Other books that might interest you

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  Will I Hate Myself? - A Story...

  Pat Treuer

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  What if chasing your dream didn’t lead to fame or fortune—but to something far more honest? 
  At 36, Pat Treuer had the life people post about: six-figure job, corporate status, an apartment with a skyline view—and a quiet voice in his head screaming, “Is this it?” So he did what any rational person would do: he walked away from it all to tell jokes in bars for drink tickets and half-interested crowds. 
  Then came the pandemic. Pat launched a comedy business that brought in a million dollars—then reinvested every penny into a YouTube series that made exactly zero. Not a typo. Zero. 
  By 42, he found himself not chasing the next punchline, but rebuilding a life from scratch. On purpose, this time. 
  Will I Hate Myself is a hilariously raw, painfully honest memoir about risking everything, failing gloriously, and learning to create a life that actually fits. It’s part comedy crash reel, part spiritual sledgehammer. 
  If you’ve ever wondered whether you waited too long to change your life, felt stuck in a “successful” version of someone else’s dream, or asked yourself, “Is this all there is?”—this book is for you. 
  Through panic attacks, bad gigs, and moments of absurd grace, Pat offers more than laughs—he offers proof that it’s never too late to go off-script and start telling the truth. 
  This isn’t about making it. It’s about making it count.

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  Fonging for the World

  Jefferson Glassie

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  This audiobook Fonging for the World, Full Soundtrack Version, tells the fictional story of several musicians traveling around the globe attempting to bring peace to the world through a crazy musical and spiritual practice called fonging, i.e., by tapping into the healing sounds of the universe through the use of oven racks and other implements. The book explores transcendent topics, such as vibrational healing, synergies, telepathy, and plant medicines, to demonstrate that humans can overcome fear and insecurities to help achieve peace of mind individually as well as peace and harmony for the world. 
  This is a special audiobook, a Full Soundtrack Version! There are eighteen characters plus the narrator, about six songs, and all sorts of wonderful and interesting sounds to enhance the listener's experience!

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  Say Hello to My Little Friend -...

  Nat Segaloff

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  When Brian DePalma's operatically violent and profane Scarface debuted in 1983, the film drew almost as much fire as the relentless gunfire in the film itself. The movie was a remake of 1932's Scarface—revamped for a new era of drugs, sex, and graphic violence. Attacked as both a celebration of cocaine-fueled excess and a condemnation of it, the film's reputation only grew as the years went by. But the real story of its success started nearly a century ago—when Hollywood first fell in love with the American gangster . . . 
   
   
   
  Hollywood's infatuation with money, power, and organized crime has captured the public's imagination and made Scarface one of its most enduring modern myths. From a 1912 gangster film by D. W. Griffith to the 1932 hit Scarface starring Paul Muni, to Brian DePalma's 1983 shocker, the antihero's rise and fall exposes the dark side of the American Dream—whether it's Prohibition Era bootleggers or modern-day drug dealers. When actor Al Pacino got the idea of doing a remake of Scarface after screening the original, a legend was (re)born—and the rest is history. With guns blazing and chainsaws whirring, movie biz writer Nat Segaloff tears into this pop culture phenomenon with fascinating insights, stunning revelations, and a true fan's glee. This is a must-listen book for movie buffs, crime lovers, and culture vultures everywhere.

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  Catch Me If You Can - The...

  Film Trivia Metaverse

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  CATCH ME IF YOU CAN 
  THE ULTIMATE TRIVIA COLLECTION 
    
  FROM THE MOVIE DIRECTED BY STEVEN SPIELBERG 
    
  CREATED BY FILM TRIVIA METAVERSE 
    
  ABOUT THE FILM 
  Catch Me If You Can is a 2002 biographical crime film directed by Steven Spielberg, based on the true story of Frank Abagnale Jr. The movie follows the young con artist, played by Leonardo DiCaprio, as he successfully impersonates various professionals, including a pilot, doctor, and lawyer, all while forging checks worth millions of dollars. Tom Hanks stars as Carl Hanratty, an FBI agent relentlessly pursuing Frank. The film explores themes of deception, identity, and the complexities of trust, blending suspense with moments of humor and emotional depth as the cat-and-mouse chase unfolds. 
    
  TRIVIA SAMPLES: 
    
  “Cameo Appearance: The real-life Frank Abagnale, Jr. plays the French officer who arrests Frank on Christmas Eve, 1969.” 
    
  “The FBI agent that pursued Frank Abagnale, Jr., and inspired the character of Carl Hanratty was Joe Shea. Frank Abagnale used the pseudonym "Sean O'Reilly" in his book because Joe Shea was still working in the FBI at that time.” 
    
  “Contrary to what is shown in the movie, Frank Abagnale never had a personal relationship with any FBI agents, nor did he contact them every Christmas. As he points out, "Why would I do that? I didn’t want them to know where I was." 
    
  “Initially, Frank Abagnale didn’t believe Leonardo DiCaprio was "suave" enough to portray him, until he saw the actor's performance.”

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  Demarco's Edinburgh

  Roddy Martine, Richard Demarco

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  The Edinburgh Festival of those days was a much more accessible village... The ground rules were well enough understood. Everything about it was containable. The Fringe was the seed bed for talent and ran happily in step with its established elders and betters. They both knew their place.
  But then something equally remarkable was about to take place in the New Town of the city I knew and loved...
  The same year, Roddy Martine is born. In 1963 when, at the age of sixteen, he interviewed Sir Yehudi Menuhin and David Frost for an Edinburgh Festival magazine he edited and the following year, met Marlene Dietrich.
  Both Richard and Roddy have unique perspectives on the most remarkable international festival of the arts the world has ever known. They have witnessed its evolution over the years and are passionate believers in the power of creativity within everyone.
  In this fascinating book, Richard – the 2013 UK recipient of the Citizen of Europe medal – explores the original world vision of Sir John Falconer and Rudolph Bing and, with Roddy, recalls the highs and lows of The Edinburgh International Festival, The Fringe, Art, Book, Jazz and Television Festivals, and The Royal Edinburgh Military Tattoo.
  Now in its eighth decade, can the Edinburgh Festival survive? Where do we go from here?

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  How Documentaries Went...

  Nora Stone

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  Since the 1960s, documentary films have moved closer to the mainstream, thanks to the popularity of rockumentaries, association with the independent film movement, support from public and cable television, and the rise of streaming video services. Documentary films have become reliable earners at the US box office and ubiquitous on streaming platforms, while historically they existed on the margins of mainstream media. 
   
   
   
  The growing commercialization of documentary film has not gone unnoticed, but it has not been sufficiently explained. Streaming and the growing interest in reality TV are usually offered as explanations whenever a documentary enters the cultural conversation or breaks a box-office record, but neither of those causes grapple with the overlapping causal mechanisms that commercialized documentary film. How Documentaries Went Mainstream provides a more comprehensive and meaningful periodization of the commercialization of documentary film. Although the commercial ascension of documentary films might seem meteoric, it is the culmination of decades-long efforts that have developed and fortified the audience for documentary features. Author Nora Stone refines rough explanations of these efforts through a robust history of the market for documentary films, using knowledge of film economics and the norms of industry discourse to tell a richer story.

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