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  Expressway

  Sina Queyras

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  Shortlisted for the Governor General's Award for Poetry
     
  This poem resembles urban sprawl. This poem resembles the freedom to charge a fee. The fee occurs in the gaps. It is an event. It is not without precedent. It is a moment in which you pay money. It is a tribute to freedom of choice.
     
  Reality is a parking lot in Qatar. Reality is an airstrip in Malawi.
     
  Meanwhile the expressway encloses, the expressway round and around the perimeters like wagon trains circling the bonfire, all of them, guns pointed, Busby Berkeley in the night sky.
     
  Echoing the pastoral and elegiac modes of the Romantic poets, whose reverence for nature never prevented them from addressing it with all the ideas and sensibilities their times allowed, Sina Queyras's stunning collection explores the infrastructures and means of modern mobility. Addressing the human project not so much as something imposed on nature but as an increasingly disturbing activity within it, Expressway exposes the paradox of modern mobility: the more roads and connections we build, the more separate we feel. 'Cleanse the doors of perception,' Blake urged, and with that in mind, Queyras has written a bravely lyrical critique of our ethical and ecological imprint, a legacy easily blamed on corporations and commerce, but one we've allowed, through our tacit acquiescence, to overwhelm us. Every brush stroke, every bolt and nut, every form and curve in our networks of oil and rubber, every thought and its material outcome – each decision can make or unmake us.
     
  'The works in Expressway are all so tightly wound, hyper-distilled and stressed ... This is poetry for the apocalypse.'
     
  —Broken Pencil
     
  'As a poet, Queyras is secretly romantic, writing with lyricism and a voice that's unafraid of sentiment or emotion ... Queyras' words spark like pickaxes on old asphalt.'
     
  — Eye Weekly
     
  'Queyras show[s] what poetry can do when it simultaneously maps roadways of transportation and lines of human thought.'
     
  —Spacing
     
  'Eclectic engagements characterize Queyras’s work, but any suggestion of characterization of her work immediately brings a morphing to something new, intelligent, and provocative ... Sina Queyras is a poet to read and reckon with.'
     
  —Lambda Literary Review

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  Scandaltown (NHB Modern Plays)

  Mike Bartlett

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  When noble heroine Miss Phoebe Virtue receives worrisome news on Instagram that her twin brother Jack may be endangering his reputation in London Town, she decides she must visit herself, and investigate...
  Set in contemporary, post-pandemic London, full of illicit sex, political hypocrisy and the machinations of a fame-hungry elite, Scandaltown is a comedy for the new Restoration of the theatres.
  Mike Bartlett's play was first produced by the Lyric Hammersmith Theatre, in association with Fictional Company, at the Lyric in April 2022, directed by Artistic Director Rachel O'Riordan.
  '[Mike Bartlett] is one of the prime movers in a new golden generation of British playwrights' Independent
  'A rambunctious, modern-day Restoration comedy... a springtime pantomime with knowing humour, smut, silliness and arch references to the hypocrisies of the state... joyfully silly stuff' - Guardian
  'Laugh-out-loud funny... the mashup of Restoration cadences and modern argot is spot on' - Evening Standard
  'Extremely funny... Bartlett's writing is always clever and lively, and he hits his targets' - WhatsOnStage

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  There is (still) love here

  Dean Atta

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  There is (still) love here, the compelling new collection of poetry by Dean Atta, is a personal and powerful exploration of relationships, love and loss, encompassing LGBTQ+ and Black history, Greek Cypriot heritage, pride and identity, dislocation and belonging.
  Atta's tender, precisely-crafted and generous poems seek consolation and affirmation. These are poems as an antidote for challenging times, whether facing prejudice or the challenges of the pandemic, experiencing grief or recovering from heartbreak. Here, we encounter blue feelings and homesickness, things lost in translation and the pressures of the many roles we play in life. We also find the recipes of home, gifts and giving, the togetherness of community and connection to help us to heal. There is still love here - and journeys towards forgiveness, acceptance, queer joy and the power to unapologetically be yourself and fully embrace who you are.

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  Raging: Three Plays Seven Years...

  Deirdre Kinahan

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  A trilogy of landmark plays commemorating seven years of warfare in Ireland, from the 1916 Easter Rising to the Civil War which began in 1922.
  Wild Sky is a story of interlocking lives: of the politicised Josie Dunne, and of Tom Farrell, who is driven only by his love for her. As the Rising plays out, there are unforeseen consequences for everyone involved...
  Embargo focuses on a pivotal moment during the Irish War of Independence in 1920, when dockers and railmen refused to transport armed troops or handle any weapons arriving from Britain.
  Outrage follows two sisters, Alice and Nell, who play key roles in organising civic resistance and the propaganda war. Like everyone else in Ireland, they become deeply conflicted as the country spins toward a devastating Civil War.
  Each of the three plays was first performed a century after the event which it depicts, and they were commissioned and performed by companies including Fishamble: The New Play Company, Meath County Council Arts Office, Dublin Port Company and Iarnród Éireann.
  Together, they challenge the historical narrative, mixing true-life testimonies with powerful drama to create a theatrical hurricane of empathy, action and truth.

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  Backstroke

  Anna Mackmin

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  'Just let go. Let your body float. You'll still be here but it'll feel like flying in a dream.'
  Bo is busy – balancing the pressures of work and the needs of her struggling daughter. When her mother, the irrepressible force-of-nature Beth, is admitted to hospital following a stroke, the practical realities of the present collide with the complexities of their past.
  Backstroke is a kaleidoscopic and compassionate play, first performed at the Donmar Warehouse, London, in 2025. It was written and directed by Anna Mackmin, with Celia Imrie and Tamsin Greig playing mother and daughter.

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  The Telling

  Julia Webb

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  The Telling by Julia Webb is a distinctive and acutely-observed collection of poems that unravel the intricacies at the heart of human relationships – an insistent, quietly fierce tour de force from this Forward Prize commended poet. Moving and dark, we uncover the things that go unspoken between people despite their closeness.
  In turning her forensic focus on what makes us human, and in particular what it is that glues us together or causes us to come apart, Julia Webb's poetry examines the wreckage of complex lives to understand where the fault lines and fractures lie. What are the stories that construct our families and relationships, and who gets to tell them? Can we trust the stories we inherit, and what happens when we recover the right to tell things for ourselves? These compelling, taut poems crackle with the electricity of the untold – of flawed humans and hurt, of daring and being, of reclaiming and persisting.

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