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  The Rose - Poems

  Ariana Reines

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  In The Rose, award-winning poet Ariana Reines navigates the intersection of power and surrender. Drawing on the history of "romance" as the troubadours knew it and the titular flower's ancient allegories for sexuality and mystery, Reines plunges into feminine archetypes to explore masculine pain: "I have always liked helpless / & terrible men because they break my mind." In these poems, inherited ideologies of gender performance are replaced with bold vulnerability: paradoxes of power and surrender transmute the speaker's understanding of suffering, desire, and the soul. 
   
   
   
  The voice in The Rose is wry and bare, approaching the connection between erotic love and spirituality with humor. Investigating war, maternity, violent sensuality, and the role of language in magical acts, Reines is unafraid to uncover the "secret / & terrible shovelings / Of love," and the result is a bloody and pulsing, sexy and unabashed bloom.

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  Pyth in love - A poem in form of...

  Lee Slonimsky

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  In the poems, Pythagoras is always searching for meaning in patterns—in the caws of crows, the flight of geese—but he is also visited by the random.  “But then, without a sign, the crow departs; this randomness of fate gives him a chill./He sees the beauty of wings merged with night …”  Was it a random coincidence that I was at the same time writing a book set on an estate with Italianate gardens?  Inspired by Lee, I created a poet named Zalman Bronsky who wandered through the Italian gardens composing sonnets, which Lee graciously agreed to write.  Immersed in researching the Italian gardens, we traveled to Rome and Sorrento in the summer of 2004.  While walking in the Roman Forum Lee discovered a bust of Pythagoras and was inspired to write “Counting Toward the End,” in which “Pythagoras divides the summer dawn/into the cosmos, multiplies by breeze/and quality of drifting yellow light/to calculate how many roses  thrive/within the boundary of circling sight.”  His calculation conflicts with what he sees and yet his “faith in truth of math endures despite/this failure.”

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  Autumn Fires

  Robert Louis Stevenson

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  LibriVox volunteers bring you 21 readings of Autumn Fires, from Robert Louis Stevenson's classic A Child's Garden of Verses. This was the weekly poetry project for October 18-24, 2015.

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  A Cemetery for Holes

  Tom Prime, Gary Barwin

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  In A Cemetery for Holes, poetic language bends and breaks, resists and reforms under the stress of family trauma. Consensual reality shifts with nonconsensual harm. It is this history of violence which is ultimately, confronted, fought against, and overcome. While engaged in this struggle, the poems also strive to rebuild, to console and to rediscover the world, its beauty, tenderness, humour, and joy.

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  Short Story Press Presents Chest...

  Short Story Press, Janet Marie...

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  An aged, decrepit old woman wanders the quiet hallways of her home. She remembers a day when they were brighter…more kinetic with anticipation of life within their walls. Family was a regular occurrence and the tinkling laughter of grandchildren used to echo through the house. Oh how she missed those times as she now hobbles oh-so-slowly with her cane through the archaic old home. And as the old woman wanders reminiscing through the halls, she comes upon a door; rusty hinges amplify groan of age as the door swings slowly open and she balances herself in the doorway. 
  The old woman discovers a chest…an antique old cedar chest that is very large, and her breath catches briefly as her heart thumps in her own body. The chest has sparked a memory and she releases the door jam and using her cane for support, the woman shambles over to the massive trunk with anticipation in her eyes. 
  It had been near eighty-five years after all, since she’d seen what was in the trunk and she could barely remember, though it called out to her in the otherwise empty room. Now, it took her what seemed like a very long time to reach it, and when she did, her weakened old body fell against it for support. She fumbled with the latch as her gnarled and arthritic hands fought against what it was she desired, but finally…she was able to snap the hasp upward, releasing the lock on the trunk. 
  What she discovered inside was not just a memory; what she discovered was a living, breathing catalyst that grasped her firmly in its grips and propelled her back in time. The old woman discovered herself in the midst of her childhood friends; a child again herself, she caught the jump rope chant on the wind… 
  Short Story Press publishes short stories written by everyday writers.

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  Inferno

  Dante Alighieri

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  Dante Alighieri’s Inferno is the first part of The Divine Comedy, a poetic journey through Hell. Guided by the Roman poet Virgil, Dante travels through nine concentric circles of torment, each punishing souls according to the gravity of their sins—from lust and gluttony to treachery and betrayal. As he descends deeper into the frozen core where Satan resides, Dante confronts the consequences of moral corruption and divine justice. A profound allegory of spiritual crisis and redemption, Inferno blends vivid imagery, classical philosophy, and Christian theology to explore human sin, repentance, and the soul’s path toward God.

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