Join us on a literary world trip!
Add this book to bookshelf
Write a new comment Default profile 50px
Subscribe to read the full book or read the first pages for free!
All characters reduced
The Golden Book of Springfield - cover

The Golden Book of Springfield

Vachel Lindsay

Publisher: Good Press

  • 0
  • 0
  • 0


In 'The Golden Book of Springfield' by Vachel Lindsay, the reader is taken on a poignant journey through the American heartland, where Lindsay's skilled verse brings to life the vibrant characters and landscapes of Springfield. Written in a unique and captivating literary style, this book combines elements of poetry, prose, and folklore to create a rich tapestry of the Midwestern experience, capturing the essence of a bygone era. Lindsay's vivid descriptions and vivid imagery serve to transport the reader to the bustling streets and tranquil fields of Springfield, showcasing the beauty and complexity of small-town life in early 20th-century America. With themes of community, identity, and the passage of time, 'The Golden Book of Springfield' offers a timeless exploration of the human condition and the interconnectedness of society. Vachel Lindsay, a poet and artist known for his commitment to social reform and his advocacy for the arts, drew inspiration from his travels across the country and his deep connection to the Midwest. His passion for capturing the essence of American life shines through in this masterpiece, making it a must-read for anyone interested in literature, American history, or poetry. I highly recommend 'The Golden Book of Springfield' to readers seeking a profound and evocative exploration of the human experience, as Lindsay's work continues to resonate with audiences today.
Available since: 11/26/2019.
Print length: 287 pages.

Other books that might interest you

  • Christmas Carol: A Fairy Tale (NHB Modern Plays) - cover

    Christmas Carol: A Fairy Tale...

    Charles Dickens

    • 0
    • 0
    • 0
    Things are going to be different. Very different...
    1838, London. Jacob Marley is dead. And so is Ebenezer Scrooge…
    In this reinvention of the timeless classic, Ebenezer has died and his sister Fan has inherited his money-lending business. She rapidly becomes notorious as the most monstrous miser ever known, a legendary misanthrope, lonely, and despised by all who cross her path.
    This year, on Christmas Eve, Fan Scrooge will be haunted by three spirits. They want her to change. But will she?
    This stage adaptation of Charles Dickens's Christmas tale is by renowned author Piers Torday. Christmas Carol: A Fairy Tale first came to life in the Dickensian environment of the world's oldest-surviving music hall, Wilton's Music Hall, London, in December 2019.
    It will prove a festive gift for amateur theatre companies seeking an original, female-led version with lashings of goodwill to all men – and women.
    Show book
  • Back Porch Secrets - cover

    Back Porch Secrets

    Tanya Hilson

    • 0
    • 0
    • 0
    After being bounced from foster home to foster home and then into an abusive relationship, can one young lady finally find her voice to be free, or will a tragedy force her other Gemini side to come out? Ruby’s Diner pushes its audience to look at their own perceptions of Sex Trafficking, Homelessness, Substance Abuse, and the things that tie them together, life!
    Show book
  • Beauty of Fear - cover

    Beauty of Fear

    Zen Toronto

    • 0
    • 0
    • 0
    A heartbreaking Biographical story about a lady who spends half of her life struggling incessantly, to find inner strength, to forgive someone who has betrayed her, raped her, and tried to kill her. 
    Through relentless struggles, she finally found the power of forgiveness, not only for self-healing but also for renewing her perspective of life. 
    Please click the "buy" button to find out more 
    *** Note: Let me say thank you, to those of you who bought this book.  
    Through this book, you create a never-ending compassion loop — owing to all the royalties from this book for support Orphanages and Children’s NGOs.
    Show book
  • The Poetry of Elinor Wylie - One of the first American female celebrities Wylie was surrounded by media and controversy her whole life yet managed to write amazing poetry too - cover

    The Poetry of Elinor Wylie - One...

    Elinor Wylie

    • 0
    • 0
    • 0
    Elinor Morton Hoyt was born on 7th September, 1885 in Somerville, New Jersey and from age 12 grew up in Washington D C where her father served as assistant attorney general and later solicitor general.  Her early education together with her renowned beauty suggests she was being trained for life as a debutante but her life quickly found another route as she became absorbed in the world of books. 
    An early marriage following her graduation ended when, after being pursued by Horace Wylie, 17 years her senior and a married Washington lawyer with three children, she eloped to England with him.  His wife would not divorce him and the subsequent scandal was widely publicised further fueled by the suicide in 1912 of her abandoned husband. 
    With Wylie's encouragement she published in 1912, ‘Incidental Number’, assembled from poems of the previous decade. 
    Despite a child from her first marriage Elinor subsequently endured miscarriages, a stillbirth and a premature child who lived for only one week.  When Wylie’s deserted wife agreed to a divorce, the couple returned to the United States and married but they were already drawing apart. 
    In 1921, Elinor’s ‘Nets to Catch the Wind’, was published. It was an immediate success and a prize-winner.  In New York’s literary circles she found her next husband who acted as her agent – the poer William Rose Benét, brother of the famed Stephen. They married in 1923 and that same year ‘Black Armor’, was published. The New York Times said "There is not a misplaced word or cadence in it."  She also published her first of four novels, ‘Jennifer Lom’, to excellent reviews. 
    She worked for a time as the poetry editor of Vanity Fair, an editor of Literary Guild, and a contributing editor of The New Republic.  Her third book of poetry, ‘Trivial Breath’ arrived in 1928 as did the failure of her marriage with Benét.  
    She moved again to England and fell in love with a friend’s husband, to whom she wrote, and later published a series of 19 sonnets; ‘Angels and Earthly Creatures’. 
    Elinor Wylie suffered high blood pressure all her adult life and this eventually led to her death at Benet’s New York apartment on 16th December, 1928 where she suffered a stroke. She was 43. 
    1 - The Poetry of Elinor Wylie - An Introduction 
    2 - Wild Peaches by Elinor Wylie 
    3 - Escape by Elinor Wylie 
    4 - Ophelia by Elinor Wylie 
    5 - The Puritan's Ballad by Elinor Wylie 
    6 - Velvet Shoes by Elinor Wylie 
    7 - Parting Gift by Elinor Wylie 
    8 - Little Elegy by Elinor Wylie 
    9 - Love Song by Elinor Wylie 
    10 - Quarrel by Elinor Wylie 
    11 - Valentine by Elinor Wylie 
    12 - Les Lauriers Sont Coupee by Elinor Wylie 
    13 - Sunset on the Spire by Elinor Wylie 
    14 - Phases of the Moon by Elinor Wylie 
    15 - Full Moon by Elinor Wylie 
    16 - Nadir by Elinor Wylie 
    17 - Address to My Soul by Elinor Wylie 
    18 - The Child on the Curbstone by Elinor Wylie 
    19 - The Eagle and the Mole by Elinor Wylie 
    20 - The Falcon by Elinor Wylie 
    21 - A Proud Lady by Elinor Wylie 
    22 - Preference by Elinor Wylie 
    23 - Nancy by Elinor Wylie 
    24 - The Lion and the Lamb by Elinor Wylie 
    25 - Beauty by Elinor Wylie 
    26 - The Tortoise in Eternity by Elinor Wylie 
    27 - The Fairy Goldsmith by Elinor Wylie 
    28 - Innocent Landscape by Elinor Wylie 
    29 - A Madman's Song by Elinor Wylie 
    30 - Poor Earth by Elinor Wylie 
    31 - The Church Bell by Elinor Wylie 
    32 - Cold Blooded Creatures by Elinor Wylie 
    33 - Let No Charitable Hope by Elinor Wylie 
    34 - Little Joke by  Elinor Wylie 
    35 - Pretty Words by Elinor Wylie 
    36 - Incantation by Elinor Wylie 
    37 - Fire and Sle
    Show book
  • History of Forgetfulness - cover

    History of Forgetfulness

    Shahe Mankerian

    • 0
    • 0
    • 0
    Shahé Mankerian releases his critically-acclaimed debut collection, taking readers back to 1975 Beirut, where an un-civil war is brewing. Mankerian asks, "Who said war didn't love / the children?" setting the tone for a darkly humorous collection in which memories of love, religion and childhood are entangled amongst street snipers and the confusion of misguided bombings.
    "Distinguished California poet Shahé Mankerian reminds us in this powerful debut poetry collection that we forget painful memories deliberatively, yet his gut-punching poems relive for himself as well as for us the horrific shredding of humanity that war, especially civil war, inflicts. A survivor of the Lebanese civil war in the late 20th century, Mankerian unspools in devastating simplicity and directness, in seemingly inconsequential scenes, the horrors and suffering of children, parents, neighbors, schoolmates, friends, lovers navigating daily bombardments, scavenging for food, dodging snipers' bullets, and trying to find a modicum of normalcy among the ruins. Mankerian's clear-eyed, honest poetry paints unforgettable pictures of human beings we relate to, ordinary heroes and victims that uplift us with their resiliency and stoic determination to prevail."
    -Thelma T. Reyna, Poet Laureate Emerita; Author of Dearest Papa: A Memoir in Poems
    "In these accessible and irresistible poems, a character wonders if he should tell his mother the lentil soup needs salt, ponders the laws of war, and prescribes a generic brand Jesus. The great Russian poet Osip Mandelstam wanted poetry to achieve "a heightened perception of what already existed." That is precisely what Mankerian does in this eminently readable and memorable collection. Buy three copies: read one, give one to a friend, keep the third so you'll have it handy when you wear the first one out."
    -Ron Koertge, author of "Negative Space," shortlisted for a 2018 Oscar in Animated Short Films.
     "As we proceed through these sharply etched memories of a childhood in wartime Lebanon, it seems increasing remarkable that the poet emerged alive, and even more remarkable that he was able to convey the violence and mayhem-both in and outside the home-in such spare but vivid, harrowing poems. They are not marred by the dreaded bugaboos, sentimentality, melodrama, or self-pity. Few survivors emerge with the will, wherewithal, talent, and opportunity to tell their stories with such power."
    -Suzanne Lummis, Author of Open 24 Hours - Winner of 2013 Blue Lynx Prize
    Sample poem:
    La Quarantaine
    During the Karantina Massacre, 
    Father wired the stereo directly 
    to the generator in the basement
    so that he could block the bloodshed 
    with the Requiem. From our bedroom 
    window, the rise of the satanic smoke
    swallowed the Palestinian shanty town.
    Amadeus seemed demure next to 
    the screaming children. Father
    pulled the abat-jours and demanded 
    we give Mozart our attention.
    The timpani competed with the rat-
    a-tat-tat of Kalashnikovs.
    I felt lightheaded from the mazout
    fumes of the generator. "Son, listen!"
    Kyrie, eleison. Christe, eleison.
    I preferred the sirens over the harrowing 
    howl of the angels concocted by Wolfgang.
    Show book
  • The Grain Store (NHB Modern Plays) - cover

    The Grain Store (NHB Modern Plays)

    Natal'ya Vorozhbit

    • 0
    • 0
    • 0
    Ukraine 1929. As Stalin launches the first of his Five-Year Plans, a closeknit rural community stands unwittingly in the path of his drive to create a thriving socialist Soviet Union. The outcome is catastrophic.
    What begins for the people of the village as an amusingly alien concept rapidly becomes an unstoppable force for change. Robbed first of their land, then their religion and independence, the whole country soon becomes engulfed by a tragedy that will scar a nation for generations.
    Natal'ia Vorozhbit's play The Grain Store was first staged in this English translation by Nina Raine by the Royal Shakespeare Company at the Courtyard Theatre, Stratford-upon-Avon, in 2009.
    'A grim subject, but this extraordinary play by Natal'ya Vorozhbit tackles it, in Sasha Dugdale's translation, with passion, intelligence and cunning' - Guardian
    'A disturbing vision of socialist dogma degenerating into corrosive megalomania' - Evening Standard
    Show book