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  On Gaslighting

  Kate Abramson

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  "Gaslighting" is suddenly in everyone's vocabulary. It's written about, talked about, tweeted about, even sung about. It's become shorthand for being manipulated by someone who insists that up is down, hot is cold, dark is light—someone who isn't just lying about such things, but trying to drive you crazy. The term has its origins in a 1944 film in which a husband does exactly that to his wife, his crazy-making efforts symbolized by the rise and fall of the gaslights in their home. In this timely and provocative book, Kate Abramson examines gaslighting from a philosophical perspective, investigating it as a distinctive moral phenomenon. 
   
   
   
  Gaslighting, Abramson writes, is best understood as a form of interpersonal interaction, a particular way of fundamentally undermining someone. The gaslighter, Abramson argues, aims to make his target experience herself as incapable of reasoning, perceiving, or reacting in ways that would allow her to form appropriate beliefs, perceptions, or emotions in the first place. He seeks not only to induce in her this unmoored sense of herself but also to make it a reality. Using examples and analysis, Abramson gives an account of gaslighting and its immorality, and argues that such a discussion can help us understand other aspects of social life—from racism and sexism to the structure of interpersonal trust.

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  A Love Letter to Suburbia - How...

  Diane Alisa

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  What happened to the American Dream? In A Love Letter to Suburbia, Diane Alisa takes readers on a compelling journey through the rise of suburbia and its consequences on American life. With heartfelt reflections and practical insights, Diane confronts the disillusionment many feel living in suburban sprawl. She explores how car dependency, corporate control, and disintegrating community values have eroded the sense of connection and purpose that once defined American neighborhoods. 
  But this is not a story of defeat. Diane offers a bold vision for restoring the “American Village”—a revitalized, walkable, community-focused way of living. Drawing on historical examples and modern urbanism, she presents actionable steps for turning car-centric infrastructure into vibrant, self-sustaining communities where families can thrive. A Love Letter to Suburbia is more than a critique; it is a hopeful roadmap for reclaiming the essence of the American Dream. 
  Will America restore its villages and rekindle a shared cultural identity—or will the suburbs continue to spread isolation?

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  Egyptian Legends and Folktales -...

  Omar Khalil

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  In ancient Egyptian mythology, the creation of the world was a profound and mystical event, explained through various narratives rooted in different regions. These myths aimed to answer fundamental questions about existence, the origins of the gods, and humanity's place within the universe. Among the most significant are the myths from Heliopolis, Hermopolis, and Memphis, each offering a unique perspective on creation. 
  The Ennead of Heliopolis tells the story of creation centered around Atum, the first god, who emerged from the chaotic waters of Nun. Atum, often depicted as a self-created deity, brought forth the twin deities Shu, god of air, and Tefnut, goddess of moisture, by spitting or coughing them out. These two then gave birth to Geb, the earth god, and Nut, the sky goddess. From their union came Osiris, Isis, Set, and Nephthys, forming the Ennead, a group of nine deities. This myth emphasizes the power of creation through divine will and the subsequent emergence of order from chaos. 
  In Hermopolis, the Ogdoad myth presents a different version of creation. Here, eight primordial deities existed in male and female pairs, representing elements like darkness, water, and chaos. These pairs were Amun and Amaunet, Heh and Hauhet, Kek and Kauket, and Nun and Naunet. They resided in the watery abyss before merging their powers to create a primordial mound, from which the sun god Ra emerged, illuminating the world. This story highlights the collaboration of fundamental forces to bring forth light and life.

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  The Tarot Architect - How to...

  Lon Milo DuQuette

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  “You do not learn tarot. Tarot teaches you.”—Rabbi Lamed Ben Clifford   For many, the tarot serves as a compass, illuminating the path to their “true will” and guiding them toward their destiny. If you’ve ever felt stuck or unsure of which way to turn, the tarot offers a beacon, revealing unseen options and providing clarity on difficult decisions. Now, you have a unique opportunity to master the art of tarot under Lon Milo DuQuette, an internationally recognized authority on tarot and esoteric principles.   You will discover how to interact with the cards, whether new to the tarot or an experienced reader, along with learning the unique colors, correspondences, the basic symbolism of each of the seventy-eight tarot cards, their history, and simple ritual exercises designed to activate and integrate the spiritual forces resident in each individual card. By the end of the book, you’ll bring together all the knowledge you’ve learned to create your own tarot deck—a tangible reflection of your journey and a tool for continued spiritual growth and divinatory practice.   “This is an indispensable tarot grimoire that is both accessible and profound. The serious student of Western Mystery Traditions is going to cherish this text.”—Benebell Wen, author of I Ching, the Oracle and Holistic Tarot   “Few people have explored the underlying dynamics among the qabalistic and tarot correspondences to the extent that Lon DuQuette has.”—Mary Greer, author of Tarot for Your Self

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  Beauty and Imitation - A...

  Daniel McInerny

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  The human person is a truth seeker, and one of the most compelling ways human beings pursue truth is through the arts. In Beauty and Imitation: A Philosophical Reflection on the Arts, Daniel McInerny argues for an understanding of art as a form of inquiry into truth that proceeds by way of sensible beauty.  Drawing upon the thought of Aristotle and St. Thomas Aquinas, McInerny argues for the unfashionable yet philosophically compelling view that art is essentially “mimetic,” imitative of human action. But what does it mean for art to imitate human action? It means that art imitates the way human beings by nature quest for fulfillment, or happiness. In questing for fulfillment, human life takes the form of a story, and so the arts—all the arts, from painting to music, from fiction to film—are storytelling arts whose beauty reveals the truth about human happiness.  The first part of the book features a renewed defense of the ancient Aristotelian claim that art is mimetic and that its imitation of the human story takes the form of a moral argument. The second part shows how audiences are transformed by the moral arguments the mimetic arts make, and the third concludes with a guided tour of the mimetic arts, where specific arts are considered in light of the Aristotelian and Thomistic principles advanced earlier.

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  Being Present - Commanding...

  Jeanine W. Turner

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  Survival strategies for communicating in a notification-saturated world 
   
   
   
  As our ability to pay attention in a world of distractions vanishes, it's no wonder that our ability to be heard and understood—to convey our messages—is also threatened. Whether working with our teams and customers or communicating with our families and friends, it is increasingly difficult to break through the digital devices that get in the way of communication. And the ubiquity of digital devices means that we are often "multicommunicating," participating in multiple conversations at once. As a result, our ability to be socially present with an audience requires an intentional approach. 
   
   
   
  This increased strain on attention has never been more clear than during the global pandemic, when our homes suddenly accommodated both work and family life. What are our options when facing professional communications at all hours? Do we ask for the technology to be put away at the dinner table? Establish other ground rules? What about using digital communications to our advantage—how can we facilitate information-sharing in the midst of a world where we are overwhelmed with content?

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