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Max and Maurice - A Juvenile History in Seven Tricks - cover

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Max and Maurice - A Juvenile History in Seven Tricks

Wilhelm Busch

Translator Charles Timothy Brooks

Publisher: DigiCat

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Summary

Wilhelm Busch's 'Max and Maurice' is a seminal work in the canon of illustrated narrative verse, marking a cornerstone in the intersection of German literature and visual storytelling. Comprising seven mischievous episodes, the tale strings together a series of boyish pranks through tightly woven rhythmic stanzas that imbue the text with a lively cadence. The illustrations not only complement but also deepen the narrative, showcasing Busch's pioneering approach that bridges the gap between traditional storytelling and what would later be recognized as the comic strip format. This narrative style set a precedent, endearing itself as a cultural touchstone while maintaining critical acclaim for its innovative and humorous portrayal of youthful rascality.nWilhelm Busch himself was an astute observer of human nature and society's quirks, abilities that undeniably inform 'Max and Maurice.' His incisive wit and penchant for satire often manifested in his works, criticizing the moral landscape of his time through caricature and hyperbole. Busch drew from his life experiences and contemporary societal norms, distilling these influences into a simple yet captivating sequence of stories that resonate with both children and adults through their timeless themes and universal appeal.nRecommended for those who appreciate the roots of comic art, 'Max and Maurice' serves not only as an important historical reference but also as an enduring piece of literature. It maintains relevance in today's world by preserving its original context while remaining engaging for modern audiences. With its deft blend of humor and mischief, it is a delightful induction for young readers into the world of poetry and illustration, as well as a nostalgic journey for adults revisiting the tales of their youth.
Available since: 11/21/2022.
Print length: 58 pages.

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