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  The Wild Duck

  Henrik Ibsen

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  The Wild Duck by Henrik Ibsen is a profound and emotionally charged drama that examines truth, illusion, family, and the fragile nature of human happiness. First published in 1884, this powerful play stands as one of Ibsen's most nuanced and thought-provoking works, offering a deep exploration of the consequences that arise when idealism collides with reality.
  
  At the center of the story is the Ekdal family, whose modest household is sustained not only by work and routine, but also by carefully constructed illusions. Hjalmar Ekdal, an aspiring inventor, lives with his devoted wife Gina and their young daughter Hedvig. Together they maintain a delicate balance of comfort and denial, finding meaning in dreams that shield them from harsh truths.
  
  Into this fragile world steps Gregers Werle, an idealistic reformer determined to expose what he believes to be moral corruption and deception. Driven by an uncompromising belief in absolute truth, Gregers sets out to "liberate" the Ekdal family from their comforting illusions. However, his relentless pursuit of honesty unleashes unforeseen consequences, revealing that truth, when imposed without compassion, can be as destructive as any lie.
  
  The symbolic image of the wild duck—wounded, hidden away in the family's attic, and surviving in an artificial environment—serves as a powerful metaphor for the characters themselves. Each struggles with personal wounds, buried secrets, and the tension between reality and self-deception. Ibsen masterfully weaves symbolism and psychological insight to question whether human beings can truly live without illusions.
  
  Through rich characterization and subtle dramatic tension, Ibsen challenges the audience to consider difficult questions: Is truth always liberating? Are comforting illusions necessary for survival? What is the cost of moral absolutism? The play's emotional depth and moral ambiguity make it one of the most enduring works in modern drama.
  
  The Wild Duck remains a cornerstone of world theatre, celebrated for its intricate exploration of family dynamics, idealism, sacrifice, and the vulnerability of innocence. With its haunting symbolism and timeless themes, the play continues to resonate with readers and audiences, offering a compelling meditation on the complexity of human relationships and the delicate balance between truth and mercy.

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  Looking Good Mary

  Mary Robinson

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  "Looking Good, Mary" is something my parrot used to say to me and when I was feeling low it gave me a real lift. This book of poems started as a collection of memoirs that I wrote for my children. It is a mixture of things that happen in everyday life - funny and sometimes sad. I am still amused as I read these as every one of them is a true story from my life.

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  African Queen

  Mr Punch Audiobooks

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  Full Cast Radio Drama 
  Set in 1915 on the treacherous rivers of war-torn Africa. Humphrey Bogart plays the gin sodden river trader, Charlie Allnut, who reluctantly agrees to help the prim missionary Rose Sayer, played in this radio version by Greer Garson, to travel down river on a hazardous journey and destroy a German gun boat. Humphrey Bogart won the 1951 Oscar for Best Actor, and again plays the uncouth captain of the tramp steamer in this special radio production.   
  This high-quality audiobook has been re-mastered and re-edited from the original radio broadcast.

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  Queers: Eight Monologues

  Various Various

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  A young soldier returning from the trenches of the First World War recollects a love that dare not speak its name. Almost one hundred years later, a groom-to-be prepares for his gay wedding.
  Queers celebrates a century of evolving social attitudes and political milestones in British gay history, as seen through the eyes of eight individuals. 
  Poignant and personal, funny, tragic and riotous, these eight monologues for male and female performers cover major events – such as the Wolfenden Report of 1957, the HIV/AIDS crisis, and the debate over the age of consent – through deeply affecting and personal rites-of-passage stories.
  Curated by Mark Gatiss, the monologues were commissioned to mark the anniversary of the 1967 Sexual Offences Act, which decriminalised homosexual acts in private between two men over the age of twenty-one. They were broadcast on BBC Four in 2017, directed and produced by Gatiss, and starring Alan Cumming, Rebecca Front, Ian Gelder, Kadiff Kirwan, Russell Tovey, Gemma Whelan, Ben Whishaw and Fionn Whitehead. They were also staged at The Old Vic in London.
  This volume includes:
  
  - The Man on the Platform by Mark Gatiss
  - The Perfect Gentleman by Jackie Clune
  - Safest Spot in Town by Keith Jarrett
  - Missing Alice by Jon Bradfield
  - I Miss the War by Matthew Baldwin
  - More Anger by Brian Fillis
  - A Grand Day Out by Michael Dennis
  - Something Borrowed by Gareth McLean

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  The Moon That Turns You Back -...

  Hala Alyan

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  From the author of The Arsonists’ City and The Twenty-Ninth Year, a new collection of poetry that traces the fragmentation of memory, archive, and family–past, present, future–in the face of displacement and war.  
  A diaspora of memories runs through this poetry collection—a multiplicity of voices, bodies, and houses hold archival material for one another, tracing paths between Brooklyn, Beirut, and Jerusalem. Boundaries and borders blur between space and time and poetic form—small banal moments of daily life live within geopolitical brutalities and, vice versa, the desire for stability lives in familiarity with displacement. 
  These poems take stock of who and what can displace you from home and from your own body—and, conversely, the kind of resilience, tenacity, and love that can bring you back into yourself and into the context of past and future generations. Hala Alyan asks, What stops you from transforming into someone or something else? When you have lived a life in flux, how do you find rest?

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  Greekling

  Kostya Tsolakis

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  Greekling,the much-anticipated debut poetry collection by Kostya Tsolakis, celebrates and commemorates damaged and rejected Greek bodies, be they of flesh and blood, made of marble, or natural bodies. In intertwining Greek culture, history and poetic influences with the contemporary queer experience, this collection is perceptive, lyrical, and deeply evocative of time and place. From an Athenian childhood to a closeted adolescence in the shadow of the AIDS epidemic, towards sexual self-discovery, maturity and freedom – Tsolakis charts the pursuit of unconditional happiness.
  These poems explore queer joy on dance floors, darkrooms and bedsits, but also the risks of crossing strangers' thresholds or in encountering the violent machismo and hypermasculine expectations of the society you grow up in. And ever-present through the collection is Athens – the city the poet once turned his back on at eighteen but has come to love again. Moving between lament and celebration, Greekling reflects on a changing and often misrepresented country, the nature of motherlands and mother tongues; it is a voyage out – and a return.

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