Altri libri che potrebbero interessarti

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  Are You Happy? - Stories

  Lori Ostlund

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  "Once I read the first story in Are You Happy?, I put aside everything else to savor the rest. This is a wise collection, capturing its characters swimming upstream to encounter their fates. With vivid and compassionate prose that explores the countless ways we betray and then rediscover ourselves, Lori Ostlund reminds us of the vitality of the genre." 
  —Jai Chakrabarti, author of A Play for the End of the World and A Small Sacrifice for an Enormous Happiness 
   
   
   
  Nine exquisite stories that explore class, desire, identity, and the specter of violence that looms daily over women and the LGBTQ+ community. 
   
   
   
  An aspiring veterinarian survives a plane crash and starts life over in California. A woman mourns the loss of her childhood friend's innocence and rethinks justice. A queer teacher's sense of safety in the classroom is destroyed. With settings ranging from small-town Minnesota to New Mexico, from bars and bedrooms to a furniture store and a community college, Are You Happy? casts a spotlight on people who try—and often fail—to make peace with their pasts while navigating their present relationships and notions of self. In prose that is evocative and restrained, unpredictable and masterful, Lori Ostlund offers a darkly humorous and compassionate examination of America's preoccupation with loneliness, happiness, guns, and violence.

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  Hearts and Bones - Love Songs...

  Niamh Mulvey

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  'Vivid, memorable and beautifully crafted’ - Sarah Moss, author of Summerwater'A brilliant collection, from a remarkable talent' - Joseph O'Connor, author of ShadowplayHearts and Bones is a book about relationships. It explores what love does to us, and how we survive it.A young woman learns to wield her power, leaving casualties in her wake, while a man from a small town finds solace in a strange new hobby. A watchful child feels a breaking point approach as her mother struggles to keep her life on track, and another daughter steps onto a stage while her family in the audience hope that she is strong enough now to take on the world.First-time lovers make mistakes, brothers and sisters try to forgive one another, and parents struggle and fail and struggle again. Teenage souls are swayed by euphoric faith in a higher power and then by devotion to desire, trapped between different notions of what might be true. Quiet revolutions happen in living rooms, on river banks, in packed pubs and empty churches, and years later we wonder why we ever did the things we did.Set between Ireland and London in the first two decades of this millennium, the stories in Hearts and Bones, Niamh Mulvey's debut collection, look at the changes that have torn through these times and ask who we are now that we’ve brought the old gods down. Witty, sharply observed and deeply moving, these ten stories announce an extraordinary new Irish literary talent.'Highly accomplished, inventive . . . what stands out is Mulvey's command of her own originality' - Irish Times'Honest, daringly fresh and stunningly written, these stories cut right to the very essence of what it means to be young’ - Jan Carson, author of The Raptures

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  Memorandum

  Quah Sy Ren, Hee Wai Siam

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  Featuring new translations of previously untranslated Chinese short stories, Memorandum maps out seven decades of Sinophone Singaporean Literature. From bargirls to student activists, from trishaw men to tea merchants, this collection provides a glimpse into a world that has been previously invisible to Anglophone readers. Paired with critical essays, these stories showcase the richness and diversity of Singapore’s Chinese community, but also its inherent interconnectedness with other cultures within Singapore. 
   
  “Memorandum is a pathbreaking anthology that refracts over half a century of Singapore’s history through its lens. The translated stories do much more than simply bridge Sinophone and Anglophone worlds: they actively cross geographical, cultural, linguistic and class boundaries, causing us to think more deeply about the nature of social power, and the transformative interventions literary texts can make.” 
  -Philip Holden, scholar of Singapore &Southeast Asian literatures

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  Demir-Kaya - From their pens to...

  Alexander Kuprin

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  Alexander Kuprin was born in Narovchat, Penza in Russia on 7th September 1870. 
  At 3 his Father died and he and mother moved to Moscow. By 10 he was enrolled at the Second Moscow Military High School and there his interest in literature began. The Alexander Military Academy followed and two years later he was a sub-lieutenant and posted to an Infantry Regiment for a further four years. 
  Despite his duties he was a now a keen writer and published his first short story at this time. His military duties also garnered him experiences for his breakthrough work ‘The Duel’.  Leaving the military he left for Kiev to work for local newspapers.  He continued to publish both stories and novels and by 1901 he was in St Petersburg becoming part of a group that included Chekhov, Ivan Bunin, Maxim Gorky and Leonid Andreyev.  
  In the years that followed further controversial works and acclaim followed.  His comments on the regime meant he was also put under secret police surveillance.   
  As World War I erupted, Kuprin opened a military hospital but was then given command of an infantry company in Finland. He was soon discharged on grounds of ill health.  
  The October Revolution saw him praise Lenin, but he warned that the Bolsheviks threatened Russian culture and might cause further widespread suffering to the peasants.  As Civil War raged he took his family to Helsinki and then on to Paris. 
  Exile saw his talents decline further and his succumbing to alcoholism. He became lonely and withdrawn. The family's poverty increased his malaise.   
  In May 1937, the Kuprin’s returned to Moscow.  He now saw his work published but wrote almost nothing new.  In 1938 his health rapidly deteriorated.  Already suffering from a kidney problems and sclerosis, he had now developed cancer of the oesophagus.  
  Alexander Kuprin died on 25th August 1938.

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  A Diagnosis of Death - From...

  Ambrose Bierce

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  Ambrose Gwinnett Bierce was born on 24th June 1842 at Horse Cave Creek in Meigs County, Ohio. His parents were poor but they introduced him to literature at an early age, instilling in him a deep appreciation of books, the written word and the elegance of language.  
  Growing up in Koscuisko County, Indiana poverty and religion were defining features of his childhood, and he would later describe his parents as “unwashed savages” and fanatically religious, showing him little affection but always quick to punish. He came to resent religion, and his introduction to literature appears to be their only positive effect. 
  At age 15 Bierce left home to become a printer’s devil, mixing ink and fetching type at The Northern Indian, a small Ohio paper. Falsely accused of theft he returned to his farm and spent time sending out work in the hopes of being published. 
  His Uncle Lucius advised he be sent to the Kentucky Military Institute. A year later he was commissioned as an Officer.  As the Civil War started Bierce enlisted in the 9th Indiana Infantry Regiment.  
  In April 1862 Bierce fought at the Battle of Shiloh, an experience which, though terrifying, became the source of several short stories. Two years later he sustained a serious head wound and was off duty for several months. He was discharged in early 1865.  
  A later expedition to inspect military outposts across the Great Plains took him all the way to San Francisco. He remained there to become involved with publishing and editing and to marry, Mary Ellen on Christmas Day 1871.  They had a child, Day, the following year.  
  In 1872 the family moved to England for 3 years where he wrote for Fun magazine. His son, Leigh, was born, and first book, ‘The Fiend’s Delight’, was published.  
  They returned to San Francisco and to work for a number of papers where he gained admiration for his crime reporting. In 1887 he began a column at the William Randolph Hearst’s San Francisco Examiner.  
  Bierce’s marriage fell apart when he discovered compromising letters to his wife from a secret admirer. The following year, 1889 his son Day committed suicide, depressed by romantic rejection. 
  In 1891 Bierce wrote and published the collection of 26 short stories which included ‘An Occurrence at Owl Creek Bridge’.  Success and further works including poetry followed.  
  Bierce with Hearst’s resources helped uncover a financial plot by a railroad to turn 130 million dollars of loans into a handout. Confronted by the railroad and asked to name his price Bierce answered “my price is $130 million dollars. If, when you are ready to pay, I happen to be out of town, you may hand it over to my friend, the Treasurer of the United States”.  
  He now began his first foray as a fabulist, publishing ‘Fantastic Fables’ in 1899.  But tragedy again struck two years later when his second son Leigh died of pneumonia relating to his alcoholism.  
  He continued to write short stories and poetry and also published ‘The Devil’s Dictionary’.  
  At the age of 71, in 1913 Bierce departed from Washington, D.C., for a tour of the battlefields where he had fought during the civil war. At the city of Chihuahua he wrote his last known communication, a letter to a friend. It’s closing words were “as to me, I leave here tomorrow for an unknown destination,” Ambrose Bierce then vanished without trace.

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  The Viewing Party

  Yong Shu Hoong

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  Singapore Literature Prize winner Yong Shu Hoong’s latest book features more than just poetry. There is also a ghostly tale at its core, complete with prose poems and micro fiction of exactly 100 words each, as well as annotated excerpts from an abandoned work. 
   
  In this viewing party, readers are invited to take a peek into the domain of death and cinema. You are part of a mob of dispassionate onlookers. Sometimes, you get to play the voyeuristic judge. 
   
  Winner of the 2014 Singapore Literature Prize for English Poetry 
   
  “There’s a warm easiness to Yong’s voice that’s balanced by a sharpness of insight. He cuts through the layers of familial and social habit to the unseen images and urges that give the mundane the sheen of the numinous. If the book is a viewing party, Yong is a genial and attentive host, inviting us in to absorbing scenes of everyday curiosity and surprise.” 
  -Jen Crawford, Assistant Professor and Coordinator of Creative Writing Programme at Nanyang Technological University, Singapore

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