Outros livros que poderiam interessá-lo

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  Artaban and the Quest for the...

  Jason Markiewitz, Henry Van Dyke

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  Upon his return home from the battlefields of Europe in 1918, Col Blackwood, a UK Army infantry officer, is reunited with his family on Christmas Eve after nearly four years away. In the midst of telling his children a bedtime story, we learn of Artaban, a Magi priest, and the fourth wise man to present gifts to the newborn King. As a result of dissension among his fellow Magians, Artaban has no other choice but to embark on this journey alone. Though his quest is fraught with challenges along the way that test his courage and stir his compassion, his faith never wavers.Artaban and the Quest for the King is based upon the 1895 novella "The Story of the Other Wise Man" by Henry Van Dyke.  Jason Markiewitz adapted the story and developed the script used in this production.  This dramatization is performed by a full cast of international, award-winning voice actors and is surrounded by majestic sounds and cinematic music.  More importantly, this story is suitable for all ages and is a heartwarming story of family, hope, perseverance, faith, and love. Artaban and the Quest for the King is a Markiewitz Audioworks Production.

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  The Irish Detective

  Thomas Kennedy

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  You are in the capital city of Ireland. Like any city there are problems. Your job is to find Irish solutions to Irish problems.Your team includes your beautiful Russian assistant Alice and the dangerous ex-army ranger, called the PMC, who has a slightly scrambled brain. Your customers include gangsters, police, business men, politicians and tailors each with a unique problem.Each chapter is a short story but characters remain and develop as the book progresses.

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  Domesticated Volume Two

  James Domestic

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  In the second Domesticated instalment, East Anglian punk poet, James Domestic, is once again taking potshots at work, so-called-punk-rock, outdoor and indoor pursuits, aging, right wing lunatics, politics, feet, and himself. As if that wasn’t enough, you’ll also find his trademark surrealism, sarcasm, and quintessentially British whimsy applied to animals, emails, food, and the power of music, alongside his idiosyncratic illustrations, and photographs from his murky past. 
    
  A man in too many bands to count, a solo artist, a vocalist, a songwriter, a DJ, a poet, a painter, and a punk. James Domestic failed miserably at school through the distractions of music, alcohol, and girls, spent his early post-school life between the chemical factory and the dole, and somehow now has a PhD. A square peg in life’s round hole. A face that never fitted. He couldn’t care less. Come along for the ride. 
    
  “A sardonic, sarcastic wit, a penchant for the surreal, and a dynamic pace” (Nathan Brown, Louder Than War) 
    
  “Words that bite, belch, and bleed in their brilliance” (Mark Grist, multi-award-winning poet and battle rapper) 
    
  “A unique collection of poetic ventures into the human condition, with humour, anger, and a canny use of language: inspired and inspiring!” (Dick Lucas, Subhumans, Culture Shock etc.) 
    
  “Relentless” (Attila the Stockbroker, social surrealist poet and songwriter).

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  After the Fall: Dirges Among Ruins

  Eric Tinsay Valles

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  This collection explores the creative space of poetry as a means to unravel feelings evoked by the violence of war or by everyday traumatic events. One may come to terms with uncomfortable, including unspeakable, feelings by describing them with imagery from nature and one’s immediate environment. By participating in grieving, the self can better face any lingering effects of trauma. In this creative space, dramatic speakers retell stories and give vent to contradictory feelings through silences and free play. Their accounts attest to the dappled beauty of the human condition even if the full nature, scope and effects of traumatic memories are always beyond their grasp.

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  The Complete Poetry of John Keats

  John Keats

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  'What the imagination seizes as Beauty must be truth' So wrote the Romantic poet John Keats (1795-1821) in 1817. This collection "The Complete Poetry of John Keats" contains all of his poetry: the early work, which is often undervalued even today, the poems on which his reputation rests including the Odes and of the uncompleted epic Hyperion, and work which only came to light after his death including his attempts at drama and comic verse. It all demonstrates the extent to which he tested his own dictum throughout his short creative life. That life spanned one of the most remarkable periods in English history in the aftermath of the French Revolution and this collection, with its detailed introductions and notes, aims to place the poems very much in their context. The collection is ample proof that Keats deservedly achieved his wish to 'be among the English Poets after my death'.
  The following John Keats poetry is included in this collection:
  • Ode on Indolence
  • Ode to a Nightingale
  • Ode on a Grecian Urn
  • Ode to Psyche
  • Ode on Melancholy
  • To Autumn
  • Hyperion
  • Endymion
  • The Eve of St. Agnes
  • Isabella
  • Lamia

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  A Doll's House

  Henrik Ibsen

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  A door slams, and the echoes never fade. Henrik Ibsen's A Doll's House (1879) is a play that doesn't shout—it lingers, unsettling and undeniable. Beneath the surface of a seemingly ordinary household lies a quiet storm, gathering strength with every polite exchange, every carefully placed smile.
  Nora Helmer is a wife, a mother, a woman adored. Her home is warm, her life is comfortable, her husband sings her praises. But when a long-kept secret begins to unravel, so does the delicate balance of her world. What happens when the roles we play no longer fit? When the words we speak don't match the voices inside us?
  Ibsen doesn't lecture, doesn't plead—he simply opens a door and lets us look inside. What we see is up to us. Is it a tale of liberation or betrayal? A tragedy or a beginning? More than a century later, the questions still stand, just as urgent, just as sharp.
  With A Doll's House, Ibsen didn't just write a play. He set a stage for countless conversations, forcing audiences to lean in, to question, to wonder. And when the final moment comes, when the door closes behind Nora, it isn't just her world that shifts. It's ours, too.

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