Outros livros que poderiam interessá-lo

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  The Mythology of Atlantis -...

  Odessa Nightshade

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  The legend of Atlantis has fascinated historians, philosophers, and adventurers for centuries. First described by the ancient Greek philosopher Plato, Atlantis was said to be a powerful and advanced civilization that mysteriously vanished beneath the sea. Despite being written over 2,000 years ago, Plato’s account continues to inspire countless theories, books, and even modern expeditions in search of this lost world. But was Atlantis ever real, or was it simply a metaphor for human folly? Understanding the origins of this myth is crucial to separating historical possibility from pure fantasy.  
    
  Plato’s dialogues, Timaeus* and *Critias, provide the earliest known description of Atlantis. According to him, the island was a technologically superior and wealthy society that existed around 9,000 years before his time. It was said to be located beyond the "Pillars of Hercules," now known as the Strait of Gibraltar. However, due to the moral corruption of its people, the gods allegedly punished Atlantis by submerging it beneath the waves. This dramatic tale has led to endless speculation about whether Plato based it on real events or simply crafted it as an allegory about the dangers of hubris and imperial overreach.  
    
  Interestingly, Atlantis is not the only story of a lost civilization. Cultures around the world have myths of great lands that disappeared under the ocean. In Hindu mythology, the ancient city of Dwarka was said to have been swallowed by the sea. The biblical tale of the Great Flood and even the legends of Lemuria and Mu suggest a shared human fascination with lost worlds. Some researchers argue that these stories could be echoes of real historical disasters, such as the sudden sinking of landmasses due to earthquakes, tsunamis, or rising sea levels. Could Atlantis be another version of these global flood myths? 

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  The History of England Volume 2...

  David Hume

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  The second volume of David Hume’s classic survey of English history covers nearly 300 years (1200-1485) from the long reign of Henry III to the dramatic end of Richard III on Bosworth Field – he was the last Plantagenet, and the last king of England to die in battle. 
  In these last centuries of the medieval period, which culminated in the 30 years of the Wars of the Roses, England was ruled by 11 monarchs of varying personalities and abilities. These included the powerful figures of Edward I (reigning 1272-1307) whose authority stabilised the monarchy after his conflicted father; and Edward III (reigning 1327-1377) who similarly asserted his authority on the land following the weak rule of his father, Edward II.  
  After the disastrous reign of Richard II came the steady hand of Henry IV, (reigning 1399-1413), and the short but charismatic time of Henry V (reigning 1413-1422) with the highlight of Agincourt. This was followed by the 40-year reign of Henry VI (1422-1461/1470-71), a very different figure (characterised by Hume as ‘a weak prince, how gentle soever and innocent’). It led the way inexorably to the Wars of the Roses. 
  In telling this all-action tale, Hume delves deeply into contemporary records and presents a considered, even sympathetic view, showing that many factors, not just personalities, resulted in dramatic consequences for the nation. 
  In concluding each reign, he gives a character assessment of each individual who sat on the throne – at a time when strong rule was expected but not always delivered. Throughout, dissension was continually driven by conflicting pressures of political, familial, and commercial rivalries coloured and shaped by uncontrollable ambition.   
  Harnessing a wealth of detail, yet strong on judgement and opinion, Hume tells the story of this period with pace and the rich literary style, features which make The History of England in its entirety admired by historians even in the 21st century.

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  The Lion and the Fox - Two Rival...

  Alexander Rose

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  From the New York Times bestselling author of Washington’s Spies, the thrilling story of the Confederate spy who came to Britain to turn the tide of the Civil War—and the Union agent resolved to stop him. 
   
  In 1861, soon after the outbreak of the Civil War, two secret agents—one a Confederate, the other his Union rival—were dispatched to neutral Britain, each entrusted with a vital mission. 
  The South’s James Bulloch, charming and devious, was to acquire a cutting-edge clandestine fleet intended to break President Lincoln’s blockade of Confederate ports, sink Northern merchant vessels, and drown the U.S. Navy’s mightiest ships at sea. The profits from gunrunning and smuggling cotton—Dixie’s notorious “white gold”—would finance the scheme. Opposing him was Thomas Dudley, a resolute Quaker lawyer and abolitionist. He was determined to stop Bulloch by any means necessary in a spy-versus-spy game of move and countermove, gambit and sacrifice, intrigue and betrayal. If Dudley failed, Britain would ally with the South and imperil a Northern victory. The battleground was the Dickensian port of Liverpool, whose dockyards built more ships each year than the rest of the world combined, whose warehouses stored more cotton than anywhere else on earth, and whose merchant princes, said one observer, were “addicted to Southern proclivities, foreign slave trade, and domestic bribery.” 
  From master of historical espionage Alexander Rose, The Lion and the Fox is the astonishing, untold tale of two implacable foes and their twilight struggle for the highest stakes.  
  Supplemental enhancement PDF accompanies the audiobook.

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  Claimed by the Incubus (Gay...

  Archer Vale

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  Curiosity is a dangerous thing. I peered into the darkness. It crept into my brain. 
  I broke my promise. The village elder told me to stay away, but I didn’t listen. 
  I ended up trapped in an underground chamber with a crystal skull. It called out in the shadows, begging me to caress its smooth, cold surface. 
  That was the beginning of my transformation. 
  The demon filled me with a dark addiction. He feeds on my lust and uses me as a puppet. Here in the jungle, we’ll build a utopia. 
  A world where the strong rule the weak. 
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  CONTAINS EXPLICIT GAY SEXUAL CONTENT. 
  For exclusive stories, visit www.ArcherVale.com.

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  Fighting for Queen and Country -...

  Nigel Ely

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  'Slowly I raised my rifle, aimed and pulled the trigger... One round hit and went through the boot. The leg kicked up about three feet and fell back. Confirmed! The Argy was now dead for sure. No screams, no nothing.'Spud Ely's SAS career has taken him into some of the most deadly, high-octane, violent battles ever. From the Falklands to the Persian Gulf, he has been in the very centre of the most ferocious fighting scenes modern history has witnessed. Armed to the hilt with the most up-to-date, hi-tech military machinery and his highly-toned fighting skills, Steve is truly a force to be reckoned with.Fighting for Queen and Country is the unputdownable account of his most bloody, violent, heroic moments. 'Through the smoke and fire I could see two bodies inside, one burning and obviously a goner. I shot the other in the guts. The look on his face was total shock as blood spurted up from him and covered my right leg. Then I put two rounds in the other body for good measure.'

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  Make Yourselves Gods - Mormons...

  Peter Coviello

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  From the perspective of Protestant America, nineteenth-century Mormons were the victims of a peculiar zealotry, a population deranged––socially, sexually, even racially––by the extravagances of belief they called “religion.” Make Yourselves Gods offers a counter-history of early Mormon theology and practice, tracking the Saints from their emergence as a dissident sect to their renunciation of polygamy at century’s end. 
    
  Over these turbulent decades, Mormons would appear by turns as heretics, sex-radicals, refugees, anti-imperialists, colonizers, and, eventually, reluctant monogamists and enfranchised citizens. Reading Mormonism through a synthesis of religious history, political theology, native studies, and queer theory, Peter Coviello deftly crafts a new framework for imagining orthodoxy, citizenship, and the fate of the flesh in nineteenth-century America. What emerges is a story about the violence, wild beauty, and extravagant imaginative power of this era of Mormonism—an impassioned book with a keen interest in the racial history of sexuality and the unfinished business of American secularism.

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