Lyrical Ballads, with Other Poems, 1800, Volume 1
William Wordsworth
Editora: Project Gutenberg
Sinopse
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Editora: Project Gutenberg
Sentimos muito, neste momento não dispomos de sinopse para este livro. Acesse 24symbols.com para lê-lo.
The Onward Song is poet K.J. Paradis's stunning debut collection—six dozen exquisitely crafted poems that are at once classical and wonderfully contemporary, poems made remarkable by their effortless musicality and unexpected metaphors. Paradis crafts verse that celebrates old boots, sharp pencils, first kisses, freckled constellations, the complex pleasures of a daughter's dance recital, and much more. A lawyer, entrepreneur, jazz musician, and a devoted student of the classics, Paradis's work also limns the lives and passions of luminaries like Einstein and van Gogh, Gertude Stein and Frank Lloyd Wright, Edward Hopper and Dave Brubeck. Often brief yet always deeply evocative, these are poems that are tender and mysterious, laced with curiosity and feeling, and they can also be a bit irreverent. A major new talent emerges in these pages, and The Onward Song is a collection of gems that often delight, sometimes surprise, and always amaze, poems as expansive as they are precise and delicate.Ver livro
Сomedy A Midsummer's Night Dream is a wonderful piece of work written by a genius English playwright William Shakespeare. Three very amusing stories tightly connected with each other fascinate the reader with a numerous love adventures. The reason for that is a potion of a forest spirit Puck. William Shakespeare is the author of the world famous sonnets and plays Romeo and Juliet, Hamlet, Macbeth and Othello, as well as comedies Twelfth Night, A Midsummer's Night Dream, Love's Labour's Lost, The Merry Wives of Windsor, The Two Gentlemen of Verona and As You Like It. William Shakespeare is the most performed playwright, the works of the great English poet have been on top of the world theatre stages for some centuries already.Ver livro
When examining his own poetry Reinfred Dziedzorm Addo often finds he is merely a conduit for the words, the inspiration source itself being a force or another being. In acknowledging a poem’s inspiration source, he calls the resulting work a ‘dedicada’, meaning something written in dedication or in recognition of another. A debut full poetry collection, Washed Over expands upon Addo’s chapbook The Dedicadas and is a journey through a space filled with a breadth of forces and beings active in one’s existence. Identity, chaos, autumn colors, exile, people learning from the universe itself...these and other dedicadas make this collection an exploration of the experiences of someone washed over by life’s many inspirations.Ver livro
Elizabeth Eleanor Siddall was born on the 25th July, 1829 in London into a working-class family where she received an ‘ordinary education’. Whilst accounts differ, it is clear that she met the Pre-Raphaelite painter William Deverell whilst working in a millinery shop and he asked her to model for him, describing her as "magnificently tall, with a lovely figure, and a face of the most delicate and finished modelling ... she has grey eyes, and her hair is like dazzling copper, and shimmers with luster." She personified female beauty for the Pre-Raphaelite Brotherhood and her face became well known in Victorian Britain, gracing many famous paintings such as John Everett Millais's Ophelia, where she is portrayed drowned, floating in a pond. From the experience she also caught pneumonia. Although Siddal (she later changed the spelling of her name) endured a toxic and probably controlling relationship with Dante Gabriel Rossetti, who wouldn’t allow her to model for anyone but himself, she made great strides under his tuition and in her endeavours as an artist. She was the only woman to exhibit with the Pre-Raphaelites in 1857 where she sold one of her paintings to an American collector. She created many paintings, often inspired by Medieval themes, but her output of poetry was scant despite the positive reception to her verse. Their motifs were sad and often tragic, dwelling on lost or doomed love. As well they suggest a strong connection with nature and often plead with God with a haunting yet evocative simplicity. Allied to this was a laudanum addiction which may have contributed to a still-born birth in 1861 and from which she never fully recovered. Elizabeth Siddal committed suicide by an overdose, whilst pregnant, on the 11th February 1862. She was 32.Ver livro
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