Altri libri che potrebbero interessarti

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  BLUFF - Poems

  Danez Smith

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  Written after two years of artistic silence, during which the world came to a halt due to the COVID-19 pandemic and Minneapolis became the epicenter of protest following the murder of George Floyd, Bluff is Danez Smith's powerful reckoning with their role and responsibility as a poet and with their hometown of the Twin Cities. This is a book of awakening out of violence, guilt, shame, and critical pessimism to wonder and imagine how we can strive toward a new existence in a world that seems to be dissolving into desolate futures. 
   
   
   
  Smith brings a startling urgency to these poems, their questions demanding a new language and a deep self-scrutiny. A series of ars poetica gives way to "anti poetica" and "ars america" to implicate poetry's collusions with unchecked capitalism. A poem makes clear the consequences of America's acceptance of mass shootings. Another offers the history of Saint Paul's vibrant Rondo neighborhood before and after officials decided to run an interstate directly through it. 
   
   
   
  Bluff is a kind of manifesto about artistic resilience, even when time and will can seem fleeting, when the places we most love—those given and made—are burning. In this soaring collection, Smith turns to honesty, hope, rage, and imagination to envision futures that seem possible.

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  Love Loves Leaving

  Easha Kaur

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  This collection speaks to those who have ever felt abandoned, unseen or misunderstood. How does one feel when love leaves? What's the aftermath of transient love? These poems explore how it arrives unexpectedly, transforms us and sometimes leaves just as quickly.
  
  Whether it's unrequited love, emotional neglect, or the deep sadness of being unheard. This collection does not aim to romanticise heartbreak but rather to witness it—and in doing so, remind readers that there is power in feeling deeply and that healing begins with honesty.
  
  May this find anyone who has ever felt too much.

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  Frank’s Wing - Poems

  Jacob McArthur Mooney

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  “… my relationship with most art living or lost / is the same as yours: we will pass it by” bemoans the last poem in Jacob McArthur Mooney’s latest collection. Written as a sequence of “ghost ekphrastics” (poems inspired by works of art that neither the poet nor most living people have ever seen), Frank’s Wing constructs a whole world of lost or destroyed artifacts that have been rearticulated and resurrected, brought back to life by a fictional property baron as a dying gift to Toronto’s Art Gallery of Ontario.
  		 
  From “decadent” modern paintings torched by Nazis, to lost films, to never-performed performance art, the abiding premise of the book is that art invites mourning: not because it is mournful, but because it is vast. It taunts the plans of mortals while “a week / of kids’ videos and lip syncs / siphon through the internet each second.” Bordering ideas about FOMO and mortality are considerations of destruction itself, as the book recalls loss events predicted by both the considered works’ historical contexts and the frailties of their makers. Concerned with consuming art as much as with making it, Frank’s Wing examines the positions made available to the art-consumer: owner, overhearer, interrogator, and potentially, both destroyer and the thing that art destroys.

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  The Hills of California

  Jez Butterworth

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  'This house. It's called "Sea View". It's just I've looked out of every window, and you can't. You can't see the sea.'
  Blackpool, 1976. The driest summer in two hundred years. The beaches are packed. The hotels are heaving. In the sweltering backstreets, far from the choc ices and donkey rides, the Webb Sisters are returning to their mother's run-down guest house, as she lies dying upstairs.
  When memories from their youth come flooding back, the sisters must confront their past and untangle a web of secrets, betrayals and profound emotional bonds.
  Jez Butterworth's play The Hills of California was first performed at the Harold Pinter Theatre in London's West End in 2024, directed by Sam Mendes, and produced by Sonia Friedman Productions and Neal Street. This edition features the revised and definitive version of the play performed during its acclaimed Broadway transfer later that year.

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  King of Scotland

  Iain Heggie

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  King of Scotland is an award-winning, dark comedy and a free adaptation of Gogol's A Diary of a Madman. 
  Long-term unemployed Tommy McMillan joins a government-funded retraining scheme, "Up the Ladder". Cited as a shining example of the government's employment policies and chosen for a media profile, Tommy is taken on by the Department of Upward Mobility. The department gets more than they bargained for; however, when they discover just how far up the ladder Tommy is expecting to go. 
  Featuring trouserless bankers, talking dogs, flying taxis, and a razor-sharp parody of the workings of politics, King of Scotland is an outrageous Fringe First-winning monologue. 
  About the author: Award-winning playwright Iain Heggie is one of Scotland's leading playwrights. His plays include the Mobil prize-winning play A Wholly Healthy Glasgow (1988) and the John Whiting Award-winning play American Bagpipes (1989). His other plays include An Experienced Woman Gives Advice, Don Juan, Love Freaks, and Wiping My Mother's Arse.

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  George Bernard Shaw: MRS...

  George Bernard Shaw

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  .Mrs. Warren's Profession is a play written by George Bernard Shaw in 1893, and first performed in London in 1902 but was banned after two performances because of the profession talked about. The play is about a former prostitute, now a madam (brothel proprietor), who attempts to come to terms with her disapproving daughter. It illustrates Shaw's belief that the act of prostitution was not caused by moral failure but by economic necessity. It also has a lot to say about the hypocrisy of English society that profited from many despised and illegal professions and used people in despicable ways but pretended to look down on them. This was probably why it was banned, not because of the 'profession' of Mrs. Warren, but because it exposed very highly placed people doing nasty things to make money

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