Other books that might interest you

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  The Wrecking Crew - The Inside...

  Kent Hartman

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  If you were a fan of popular music in the 1960s and early '70s, you were a fan of the Wrecking Crew—whether you knew it or not. 
  On hit record after hit record by everyone from the Byrds, the Beach Boys, and the Monkees to the Grass Roots, the 5th Dimension, Sonny &  Cher, and Simon & Garfunkel, this collection of West Coast studio musicians from diverse backgrounds established themselves as the driving sound of pop music—sometimes over the objection of actual band members forced to make way for Wrecking Crew members. Industry insider Kent Hartman tells the dramatic, definitive story of the musicians who forged a reputation throughout the business as the secret weapons behind the top recording stars. 
  Mining invaluable interviews, the author follows the careers of such session masters as drummer Hal Blaine and keyboardist Larry Knechtel, as well as trailblazing bassist Carol Kaye, who went on to play in thousands of recording sessions. Listeners will discover the Wrecking Crew members who would forge careers in their own right, including Glen Campbell and Leon Russell, and learn of the relationship between the Crew and such legends as Phil Spector and Jimmy Webb. Hartman also takes us inside the studio for the legendary sessions that gave us Pet Sounds, Bridge Over Troubled Water, and the rock classic "Layla," which Wrecking Crew drummer Jim Gordon cowrote with Eric Clapton for Derek and the Dominos. And the author recounts priceless scenes such as Mike Nesmith of the Monkees facing off with studio head Don Kirshner, Grass Roots lead guitarist (and future star of The Office) Creed Bratton getting fired from the group, and Michel Rubini unseating Frank Sinatra's pianist for the session in which the iconic singer improvised the hit-making ending to "Strangers in the Night." 
  The Wrecking Crew tells the collective, behind-the-scenes stories of the artists who dominated Top 40 radio during the most exciting time in American popular culture.

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  Cathedrals – In a Nutshell

  Jonathan Gregson

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  For almost two millennia, cathedrals have been among the most imposing, astonishing and inspiring buildings in Europe. Regardless of faith, their scale and architectural daring has never ceased to spark wonder. This guide traces the development of the cathedral from its earliest beginnings as a Bishop’s house, through the Romanesque and Gothic periods and up to the most extravagant contemporary designs around the world. In doing so, it sheds light on social, religious and architectural history, as well as bringing the story of these extraordinary buildings to life.

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  Salvador Dalí

  Victoria Charles

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  As a one of the foremost painters of the 20th century, Dalí, like Picasso and Warhol, can boast of having overturned the art of the previous century and directed contemporary art toward its present incarnation. As irrational as he was surrealist, this genius diverted objects from their original meanings, plunging them into the acid of his constantly churning imagination. A megalomaniac and an artist who understood above all the force of marketing and publicity, Dalí disorientates the viewer in order to draw him into the artist’s world. On his canvases, images and colours crash together to express and mock certain ideas, creating a subversive eroticism that taps into the subconscious of the avid voyeurs that we are.
  The author, Eric Shanes, explores the twists and turns of Dalí’s mad genius, commenting on the masterpieces of the painter so as to show the diversity and scope of his talent, leaving the reader blown away and bewitched by this Prince of Metamorphosis. This work opens up the sweet, mad universe of this megalomaniac genius and invites us to let ourselves be overcome … Dalí is, first and foremost, an absolute.

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  Lapd '53

  James Ellroy, Glynn Martin

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  A remarkable portrait of “true L.A. noir” with archival photos from the Los Angeles Police Museum and text by legendary crime writer James Ellroy (Los Angeles Times).   James Ellroy, the undisputed master of crime writing, has teamed up with the Los Angeles Police Museum to present a stunning text on 1953 L.A. While combing the museum’s photo archives, Ellroy discovered that the year featured a wide array of stark and unusual imagery—and to accompany the pictures, he has written text to illuminate the crimes and law enforcement of the era.   Ellroy offers context along with wild detail and rich atmosphere—this is the cauldron that was police work in the city of the tarnished angels seven decades ago, revealed in more than 80 duotone photos throughout the book.   “These crime images resemble the work of photographer Weegee, but, Ellroy argues, they’re superior because they resist artistry; they were taken by police officers doing their jobs.” —Chicago Tribune

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  The Horror of It All - One...

  Adam Rockoff

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  Horror films have simultaneously captivated and terrified audiences for generations, racking up billions of dollars at the box office and infusing our nightmares with unrelenting zombies, chain saw-wielding madmen, and myriad incarnations of ghosts, ghouls, and the devil himself. Despite evolving modes of storytelling and the fluctuating popularity of other genres, horror endures. The Horror of It All is a memoir from the front lines of the industry that dissects (and occasionally defends) the hugely popular phenomenon of scary movies.Author Adam Rockoff traces the highs and lows of the horror genre through the lens of his own obsessive fandom, born in the aisles of his local video store and nurtured with a steady diet of cable trash. From Siskel and Ebert's crusade against slasher films to horror's renaissance in the wake of Scream, Rockoff mines the rich history of the genre, braiding critical analysis with his own firsthand experiences. Be afraid. Be very afraid.

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  Mozart No 40 and Thunderstorms

  Wolfgang Amadeus Mozart

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  Relax with Symphony No. 40 in G minor with Thunderstorms in the background. 
  One track - Molto allegro, Andante, Menuetto. Allegretto – Trio, Finale. Allegro assai

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