Other books that might interest you

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  I'll Be in My Trailer - The...

  John Badham, Craig Modderno

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  What do you do when actors won't do what you tell them to? Remembering his own awkwardness and terror as a beginning director working with actors who always had their own ideas, director John Badham has a bookload of knowledge to pass along in this inspired and insightful must-listen for cinema fans as well as actors and directors at all levels of their craft. You'll learn how to use proven techniques to get actors to give their best performances—including the ten best and ten worst things to say—and what you can do when an actor won't or can't do what the director wants. Also included are no-holds-barred out-of-school tales culled from celebrated top directors and actors, including Sydney Pollack, Michael Mann, John Frankenheimer, Mel Gibson, James Woods, Anne Bancroft, Jenna Elfman, and Roger Corman.

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  Flower (Unabbreviated)

  Ed Atkins

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  'I like eating cold, clammy wraps from big pharmacies that are open late and sell just a few foods like protein bars and powders.' Flower is a book of realistic admissions, likes, dislikes, memories and no-brainer observations, treating personal truth as unavailable - something that must be made up and convincing. Taking cues from confessional literature, his daughter's improvised games, poor internet writing and shitty AI, Ed Atkins, in his first work of non-fiction, equivocates between inanity and divinity, ease and pain, sentimentality and sterility. An anti-memoir, a list, a listless blur - Flower is a highly original, moving and absurd book by one of the most influential artists of his generation, formally inventive and disturbingly of our time.

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  A New Christ

  Wallace Wattles

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  A  new Christ refers to the idea that every individual has the potential to access the same divine power and creative ability as Jesus, allowing them to manifest their desires and achieve greatness in their own lives, essentially becoming a "Christ-like" figure through positive thought and action. "The very best thing you can do for the whole world is to make the most of yourself.". "There is one Mind, and I AM that Mind. That Mind is eternal, and it is Life. I am that Mind, and I am ETERNAL LIFE." "You can never become a great man or woman until you have overcome anxiety, worry, and fear." "The Principle of Power gives us just what we ask of it; if we only undertake little things, it only gives us power for little things; but if we try to do great things in a great way it gives us all the power there is.

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  Teaching and Learning Jazz

  Richie Beirach, Michael Lake

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  Richie and Mike provide direct practical guidance on the skills and knowledge necessary for jazz to be passed on and performed well. The conversational tone of the book makes for entertaining and worthwhile reading. Those who have been teaching jazz for a long time will appreciate Richie's stories and his fearless opinions on jazz including how the teaching and learning of it are evolving (for good and for bad). 
  For readers new to teaching, they will gain a perspective and perhaps some greater insight into jazz education that your students want from you and benefit from. 
  Justin DiCioccio of the Manhattan School of Music called it the best book on jazz education he's ever read. Why?Because of the stories that will capture student's attention on things like the art of jazz time (swing), dynamics, 'wrong' notes, the right amount of notes, and how the masters think about musicA view of what can and cannot be taught in the process of making students better jazz playersHow to be more motivating and effective with studentsA candid and pointed review of the film, Whiplash, and what it teaches us to defend against in our roles as jazz educatorsFly on the wall insight into one of Richie's most inspired trio recordings with George Mraz and Al Foster. 
  Students of jazz will appreciate:How to choose the right school for one's personal needs and ambitionsMany of the skills that musicians need in order to be successful that are not taught in the classroomHow best to use some of the more popular digital tools for learning and practicing jazzRichie's telling of the blow-by-blow experience of group interaction while recording the Tune "Nardis" with George Mraz and Al Foster 
  A chapter is dedicated to a review of the movie Whiplash, a film about a college jazz gig band led by a tyrannical conductor played by J.K. Simmons.

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  Domesticated - Vol 1

  James Domestic

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  In this often witty, sometimes furious, and sometimes downright surreal collection, James Domestic does - as per usual - whatever the hell he likes, with poetry, prose, and lyrics, all thrown into the mix with abandon. Punk, politics, habit, the nature of work, the environment, nostalgia, aging, and some quintessentially British whimsy, all crammed in together like a last minute bag hurriedly packed for tour. Somehow it works. A man in too many bands to count (The Domestics, PI$$ER, Da Groins, Tokyo Lungs... that's not even half of 'em), a solo artist, a vocalist, a songwriter, a DJ, a poet, a painter, someone who failed miserably at school, spent his early post-school life between the chemical factory and the dole, and somehow now has a PhD (yep, it's genuinely Dr Domestic!). A square peg in life's round hole. A face that never really fitted. He couldn't care less. Come along for the ride. Domesticated is an eighty page collection of James Domestics street-poetry and punk-prose.He's always on the road and at the gigs. His poetry has earned him comparisons to John Cooper Clarke, Ivor Cutler, Spike Milligan and Banjamin Zephaniah, amongst others.

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  Duran Duran's Rio

  Annie Zaleski

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  In the '80s, the Birmingham, England, band Duran Duran became closely associated with new wave, an idiosyncratic genre that dominated the decade's music and culture. No album represented this rip-it-up-and-start-again movement better than the act's breakthrough 1982 LP, Rio. A cohesive album with a retro-futuristic sound—influences include danceable disco, tangy funk, swaggering glam, and Roxy Music's art-rock—the full-length sold millions and spawned smashes such as ""Hungry Like the Wolf"" and the title track.However, Rio wasn't a success everywhere at first; in fact, the LP had to be buffed-up with remixes and reissued before it found an audience in America. The album was further buoyed by colorful music videos, which established Duran Duran as leaders of an MTV-driven second British Invasion, and the group's cutting-edge visual aesthetic. Via extensive new interviews with band members and other figures who helped Rio succeed, this book explores how and why Rio became a landmark pop-rock album, and examines how the LP was both a musical inspiration—and a reflection of a musical, cultural, and technology zeitgeist.

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