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  Born in the USA - Exploring...

  Emily Dickinson, Amy Lowell,...

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  Poetry. A form of words that seems so elegantly simple in one verse and so cleverly complex in another.  Each poet has a particular style, an individual and unique way with words and yet each of us seems to recognise the path and destination of where the verses lead, even if sometimes the full comprehension may be a little beyond us. 
   
  Through the centuries every culture has produced verse to symbolize and to describe everything from everyday life, natural wonders, the human condition and even in its more hubristic moments, the crushing triumph of an enemy. 
   
  In the volumes of this series we take a look through the prism of individual regions of the United States through the centuries and decades. 
   
  The United States may be many things: the world’s policeman, a bully, a shameless purveyor of mass market culture but it also, in its better moments, a standard bearer for truth, transparency, equality and the more positive qualities of democracy. 
   
  Little wonder that’s its poets are rightly acknowledged as wonders of their art.  Leading lights in the fight against slavery and for equality, even if the rest of the Nation is finding it problematic to catch up.   
   
  In this volume we have collected verse from poets born in the tiny Commonwealth of Massachusetts. Its history is scarred with tragedy, much of its own making, and yet its natural beauty and its kaleidoscope of cultures summon the envy of us all when put to verse by the likes of Ralph Waldo Emerson, Amu Lowell, Emily Dickenson, William Cullen Bryant and James Russell Lowell.

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  On the Subject of Fallen Things

  James Kearns

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  "you start every new day with an inventory: a moth, a cape, a parachute, a coffin, a gun, the wall you built to mount the gun."
  On the Subject of Fallen Things is an addictive, Chekhovian metanarrative: phenomenological, absurd, and dripping with black humour. James Kearns' speaker keeps company with Lazarus, an inept psychic, and a deceased superhero, but finds himself increasingly alone—lost in dialogue with mortality, both personal and anthropological. Permanence, culpability, the function and corruption of human storytelling: all come into play in a surge of momentum that grips the reader, even as it breaks apart: a lean explosion, a gunshot in the distance.
  "On the Subject of Fallen Things weaves whimsy into narrative epiphanies that you never see coming. Each line aggregating weight like the lightness of snowflakes gathering into an avalanche. Hugely enjoyable. Get it now." Roger Robinson, A Portable Paradise, Winner of the 2019 T.S. Eliot Prize
  "This is a really brilliant sequence of poems. Like Ponge, or Herbert, or Steger, or Simic, it manages to be both serious and fleeting, weighty and funny. It's hopeful, actually." S.J. Fowler, 3:AM Magazine

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  One Year

  H. Pearce

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  Approaching forty, Sophie is dealt a double blow. Already facing a life-altering diagnosis—cancer, a ticking time bomb that allows her only a year left to live—her decade-long marriage abruptly ends. 
  Just as the prospect of navigating her journey alone and the grip of despair seems to take hold, fate intervenes unexpectedly. In what is slated to be her last chemotherapy session, Sophie crosses paths with Lily, a vivacious young girl with an equally grim prognosis. 
  Together, they forge the most unlikely of friendships and find themselves on a life-changing journey. Their mission: to locate the man who might serve as the saviour Lily desperately needs. 
  One Year is a touching story that celebrates the power of friendship, hope and the extraordinary capacity of the human heart to find joy and meaning even in the most challenging circumstances.

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  The Heidi Chronicles

  Wendy Wasserstein

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  This Pulitzer Prize winning play is the tale of a baby-boomer's long, hard road from 60's confusion to 1990's self-assured woman...or so she hopes.An L.A. Theatre Works full-cast performance featuring Lisa Akey, Kosha Engler, Kaitlin Hopkins, Barbara Klein, Lisa Pelikan, Martha Plimpton, Scot Reese, Raphael Sbarge and Grant Shaud.

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  Slapping Krampus Poem

  Ashlan Chidester

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  Ouch, I say! Stop slapping me You silly tiny christmas tree

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  Bad Weather Mammals - Poems

  Ashley-Elizabeth Best

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  “The sick should be good. / It is a kind of undoing,” Ashley-Elizabeth Best writes in her second collection. Bad Weather Mammals navigates the devastations and joys of living in a disabled and traumatized body. By taking a backward glance, she traces how growing up under the maladaptive bureaucracy of social services with a single disabled mother and five younger siblings led her to a precarious future in which she is also disabled and living on social assistance. In poems that explore a variety of formal constraints, such as the suite “ODSP 1, 2, & 3,” which infuses government forms with lyric poetry, she suggests all the ways the medical and bureaucratic systems can dehumanize and traumatize our most vulnerable citizens. By digging deep into her own experiences, Best has archived the ways we fail each other in our most desperate times — while at the same time outlining how we can show up to revel in disabled joy and community. Bad Weather Mammals disassembles dominant narratives about how disabled individuals should be and reconceptualizes the embodied experiences that recenter us in our own narrative.

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