
  A Pioneer of Psychology: Stendhal was one of the first novelists to focus intensely on "inner monologue." He provides a window into Julien's constant self-analysis and strategic thinking, revealing the anxiety and pride that drive every move. It is a remarkably modern look at how we construct our identities to fit the expectations of others.
  
  Why It Is a Literary Essential: The Red and the Black is the ultimate "outsider" novel. It speaks to anyone who has ever felt like they were watching life from the sidelines, planning their entry. It is a thrilling, tragic, and bitingly funny critique of a society that rewards the mask more than the man.
  
  Witness the rise and fall of Julien Sorel. Purchase "The Red and the Black" today.

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  Tangled Yet Coiled - A...

  Tom Burgess

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  Tangled Yet Coiled is a collection of 22 poems exploring the climate emergency, the unifying potential of nature, and experiences of wilderness that vault the ego, that captivate and sustain. It is written with the hope of turning powerlessness into small acts of courage and championing the natural beauty found in humans and all living things.

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  In the Bear's House

  N. Scott Momaday

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  "Let me say at the outset that this book is not about Bear (he would be spoken of in the singular and masculine, capitalized and without an article), or it is only incidentally about him. I am less interested in defining the being of Bear than in trying to understand something about the spirit of wilderness, of which Bear is a very particular expression . . . Bear is a template of the wilderness."—from the Introduction 
   
   
   
  Since receiving the Pulitzer Prize in 1969 for his novel House Made of Dawn, N. Scott Momaday has had one of the most remarkable careers in twentieth-century American letters. Here, in In the Bear's House, Momaday passionately explores themes of loneliness, sacredness, and aggression through his depiction of Bear, the one animal that has both inspired and haunted him throughout his lifetime. 
   
   
   
  With transcendent dignity and gentleness, In the Bear's House celebrates Momaday's extraordinary creative vision and his evolution as one of our most gifted artists.

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