Outros livros que poderiam interessá-lo

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  Abbott and Costello: Talking...

  John Grant, Bud Abbott

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  Abbott and Costello talk about paying their income tax. Lou tells the story Jack In The Beanstalk and Bud keeps interrupting. Bud takes Lou to a tax accountant. Lou finds he owes no income tax if he makes no money. People keep giving Lou money that they owe him. Lou wins $3000 in a raffle. Lou tries to give the money away but can't...he just gets more.

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  Mondrian

  Jp. A. Calosse

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  Piet Mondrian (1872-1944), who can be assigned to the school of classical modernism, was born in Amersfort, Netherlands. After studying in Amsterdam, he started his artist´s career in the impressionist style as a figure and landscape painter. His works from these years showed the influence of Vincent Van Gogh (1853-1890) and of Fauvism, a French school from the beginning of the 20th century. When he traveled to Paris in 1911, he discovered Pablo Picasso´s works (1881-1973) and, with that, Cubism. He thereafter became a pioneer of abstract painting in the Netherlands. From the 1920s on, his paintings show a vertical and horizontal composition that, combined with the oppositions of blue, yellow, red, and noncolored spaces, turned into his trademark. His art was very appreciated in New York, where he spent his last years. Mondrian was not only a painter but also an art theoretician and cofounder of the art school De Stijl.

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  A History of the Undead -...

  Charlotte Booth

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  A history of Western culture’s fascination with undead creatures in film and television. 
   
  Are you a fan of the undead? Watch lots of mummy, zombie and vampire movies and TV shows? Have you ever wondered if they could be “real?” 
   
  This book, A History of the Undead, unravels the truth behind these popular reanimated corpses. 
   
  Starting with the common representations in Western media through the decades, we go back in time to find the origins of the myths. Using a combination of folklore, religion and archaeological studies we find out the reality behind the walking dead. You may be surprised at what you find . . .

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  Street with No Name - A History...

  Andrew Dickos

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  This history of film noir explores the legacy and aesthetic roots of American filmmakers including Orson Welles, John Huston, Otto Preminger, and others. Flourishing in the United States during the 1940s and 50s, the bleak, violent genre of filmmaking known as film noir reflected the attitudes of writers and auteur directors influenced by the events of the turbulent mid-twentieth century. Films such as Force of Evil, Night and the City, Double Indemnity, Kiss Me Deadly and later on, Chinatown and The Grifters are indelibly American. Yet the sources of this genre were found in Germany and France and imported to Hollywood by emigré filmmakers. Andrew Dickos's Street with No Name traces film noir back to its roots in German Expressionist cinema and the French cinema of the interwar years. Dickos describes the development of film noir in America from 1941 through the 1970s, covering notable directors such as Orson Welles, Fritz Lang, John Huston, Nicholas Ray, Robert Aldrich, Samuel Fuller, Otto Preminger, Robert Siodmak, Abraham Polonsky, Jules Dassin, Anthony Mann and others. Dickos also charts the genre's influence on such celebrated postwar French filmmakers as Jean-Pierre Melville, François Truffaut, and Jean-Luc Godard. Addressing the aesthetic, cultural, political, and social concerns of its creators, Street with No Name demonstrates how film noir generates a highly expressive, raw, and violent mood as it exposes the ambiguities of modern postwar society.A Choice Outstanding Academic Title

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  Ella Fitzgerald

  Wink Martindale

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  Ella Fitzgerald’s career began at various amateur nights around New York City, most famously at the Apollo Theater in 1934. From those early days, Fitzgerald grew to be an iconic jazz singer and the First Lady of Song. In the spring of 1983, Fitzgerald sat down for a conversation with Wink Martindale. She discusses how her career began and some of her first hits including “A-Tistket, A-Tasket.” We also hear about some artists she’s a fan of and hear from musicians who cite her as an influence.

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  Only Wanna Be with You - The...

  Tim Sommer

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  In 1985, Mark Bryan heard Darius Rucker singing in a dorm shower at the University of South Carolina and asked him to form a band. For the next eight years, Hootie & the Blowfish—completed by bassist Dean Felber and drummer Soni Sonefeld—played every frat house, roadhouse, and rock club in the mid-Atlantic and Southeast, becoming one of the biggest independent acts in the region.In Only Wanna Be with You, Tim Sommer, the ultimate insider who signed Hootie to Atlantic Records, pulls back the curtain on a band that defied record-industry odds to break into the mainstream by playing hacky sack music in the age of grunge. He chronicles the band's indie days; the chart-topping success—and near-cancelation—of their major-label debut, cracked rear view; the year of Hootie (1995) when the album reached no. 1, the "Only Wanna Be with You" music video collaboration with ESPN's SportsCenter became a sensation, and the band inspired a plotline on the TV show Friends; the lean years from the late 1990s through the early 2000s; Darius Rucker's history-making rise in country music; and one of the most remarkable comeback stories of the century. Featuring extensive new interviews with the band members, some of their most famous fans, and stories from the recording studio, tour bus, and golf course, this book is a must-listen for Hootie lovers and music buffs.

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