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  About Man and God and Law - The...

  Stephen Daniel Arnoff

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  About Man and God and Law is the story of how Bob Dylan sparked a revolution of the spirit and why it matters today.Many of our assumptions about empathy, sensual pleasure, and the essence of work, community, country, race, and the divine have germinated in Bob Dylan’s need to know what’s blowing in the wind and how it feels. Tracing his work and vision through themes that have shaped religious and cultural history for millennia, Stephen Daniel Arnoff uncovers how Bob Dylan has re-enchanted ancient questions of meaning and purpose throughout popular culture, inspiring a pantheon of prophetic musicians along the way. This field guide to Dylan's spiritual wisdom aims to make good on the promise that if we look closely enough at his body of work—precisely at a moment when the world we thought we knew seems like uncharted territory—we can open up our eyes to see not only where we really are, but where we need to go.

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  Hitchcock and Herrmann - The...

  Steven C. Smith

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  The eleven-year collaboration between Alfred Hitchcock and Bernard Herrmann is often called the greatest director-composer partnership in cinema history. Their eight films together include such classic thrillers as Vertigo, The Man Who Knew Too Much, North by Northwest, Psycho, and The Birds. In Hitchcock and Herrmann, Steven C. Smith delivers an intimate account of how the reserved, but deeply anxious, Hitchcock found his ideal creative partner in the cantankerous, but deeply romantic, Herrmann. Smith draws on four decades of research, including previously unpublished documents and new interviews, to deliver a riveting account of what made the teaming of "Benny and Hitch" so memorable and influential—and why it came to a bitter end.Their story involves the tumultuous changes in Hollywood from the mid-1950s to mid-1960s, as the collapsing studio system gave way to independent, counterculture filmmaking. It also involves the key figures in Hitchcock and Herrmann's inner circle including the director's gifted wife and most valued critic, Alma Reville; Herrmann's beautiful, put-upon spouse, Lucy Anderson; and talent agent-turned-studio mogul Lew Wasserman. Wasserman's negotiations made Hitchcock's greatest filmmaking period possible, but over time Lew's commercial instincts as head of Universal Studios clashed with Herrmann's pure artistic vision.

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  Chopin in Words and Music

  Davinia Caddy

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  Polish by birth, Fryderyk Chopin made hisname in post-Revolutionary Paris and isoften depicted as the archetypal Romanticartist – blessed with extraordinary talentbut consumed by the flame of genius,tormented by intense and tempestuousrelationships and doomed to an early death.But how much of this story is based on fact?This account of Chopin’s life and timesseparates myth and reality and, illustratedwith numerous musical examples, takes usfrom his youthful beginnings as ‘a secondMozart’ to the darkness and light of his lifeand the brilliance of his work.

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  A Charming Fellow

  Eleanor Trollope

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  "A Charming Fellow, a novel by Frances Eleanor Trollope, was published in 1876. This intriguing work explores the complexities of human relationships, social climbing, and the consequences of choices.    Here are some key details about the novel:    Setting: The story unfolds in London during the late 19th century.  Plot Summary: The novel delves into the lives of diverse characters, each grappling with their own desires, ambitions, and secrets. At its core, it is a serious exploration of a bitterly unhappy marriage and its impact on those involved .  Themes: Social climbing, character development, and the clash between personal aspirations and societal expectations are central themes.  Characterization: The characters are well-drawn, and their interactions reveal hidden depths and motivations.  If you're drawn to stories that dissect human nature and societal norms, A Charming Fellow offers a thought-provoking journey through the intricacies of life and love. Whether you choose to read the original text or explore the audiobook versions, you'll find a scathing critique wrapped in eloquent prose."  Support us at https://manifoldmedia.net/donate

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  Songwriter Interviews: '90s...

  Carl Wiser

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  Ever wonder what that '90s song "Peaches" is really about? How about that other hit from Presidents of the United States of America, "Lump"? We've got the answers, along with the stories behind "Mr. Jones," "Wicked Game," "Little Miss Can't Be Wrong" (evil stepmother alert!) and other memorable songs from the decade directly from the singer-songwriters who made them.

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  Our Vampires Ourselves

  Nina Auerbach

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  Nina Auerbach shows how every age embraces the vampire it needs, and gets the vampire it deserves. Working with a wide range of texts, as well as movies and television, Auerbach locates vampires at the heart of our national experience and uses them as a lens for viewing the last two hundred years of Anglo-American cultural history.“[Auerbach] has seen more Hammer movies than I (or the monsters) have had steaming hot diners, encountered more bloodsuckers than you could shake a stick at, even a pair of crossed sticks, such as might deter a very sophisticated ogre, a hick from the Moldavian boonies....Auerbach has dissected and deconstructed them with the tender ruthlessness of a hungry chef, with cogency and wit.”—Eric Korn, Times Literary Supplement”This seductive work offers profound insights into many of the urgent concerns of our time and forces us to confront the serious meanings that we invest, and seek, in even the shadiest manifestations of the eroticism of death.”—Wendy Doniger, The Nation”A vigorous, witty look at the undead as cultural icons.”—Kirkus Review”In case anyone should think this book is merely a boring lit-crit exposition...Auerbach sets matters straight in her very first paragraph. ’What vampires are in any given generation,’ she writes, ’is a part of what I am and what my times have become. This book is a history of Anglo-American culture through its mutating vampires.’...Her book really takes off.”—Maureen Duffy, New York Times Book Review

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