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  The Fall of the House of Usher

  Edgar Allan Poe

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  Title: The Fall of the House of Usher 
  Author: Edgar Allan Poe 
  Narrator: Jonathan Dunne 
  Original Publication: 1839 
  Public Domain: Yes 
  Series Placement: Number 45 in the Timeless Terrors series 
  Description: 
  The Fall of the House of Usher by Edgar Allan Poe stands as one of the defining masterpieces of gothic horror — a tale where decay, madness, and the supernatural intertwine within the crumbling walls of a doomed mansion. When an unnamed narrator visits the melancholic Roderick Usher and his ailing sister Madeline, he becomes ensnared in a world where the line between reality and delusion dissolves, and the very house itself seems alive with a malignant sentience. 
  Poe’s prose conjures an atmosphere of suffocating dread, exploring the collapse of body, mind, and bloodline. Every shadow, every whisper within the Usher estate echoes the inevitability of ruin — a meditation on mortality, isolation, and the inescapable power of fear. 
  Narrated by Amazon bestselling horror author Jonathan Dunne, this performance captures the story’s haunting rhythm and the slow, irresistible descent into terror that has enthralled readers for nearly two centuries. While the text is in the public domain, this narration is an original performance and copyright © 2025 Jonathan Dunne. 
  Part of Timeless Terrors, a series devoted to resurrecting the masters of the macabre and uncanny, The Fall of the House of Usher endures as one of Poe’s most enduring works — a symphony of melancholy and madness that reminds us: when the house falls, it takes the soul with it.

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  SOCIOCALYPSE - Tales of a...

  Sage Reedfields

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  What if the world's society as you know it fractured? 
  We call it civilization – a sturdy house built of habit, law, and the quiet consensus of generations. Its walls are papered with sacred norms, its foundations sunk deep in shared belief. 
  But what happens when that bedrock shatters, not with a single quake, but through the insidious creep of new ideas, unforeseen scarcities, or the chilling dawn of intelligences that judge their creators? The paper shreds. The foundations liquefy. The scaffolding of our days collapses into bewildering ruin. 
  Welcome to SOCIOCALYPSE: Tales of a Reimagined World.Journey into seven distinct futures where the old rules are dead, and humanity grapples with new realities:Imagine a world where your voice becomes a rationed currency, and a song holds the power to unite or condemn.Witness societies where roles invert overnight, and the oppressed forge new, challenging norms.Explore realities governed by AI that develop apathy or god-like egos, leaving humanity to navigate the wreckage of their neglect or the terrifying precision of their control.Discover fervent new faiths born from digital whispers and impossible, miraculous births, reshaping global power.Confront a future where life itself is a tradable commodity on a temporal ledger, and every second has a price.Uncover a silent revolution orchestrated from the shadows, aiming to re-engineer society and perhaps, humanity itself. 
  These are not merely chronicles of the fall. SOCIOCALYPSE ventures into the startling, desperate, ingenious, and sometimes terrifying landscapes of what came after. Each tale is an invitation to witness the dissolution of old worlds and the birth of new orders, compelling us to contemplate the boundless, often unnerving, plasticity of our social tapestry.

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  Muto

  J.J. Campanella

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  This short story by J.J. Campanella falls into the categories of speculative fiction and horror with bits of Japanese anime and manga samurai tales thrown in. It is a dark two-hander and takes place in a blasted, post-apocalyptic world where the remainder of civilization is isolated to a few securely protected and walled city-states. The tale was originally written for a short story collection that was never published. The anthology aimed to retell classic fairy tales in the guise of science fiction. Readers may recognize the two characters as updated incarnations of Little Red Riding Hood and the infamous wolf. This is not a children's story.

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  Evil Flowers

  Gunnhild Øyehaug, Kari Dickson -...

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  From the acclaimed, award-winning author of Present Tense Machine and Knots, a collection of playfully surreal stories about love, death, and metamorphosis. 
   
  In Evil Flowers, a precise but madcap collection of short stories, Gunnhild Øyehaug extracts the bizarre from the mundane and reveals the strange, startling brilliance of everyday life. 
   
  Across twenty-five stories, Øyehaug renovates the form again and again, confirming Lydia Davis’s observation that her every story is “a formal surprise, smart and droll.” The stories converse with, contradict, and expand on one another; birds, hagfish, and wild beasts reappear, gnawing at the fringes. A section of a woman’s brain slips into the toilet bowl, removing her ability to remember or recognize types of birds (particularly problematic because she is an ornithologist). Medicinal leeches ingest information from fiberoptic cables, and a new museum sinks into the ground. 
   
  Inspired by Charles Baudelaire, a dreamer and romantic in the era of realism, Øyehaug revolts against the ordinary, reaching instead for the wonder to be found in fantasy and absurdity. Brimming with wit, ingenuity, and irrepressible joy, these stories mark another triumph from a dazzling international writer.

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  A Princess's Vengeance - From...

  Catherine Louisa Pirkis

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  The bookshelves of British literature are incredible collections that have gathered together centuries of very talented authors.  From these Isles their fame spread and whilst among their number many are now forgotten or neglected their talents endure.  Among them is Catherine Louisa Pirkis.

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  Demir-Kaya - From their pens to...

  Alexander Kuprin

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  Alexander Kuprin was born in Narovchat, Penza in Russia on 7th September 1870. 
  At 3 his Father died and he and mother moved to Moscow. By 10 he was enrolled at the Second Moscow Military High School and there his interest in literature began. The Alexander Military Academy followed and two years later he was a sub-lieutenant and posted to an Infantry Regiment for a further four years. 
  Despite his duties he was a now a keen writer and published his first short story at this time. His military duties also garnered him experiences for his breakthrough work ‘The Duel’.  Leaving the military he left for Kiev to work for local newspapers.  He continued to publish both stories and novels and by 1901 he was in St Petersburg becoming part of a group that included Chekhov, Ivan Bunin, Maxim Gorky and Leonid Andreyev.  
  In the years that followed further controversial works and acclaim followed.  His comments on the regime meant he was also put under secret police surveillance.   
  As World War I erupted, Kuprin opened a military hospital but was then given command of an infantry company in Finland. He was soon discharged on grounds of ill health.  
  The October Revolution saw him praise Lenin, but he warned that the Bolsheviks threatened Russian culture and might cause further widespread suffering to the peasants.  As Civil War raged he took his family to Helsinki and then on to Paris. 
  Exile saw his talents decline further and his succumbing to alcoholism. He became lonely and withdrawn. The family's poverty increased his malaise.   
  In May 1937, the Kuprin’s returned to Moscow.  He now saw his work published but wrote almost nothing new.  In 1938 his health rapidly deteriorated.  Already suffering from a kidney problems and sclerosis, he had now developed cancer of the oesophagus.  
  Alexander Kuprin died on 25th August 1938.

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