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  A Wicked Woman - From their pens...

  Jack London

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  John Griffith Chaney was born on January 12th, 1876 in San Francisco.   
  His father, William Chaney, was living with Flora Wellman when she became pregnant.  Chaney insisted she have an abortion.  Flora's response was to turn a gun on herself.  Although her wounds were not severe the trauma made her temporarily deranged. 
  In late 1876 his mother married John London and the young child was brought to live with them as they moved around the Bay area, eventually settling in Oakland where now, calling himself Jack, he completed grade school. 
  Jack worked hard at several jobs, sometimes 12-18 hours a day, but his dream was university.  He studied hard and borrowed the money to enrol in the summer of 1896 at the University of California in Berkeley. 
  In 1897, at 21, Jack searched out newspaper accounts of his mother's suicide attempt and for the name of his biological father. He wrote to Chaney, then living in Chicago, who claimed he could not be Jack’s father because he was impotent and casually asserted that London's mother had relations with other men.  Jack, devastated by the response, quit Berkeley and went to the Klondike. Other accounts suggest that his dire finances presented Jack with the excuse he needed to leave. 
  In the Klondike Jack began to gather material for his writing but also accumulated many health problems, including scurvy, which together with hip and leg problems he would carry for the rest of his life. 
  During the late 1890's Jack was regularly publishing short stories and by the turn of the century full blown novels. 
  By 1904 Jack had married, fathered two children and was now in the process of divorcing.  A stint as a reporter on the Russo-Japanese war of 1904 was equal amounts trouble and experience. But that experience was always put to good use in a continuing and remarkable output of work. 
  In 1905 he married Charmian Kittredge who at last was a soul and companion who brought him some semblance of peace despite his advancing alcoholism and his incurable wanderlust. 
  Twelve years later Jack had amassed both wealth and a literary reputation through such classics as ‘The Call of the Wild’, ‘White Fang’ and many others. He had a reputation as a social activist and was a tireless friend of the workers.   
  Jack London died suffering from dysentery, late-stage alcoholism and uremia, aged only 40, on November 22nd 1916 at his property in Glen Elen in California.

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  Northanger Abbey

  Jane Austen

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  "Northanger Abbey" is a satirical novel that tells the story of Catherine Morland, a young, naïve girl who is taken to Bath by family friends for a season of socializing and romance. Catherine is a great reader of gothic novels, which often lead her to imagine plots and intrigues where there are none. At Bath, Catherine meets the charming Henry Tilney and his sister Eleanor, who introduce her to their family estate, Northanger Abbey. Catherine becomes infatuated with Henry and begins to imagine that his family is hiding secrets and mysteries, much like the gothic novels she loves to read. She begins to explore the Abbey with this in mind, but her fantasies soon come crashing down when she discovers that there is no hidden intrigue at Northanger Abbey. Read in English, unabridged.

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  The Yellow Wallpaper

  Charlotte Perkins Gilman

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  Charlotte Perkins Gilman's powerful and unsettling story of a young woman descending into psychosis. Confined to her attic bedroom by her husband to ensure rest and recuperation after having her baby, and with nothing else to occupy her mind, the woman slowly becomes obsessed with the old yellow wallpaper covering the walls until she looses her grip on reality, imagining herself and others imprisoned behind the wallpaper. 
  An Almost Tangible production, read by Rebecca LaChance.

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  Mauki

  Jack London

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  “Mauki” written by Jack London: He weighed one hundred and ten pounds. His hair was kinky and negroid, and he was black. He was peculiarly black. He was neither blue-black nor purple-black, but plum-black. His name was Mauki, and he was the son of a chief. He had three tambos. Tambo is Melanesian for taboo, and is first cousin to that Polynesian word. Mauki’s three tambos were as follows: First, he must never shake hands with a woman, nor have a woman’s hand touch him or any of his personal belongings; secondly, he must never eat clams nor any food from a fire in which clams had been cooked; thirdly, he must never touch a crocodile, nor travel in a canoe that carried any part of a crocodile even if as large as a tooth.

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  The Castle

  Franz Kafka

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  The haunting classic about hope, fear and absurdity - Franz Kafka's The Castle is an expressionistic masterpiece. 
   
  An imposing castle looms over a village and no one seems to be allowed inside...not even K., the Land Surveyor whose livelihood depends on getting inside. Though never completed due to Kafka's untimely death, The Castle paints a striking image of absurdity and the nature of existence itself.

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  The Napoleon of Notting Hill

  G. K. Chesterson

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  When dystopian futures don’t feel so future at all…   Four decades before George Orwell wrote 1984, The Napoleon of Notting Hill defined the dystopian genre. One of the first dystopian comedies, instead of a dark vision of jackboots and surveillance states, G.K. Chesterton explores the question of what a society would look like if no one could take a joke.   In this future England, each new king is decided by lottery. When Auberon Quin, a man who cares only for a good joke, is chosen to be the next king, he resolves to spend his reign teaching his fellow governors how big a joke can really be.   While most district leaders are content to put up with Auberon’s schemes even when he insists upon elaborate costumes and heraldry, one provost takes his games much too seriously. When Adam Wayne, the Provost of Notting Hill, takes a military stand against his fellow leaders and seeks to defend his tiny fiefdom by any means necessary, Auberon’s joke has gone too far.   At a time when the dystopian genre is defined by hopelessness, Chesterton’s dry wit and tongue-in-cheek humor are a welcome respite. Follow Auberon and Wayne as they ponder the meaning of humor and virtue in a world where the swords are all too real and the defense of one’s pride may well result in blood in the streets.   Foreword by Dale Ahlquist, president of the Society of G.K. Chesterton.

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