Other books that might interest you

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  Stealing Rembrandts - The Untold...

  Tom Mashberg, Anthony M. Amore

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  Today, art theft is one of the most profitable criminal enterprises in the world, exceeding $6 billion in losses to galleries and art collectors annually. And the masterpieces of Rembrandt van Rijn are some of the most frequently targeted. 
   
   
   
  In Stealing Rembrandts, art security expert Anthony M. Amore and award-winning investigative reporter Tom Mashberg reveal the actors behind the major Rembrandt heists in the last century. Through thefts around the world—from Stockholm to Boston, Worcester to Ohio—the authors track daring entries and escapes from the world's most renowned museums. There are robbers who coolly walk off with multimillion dollar paintings; self-styled art experts who fall in love with the Dutch master and desire to own his art at all costs; and international criminal masterminds who don't hesitate to resort to violence. They also show how museums are thwarted in their ability to pursue the thieves—even going so far as to conduct investigations on their own, far away from the maddening crowd of police intervention, sparing no expense to save the priceless masterpieces. 
   
   
   
  Stealing Rembrandts is an exhilarating, one-of-a-kind look at the black market of art theft, and how it compromises some of the greatest treasures the world has ever known.

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  Hotel Waldhaus Sils Maria

  Roland Flückiger-Seiler

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  The Waldhaus Hotel in Sils Maria was built in between 1905 and 1908 for the experienced hotelier Josef Giger-Nigg according to the plans of architect Karl Koller, who was gaining a reputation as a hotel architect in the Engadine at that time. Both the Waldhaus’s exterior and interiors reveal the transition from the opulent style of the Belle Époque to the simple lines that marked the beginning of the 20th century. The Waldhaus, largely preserved and maintained in its original state, is one of the few five-star hotels to have remained in the hands of the same family since its opening. Even now, it is personally managed by the founding family, now in its fifth generation. Their steadfast dedication to maintaining a long hotel tradition (“a family affair since 1908”) and their highly professional approach to the preservation of the historic property (complete with its own little museum) have recently been honored with several prestigious awards.

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  Irreplaceable - How to Create...

  Kevin Ervin Kelley

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  Do we still need physical places like grocery stores, restaurants, and office buildings? Or will the "Replacement Economy" led by the tech titans and retail giants wipe out these venues in their rapid ascent to unicorn status? 
   
   
   
  What about museums, universities, and performing arts venues? Considering the power of technology today, can't we replace these relics with faster, cheaper, and more efficient online tools, apps, and AI? 
   
   
   
  Through engaging storytelling, human behavior insights, and proven design techniques, Kevin Kelley—an attention architect and cofounder of Shook Kelley, a strategic design firm that pioneered the field of "convening"—unfolds why physical places are essential to civil society, business, and community. 
   
   
   
  In this book, he reveals what it takes for brick-and-mortar establishments to attract an audience and maintain a competitive edge in our increasingly digital world, whether you're a: 
   
   
   
  ● Retail leader or institutional manager trying to attract people to your offering while keeping the disruptors at bay 
   
   
   
  ● Student of design who values social facilitation over object-oriented design 
   
   
   
  ● Concerned citizen worried about the loss of community and civility

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  The Story of Harshad Mehta

  Aman Redhu

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  Mehta's involvement in the 1992 Indian securities scam made him infamous as a market manipulator. Harshad Shantilal Mehta. Born. Harshad Mehta.

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  Nature in Ink and Coloured Pencil

  Helen Hanson

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  This practical book is an inspiring guide to the innovative technique that combines ink and dry coloured pencil, and explores a wealth of natural subjects from berries to butterflies. Packed with examples and learning points, it explains the different methods of mark-making in ink and drawing with coloured pencils. For those new to the technique, Helen Hanson encourages you to develop an individual style and, for those who enjoyed her first book, she explores a new world of subjects. This book is a treasure trove of ideas and examples that both artists and lovers of nature will enjoy.

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  Dwell Time - A Memoir of Art...

  Rosa Lowinger

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  What Kirkus describes as a "masterful revelation about life and art imitating each other in maintenance and repair" in a starred review, Dwell Time is an illuminating debut memoir by one of the few prominent Latinas in the field of art and architectural conservation; a moving portrait of a Cuban Jewish family’s intergenerational trauma; and a story about repair and healing that will forever change how you see the objects and places we cherish and how we manage damage and loss. 
   
  Renowned art conservator Rosa Lowinger spent a difficult childhood in Miami among people whose losses in the Cuban revolution, and earlier by the decimation of family in the Holocaust, clouded all family life. 
   
  After moving away to escape the “cloying exile’s nostalgia,” Lowinger discovered the unique field of art conservation, which led her to work in Tel Aviv, Philadelphia, Rome, Los Angeles, Honolulu, Charleston, Marfa, South Dakota, and Port-Au-Prince. Eventually returning to Havana for work, Lowinger suddenly finds herself embarking on a remarkable journey of family repair that begins, as it does in conservation, with an understanding of the origins of damage. 
   
  Inspired by and structured similarly to Primo Levi’s The Periodic Table, this first memoir by a working art conservator is organized by chapters based on the materials Lowinger handles in her thriving private practice – Marble, Limestone, Bronze, Ceramics, Concrete, Silver, Wood, Mosaic, Paint, Aluminum, Terrazzo, Steel, Glass and Plastics.  Through Lowinger’s relentless clear-eyed efforts to be the best practitioner possible while squarely facing her fraught personal and work relationships, she comes to terms with her identity as Cuban and Jewish, American and Latinx.

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