Outros livros que poderiam interessá-lo

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  Born in England – Exploring...

  William Wordsworth, Lewis...

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  Poetry. A form of words that seems so elegantly simple in one verse and so cleverly complex in another.  Each poet has a particular style, an individual and unique way with words and yet each of us seems to recognise the path and destination of where the verses lead, even if sometimes the full comprehension may be a little beyond us. 
   
  Through the centuries every culture has produced verse to symbolize and to describe everything from everyday life, natural wonders, the human condition and even in its more hubristic moments, the crushing triumph of an enemy. 
   
  In the volumes of this series, we take a look at poetry through the prism of individual regions of England, or sometimes more quaintly known as ‘Albion’, or ‘Blighty’, through the centuries of its gloried history. 
   
  England, despite its perception of reserve and under-statement has, in reality, strode the global stage at various time in many things, both good and bad, from Empire to long distance running. Here our focus in on its literature.  Famed for its fiction and dramas, it is equally admired for its plethora of gifted poets and the dazzling verse which has added so much to its artistic legacy.  These classic poets are wonders of their age and of their art.  Genius is written in their names. 
   
  In this volume we explore a part of the country that seems to be tucked away yet brims with talent.  It’s cities such as Manchester and Liverpool are world-famous for their being industrial powerhouses and creative hot-spots.

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  The Poetry of Anne Bradstreet -...

  Anne Bradstreet

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  This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  The Crown Jewels (NHB Modern Plays)

  Simon Nye

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  It's 1671, and the charismatic and unpredictable Colonel Blood is planning the greatest heist of all time: stealing – in plain sight – the Crown Jewels from the Tower of London.
  With an audacious plan and a gang of misfits by his side, can he possibly pull it off? And is King Charles II in any mood to have his crown jewels handled?
  Based on the scarcely believable true story, Simon Nye's play The Crown Jewels is a riotous and uproarious royal affair. It opened at the Garrick Theatre in London's West End in 2023 before touring, and was directed by Sean Foley with a star-studded cast including Al Murray, Mel Giedroyc, Carrie Hope Fletcher, Aidan McArdle, Neil Morrissey, Joe Thomas and Tanvi Virmani.
  It will appeal to any amateur theatre company – monarchists and republicans alike – who want to get their hands on a royally funny caper to perform.

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  Inter Alia

  Suzie Miller

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  'We're all failing a generation of boys, and therefore we're failing a whole generation of girls.'
  Jessica Parks is smart, compassionate, and a true maverick at the peak of her career as a London Crown Court Judge. The system needs to change, and she's challenging it one case at a time.
  Behind the robe, Jessica is a loving wife, a supportive parent and a karaoke fiend. But when an incident involving her son threatens to blow the family apart, she finds herself having to fight for everything she holds dear.
  A scalding examination of modern masculinity and motherhood, Inter Alia premiered at the National Theatre, London, in 2025, with Rosamund Pike as Jessica. Written by Suzie Miller and directed by Justin Martin, the production reunited the team behind the global phenomenon Prima Facie, which won Best New Play at the 2023 Olivier and WhatsOnStage Awards.

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  The Tenderness of Silent Minds -...

  Martha C. Nussbaum

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  The human body is the primary instrument of war, yet those waging war often confront soldiers' bodies in a detached or merely intellectual way. In The Tenderness of Silent Minds, Martha C. Nussbaum, a leading thinker on emotion, morality, and justice, conducts a pioneering study of Benjamin Britten's musical representations of the tender male body amidst the brutality of war, and their ability to transform consciousness by evoking potent, non-personal emotions. 
   
   
   
  Offering a reading of Britten's views about the value and beauty of the body that situates these in the context of his thirty-nine year partnership with his lover, the singer Peter Pears, and also surveying pacifist themes in works written both before and after War Requiem, Nussbaum presents a compelling framework for critically assessing Britten's oeuvre. Nussbaum engages with a remarkably wide range of Britten's works, examining his treatment of aggression and its roots in his collaborations with the poet W. H. Auden, offering readings of the value placed on the body in early partnerships with Britten's beloved and singer Peter Pears, and surveying pacifist themes in Britten's earlier works. The analysis throughout is enriched with perspectives from Britten's personal letters and thoughtful study of the social and political backdrop of fear and homophobic disgust in mid-twentieth century Britain.

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  The Tenderness of Silent Minds -...

  Martha C. Nussbaum

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  The human body is the primary instrument of war, yet those waging war often confront soldiers' bodies in a detached or merely intellectual way. In The Tenderness of Silent Minds, Martha C. Nussbaum, a leading thinker on emotion, morality, and justice, conducts a pioneering study of Benjamin Britten's musical representations of the tender male body amidst the brutality of war, and their ability to transform consciousness by evoking potent, non-personal emotions. 
   
   
   
  Offering a reading of Britten's views about the value and beauty of the body that situates these in the context of his thirty-nine year partnership with his lover, the singer Peter Pears, and also surveying pacifist themes in works written both before and after War Requiem, Nussbaum presents a compelling framework for critically assessing Britten's oeuvre. Nussbaum engages with a remarkably wide range of Britten's works, examining his treatment of aggression and its roots in his collaborations with the poet W. H. Auden, offering readings of the value placed on the body in early partnerships with Britten's beloved and singer Peter Pears, and surveying pacifist themes in Britten's earlier works. The analysis throughout is enriched with perspectives from Britten's personal letters and thoughtful study of the social and political backdrop of fear and homophobic disgust in mid-twentieth century Britain.

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