Critically-acclaimed author Ed Kovacs presents Book Two in his thrilling Cliff Saint James series of murder mystery crime novels set in New Orleans. Publisher’s Weekly gave Good Junk the rare honor of a starred, boxed review, calling it “outstanding,” and saying that “powerful prose elevates this above most other contemporary PI novels.” The New York Times Book Review said, “The scenes of New Orleans are rich and real.” And Steve Berry called Kovacs a “vivid addition to the thriller genre.”
Cliff Saint James, like the city of New Orleans, has taken his share of hard knocks. First there was the killer Hurricane that destroyed his hometown, ruined his mixed-martial-arts dojo, and nearly bankrupted him. A former cop, he narrowly escaped assassination at the hands of ruthless gangs while solving his first murder case as a private eye. Now after rebuilding his life, trouble has found him again.
While wrestling with guilt over having accidentally killed a mixed-martial-arts opponent in a sparring session, Saint James finds himself assisting a police investigation into the apparent suicide of a U.S. government “black projects” engineer. He and his good friend Honey, now a homicide detective, quickly realize they have murder, not suicide on their hands, and that the victim was much more than just an engineer.
As they track the killer through the brackish, steamy under belly of New Orleans, their allies become few, and their many opponents emerge as powerful international forces intent on doing anything—including killing Saint James—to maintain the status quo of a shocking conspiracy.
This revised and updated edition of Good Junk is in the time-honored tradition of works by Michael Connelly, James Patterson, Lee Child, Raymond Chandler, Dashiel Hammet, James Ellroy, and Dennis Lehane.
A dangerous undercover assignment nearly puts Dion in his grave.
North Vancouver RCMP officers Leith and Dion have a gruesome new mystery lying at their feet. Up in the breezy heights of Paradise Road, a craftsman has been spiked to his lawn by his own artwork. Was it an aesthetics-fuelled feud with the neighbours? An enemy from the past? Or the most challenging of crimes to solve: a random attack?
Drawn into an offside mystery of his own, Dion befriends a young magician, who then seems to make herself disappear. But with the team closing in on the Paradise Road killer, he must put aside his personal dilemmas to take on the lead role in setting a trap for their volatile suspect. It’s a foolproof setup, but even the best laid plans can go awry, and this one leads him straight into a fight for his life.
This debut horror novel by the author of short story collection Monstrous Affections “establishes him as a worthy heir to the mantle of Stephen King” (National Post). Set in 1911, Eutopia “mixes utopian vision, rustic Americana, and pure creepiness. . . . Nickle blends Little House on the Prairie with distillates of Rosemary’s Baby and The X-Files to create a chilling survival-of-the-fittest story” (Publishers Weekly). Situated on the edge of the woods and mountains of northern Idaho, the tiny settlement of Eliada is an industrialist’s attempt to create heaven on earth. But its secrets are soon to be unveiled, as Jason Thistledown, the sole survivor of a mysterious plague in Montana, and Andrew Waggoner, a black doctor nearly lynched by the KKK, delve beneath the façade of the utopian mill town. What they discover is science warped by ideology—and an unearthly monster that preys on the faith of its own true believers . . . “A story of piano-wire suspense, grotesque horrors, and, above all, visceral insight into the race politics of American horror, and how they are bound up with the American project itself.” —Cory Doctorow, Boing Boing Praise for David Nickle “His stories are dark, wildly imaginative, and deeply compassionate—even when they’re laced with righteous anger.” —Nathan Ballingrud, author of Wounds “David Nickle is Canada’s answer to Stephen King. His writing charms even as it slices like a blade between the ribs: sharp, subtle, and never less than devastating.” —Helen Marshall, author of Gifts for the One Who Comes After
After a traumatic head injury, Eve questions every memory and motive in this mind-bending psychological thriller.
Eve Gold’s birthdays are killers, and her twenty-seventh proves to be no different. But for the up-and-coming Vancouver artist, facing death isn’t the real shock — it’s what comes after.
Recovering from a near-fatal accident, Eve is determined to return to the life she’s always wanted: a successful artistic career, marriage to the man who once broke her heart, and another chance at motherhood. But brain damage leaves her forgetful, confused, and tortured by repressed memories of a deeply troubled childhood, where her innocence was stolen one lie — and one suspicious death — at a time.
As the dark, twisted pages unfold, Eve must choose between clinging to the lies that helped her survive her childhood and unearthing the secrets she buried long ago.
If you go into the woods, you're in for a dark surprise.
Thirty years ago, three girls followed a stranger into the woods. Only two returned. The surviving pair have never been able to remember what happened or what the fate of the third girl was. Local rumours talk of hippies and drugs and mystic rituals, but no one has learned the truth.
This story is just what Rowan Blake needs. He's in debt, his journalistic career is in tatters – as well as his damaged body – and he's retreated to the Lake District to write. Yet even Rowan isn't prepared for the evil he is about to unearth, for the secrets that have been buried in that wood for far too long...
Praise for David Mark:
'Dark, compelling crime writing of the highest order' DAILY MAIL
'Breathtaking' PETER MAY
'Truly exhilarating and inventive. Mark is a wonderfully descriptive writer' PETER JAMES
'Brilliantly written – a cracking story' RICHARD MADELEY, Richard and Judy Book Club
'To call Mark's novels police procedurals is like calling the Mona Lisa a pretty painting. Beautifully crafted, filled with flashbacks, horror, angst, and chilling detail' KIRKUS REVIEWS
'Exceptional ... Mark is writing at the top of his game' PUBLISHERS WEEKLY, Starred Review
'A master of the dark psychological thriller' KIRKUS
A story of revolution and oppression, privilege and poverty, love and betrayal from the critically acclaimed author of Pao
Fay Wong is caught between worlds. Her father is a Chinese immigrant who conjured a fortune from nothing; her African heritage mother grew up on a plantation and now reigns over their mansion in Lady Musgrave Road.
But her father's Chinatown haunts are out of bounds and the airy rooms of their home are filled with her mother's uncontrollable rages – rages against which Fay rebels as she grows into a headstrong woman.
As she tries to escape the restraints of her privileged upbringing, Fay's eyes are opened to a Jamaica she was never meant to see. And when her mother decides that she must marry the racketeer Yang Pao, she finds herself on a journey that will lead to sacrifice and betrayal.
Addie Greyborne loved working with rare books at the Boston Public Library—she even got to play detective, tracking down clues about mysterious old volumes. But she didn’t expect her sleuthing skills to come in so handy in a little seaside town . . . Addie left some painful memories behind in the big city, including the unsolved murder of her fiancé and her father’s fatal car accident. After an unexpected inheritance from a great aunt, she’s moved to a small New England town founded by her ancestors back in colonial times—and living in spacious Greyborne Manor, on a hilltop overlooking the harbor. Best of all, her aunt also left her countless first editions and other treasures—providing an inventory to start her own store. But there’s trouble from day one, and not just from the grumpy woman who runs the bakery next door. A car nearly runs Addie down. Someone steals a copy of Alice in Wonderland. Then, Addie’s friend Serena, who owns a nearby tea shop, is arrested—for killing another local merchant. The police seem pretty sure they’ve got the story in hand, but Addie’s not going to let them close the book on this case without a fight . . .
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