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  Essential Sustainable Home...

  Chris Magwood

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  Design your own sustainable home Many people dream of building a beautiful, environmentally friendly home. But until now there has been no systematic guide to help potential builders work through the complete process of imagining, planning, designing, and building their ideal, sustainable home. Essential Sustainable Home Design  walks potential homebuilders through the process starting with key concepts, principles, and a project vision that will guide the house to completion.Coverage includes:How to clarify your ideas and create a practical pathway to achieving your dreamA criteria matrix to guide design, material, and systems decisionsCreating a strong, integrated design team and working with professionals and code officials to keep the project on track from start to finish.Key building science concepts that make for a high-performance, durable buildingPrimer on building logistics, material sourcing, and protocols to ensure that the initial vision for the project comes to fruition.One-page summaries and ratings of popular sustainable building materials and system options.Ideal for owner-builders and sustainable building contractors working with clients aiming to design and build a sustainable home. Chris Magwood  has designed and built some of the most innovative, sustainable buildings in North America, including the first off-grid, straw bale home in Ontario. He is co-founder and director the Endeavour Centre for Innovative Building and Living and co-editor of the Sustainable Building Essentials series. Chris is the author of  Essential Prefab Straw Bale Construction, Essential Hempcrete Construction, Straw Bale Details, More Straw Bale Building  , and  Making Better Buildings  .

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  Film Studies Second Edition - An...

  Ed Sikov

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  Film Studies is a concise and indispensable introduction to the formal study of cinema. Ed Sikov offers a step-by-step curriculum for the appreciation of all types of narrative cinema, detailing the essential elements of film form and systematically training the spectator to be an active reader and critic. He treats a number of fundamental factors in filmmaking, including editing, composition, lighting, the use of color and sound, and narrative. His description of mise-en-scene helps listeners grasp the significance of montage, which in turn reveals the importance of a director's use of camera movement.Film Studies is designed for courses on film history, film theory, and popular culture. Its straightforward explanations of core critical concepts, practical advice, and technical, visual, and aesthetic aspects anchor the listener's understanding of the formal language and anatomy of film and the techniques of film analysis.The second edition of this bestselling book adds two new chapters: "Film and Ideology," which covers how to read a film's political and social content, and other key topics in film theory, and "Film Studies in the Age of Digital Cinema," which explores the central problems of studying film when "film" itself is no longer the medium.

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  The Odyssey of Sport

  Phil Cousineau

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  Phil Cousineau has found that as early as 1400 B.C. - and probably much earlier - competitive games anchored communities, created a diversion from violence, and even contributed to the evolution of the human body, mind, and soul. "This desire to shine brightly," says Cousineau, "at least in one moment in your life, either on the battlefield or on the Olympic grounds, is a deep, deep urge in us."

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  They Don't Need to Understand -...

  Andy Biersack, Ryan J. Downey

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  Before he was the charismatic singer of Black Veil Brides and an accomplished solo artist under the Andy Black moniker, he was Andrew Dennis Biersack, an imaginative and creative kid in Cincinnati, Ohio, struggling with anxiety, fear, loneliness, and the impossible task of fitting in. With his trademark charm, clever wit, and insightful analysis, Biersack tells the story of his childhood and adolescence. The discovery of the artistic passions that would shape his life, and his decision to move to Hollywood after his eighteenth birthday to make his dreams come true, even when it meant living in his car to make it all a reality. It's the origin story of one of modern rock's most exciting young superheroes, from building miniature concerts with KISS action figures in his bedroom to making the RIAA gold-certified single "In the End" and connecting with passionate fans worldwide.

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  Dig If You Will the Picture -...

  Ben Greenman

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  Ben Greenman, New York Times bestselling author, contributing writer to the New Yorker, and owner of thousands of recordings of Prince and Prince-related songs, knows intimately that there has never been a rock star as vibrant, mercurial, willfully contrary, experimental, or prolific as Prince. Uniting a diverse audience while remaining singularly himself, Prince was a tireless artist, a musical virtuoso and chameleon, and a pop-culture prophet who shattered traditional ideas of race and gender, rewrote the rules of identity, and redefined the role of sex in pop music.A polymath in his own right who collaborated with George Clinton and Questlove on their celebrated memoirs, Greenman has been listening to and writing about Prince since the mid-eighties. Here, with the passion of an obsessive fan and the skills of a critic, journalist, and novelist, he mines his encyclopedic knowledge of Prince’s music to tell both his story and the story of the paradigm-shifting ideas that he communicated to his millions of fans around the world.

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  African Art and Agency in the...

  Sidney Littlefield Kasfir, Till...

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  “Compelling case studies demonstrate how African workshops have long mediated collective expression and individual imagination.” —Allen F. Roberts, University of California, Los Angeles 
   
  The role of the workshop in the creation of African art is the subject of this revelatory book. In the group setting of the workshop, innovation and imitation collide, artists share ideas and techniques, and creative expression flourishes. African Art and Agency in the Workshop examines the variety of workshops, from those which are politically driven or tourist oriented, to those based on historical patronage or allied to current artistic trends. Fifteen lively essays explore the impact of the workshop on the production of artists such as Zimbabwean stone sculptors, master potters from Cameroon, wood carvers from Nigeria, and others from across the continent. 
   
  Contributions by Nicolas Argenti, Jessica Gershultz, Norma Wolff, Christine Scherer, Silvia Forni, Elizabeth Morton, Alexander Bortolot, Brenda Schmahmann, Chika Okeke-Agulu, Karen E. Milbourne and Namubiru Rose Kirumira 
   
  “A closer examination of the workshop provides important insights into art histories and cultural politics. We may think we know what we mean when we use the term ‘workshop,’ but in fact the organization of groups of artists takes on vastly different forms and encourages the production of diverse styles of art within larger social structures and power dynamics.” —Victoria Rovine, University of Florida 
   
  “Taken as a whole, the case studies provide a wide window into the very diverse structural and functional characteristics of workshops. They also clearly describe how African workshops have served both contemporary political and cultural needs and have responded to patronage, whether it be traditional or stimulated by tourism.” —African Studies Review

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