Other books that might interest you

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  Kin

  Karl Knights

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  Karl Knights' Kin meet inside hospitals and grow up in waiting rooms and hospital cafeterias where 'nobody stares'. These are poems of survival in the face of disability and years of austerity; they are memorials to those who did not make it, powerful and sharply observed.

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  James Fritz Plays: One (NHB...

  James Fritz

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  A playwright known for dazzling structural inventiveness combined with emotional intelligence and wit, James Fritz is a unique voice in British theatre. His work, reflected in these six plays covering the first decade of his career, confronts the fault lines in our culture with thrilling imagination, an unflinching moral seriousness and a warm, compassionate sense of humour.
  Four Minutes Twelve Seconds (Hampstead Theatre, 2014; Trafalgar Studios, 2015; winner of the Critics' Circle Award for Most Promising Playwright) is a 'morally terrifying drama' (Evening Standard) that unpicks the trust between parents and their teenage offspring in an age of selfies and sexting.
  Ross & Rachel (Edinburgh Fringe, 2015; Off-Broadway, 2016) is a 'dialogue for one' that takes an incisive look at the myths of modern love. 'Shockingly good… a virtuosic piece of writing, playful, post-modern and devastatingly serious, all at once' Time Out
  Parliament Square (Royal Exchange Theatre, Manchester, and Bush Theatre, London, 2017; winner of the Judges' Award, Bruntwood Prize for Playwriting) is a searingly powerful exploration of what one individual can do to effect change. 'There are few playwrights working in Britain today whose work is as slick and unsettling as James Fritz's' Exeunt
  Lava (Nottingham Playhouse/Fifth Word, 2018; revived 2022) is a funny, tender and moving story about friendship and reconnection in the aftermath of catastrophe. 'Compassionate, warm and funny… Fritz's plays find reservoirs of humour in places you wouldn't expect' The Stage
  Skyscraper Lullaby (Audible Original, 2022) is a powerful drama, first written as an audio play, about two parents trying to come to terms with the disappearance of their toddler, a haunting examination of the ways we cope with tragedy, complicity and remorse.
  Also included is a previously unpublished short play, twins (Arcola Theatre, 2015), as well as a playful and illuminating introduction written by the author.

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  Noughts & Crosses

  Sabrina Mahfouz

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  Sephy and Callum sit together on a beach. They are in love. It is forbidden.
  Sephy is a Cross and Callum is a Nought. Between Noughts and Crosses there are racial and social divides. A segregated society teeters on a volatile knife-edge. As violence breaks out, Sephy and Callum draw closer, but this is a romance that will lead them into terrible danger.
  This gripping Romeo and Juliet story by acclaimed writer Malorie Blackman is a captivating drama of love, revolution and what it means to grow up in a divided world.
  Sabrina Mahfouz's stage adaptation first toured the UK in 2019 and won the Excellence in Touring category at the UK Theatre Awards. It was commissioned and presented by Pilot Theatre in co-production with Derby Theatre, Belgrade Theatre Coventry, Mercury Theatre Colchester and York Theatre Royal.

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  NMLCT - Poems

  Paul Vermeersch

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  Imagine The Matrix retold by the reanimated cyborg bodies of the Brothers Grimm.
  		 
  Fables and fairytales collide with virtual reality, artificial intelligence, and monstrous myths in a world where no one knows what to believe. In his eighth book of poems, Paul Vermeersch responds to the increasing difficulty of knowing what is real and what isn’t, what is our genuine experience and what is constructed for us by The Algorithm. In a “post-truth” society rife with simulations, misinformation, and computer-generated hallucinations, these poems explore the relationship between the synthetic and the authentic as they raise hope for the possibility of escape from MCHNCT (Machine City) to NMLCT (Animal City), where the promise of “real life” still exists.
  		 
  These poems — all precisely 16 lines long, identically formed as though mass-produced — are themselves artificial creations, products of the imagination, sometimes disorienting but always vivid. They hold up a mirror not only to nature, but also to its unnatural distortions and facsimiles. In NMLCT, Vermeersch gives us his answer to an existence in thrall to the artificial. But it also foretells a different future, one where the air and the grass and the trees, and all the life they engender, might always be genuine and sensed and safe.

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  Top 10 Poets The - Elizabethan -...

  William Shakespeare, John Donne,...

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  The language of Poetry is an art that most of us attempt at some point in our lives.  Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. 
  But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. 
  In this volume we explore the poets and the poetry of the Elizabethan Age.  Long revered and admired this verse illuminated both this gilded age and the talents in the centuries that followed.

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  Things a Bright Boy Can Do

  Michael Chang

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  In Michael Chang's latest, all the world's a vaudeville stage, and this poet is its jester with a knife. 
  Like an elongated diss track, Chang's poems go from flirty to righteous, wrathful to lackadaisical, all in the span of one page.  The  titans  of  pop  culture  and  poetry  wrestle  at  Chang’s  whimsy, their poems a series of flings and retorts at the end of a late-night spree.  
  Like a compendium of American poetics, this collection breezily changes style and mood as easily as a prom queen smiles beneath the crown. With nods to O’Hara and Ashbery, the poems in Things a Bright Boy Can Do flit from the sewage of Americana to the heights of ecstatic experience. Each poem is a playground meant to delight readers before they skip along.  
  With each successive book, Michael Chang showcases a poet at home in the twenty-first century; nothing is too silly or too morbid for the page. When  reading  Chang’s  poetry,  the  madness  of  interpreting  the  social media age suddenly makes sense. You can’t help but join in on the heckling, sticking your tongue out in the face of our strange world. 
  “Michael Chang is back, with their signature irrepressibility: the voice that bubbles with endlessly exuberant wit, encyclopedic pop culture references, playful orthography, and intense emotion. Oh, yes – these poems are in their feelings! Are you here for poetry that can lure Superman, Dolly Parton, and Prince allusions together? Are you up for parataxis with a vengeance? If wordplay and irreverence are music to your ears, tune into Things a Bright Boy Can Do.” – Evie Shockley, author of Suddenly We 
  “Michael Chang’s Things a Bright Boy Can Do pushes and pushes, and then pushes some more. It’s provocative, fearless, and relentless, unafraid to reinvent tone, grammar, and just about everything else that dares to enter the path of Chang’s perception. Things a Bright Boy Can Do is a ride on the back of a new modern language.” – Victoria Chang, author of The Trees Witness Everything

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